Browse Items (13 total)

The author of this book goes over some of the history of copyright and some of the current existing laws. He explains that under the current laws of the U.S., securing a copyright doesn't require publication, registration, or any other action in the…

"Introduced by Clive Phillpot, and including artists and writers such as Gustav Metzger, Bruce McLean, Barbara Steveni, John Latham, Barry Flanagan, Edward Burra, Penelope Curtis, and Neal White, All This Stuff breaks new ground in the field of…

Explores how art archiving is changing in theory, how our understanding of archiving is influenced and changed, and how archives can be made accessible. The topic of what archiving is, what it means to society, and the value it holds is addressed in…

This article explores the reasons that many archivists overlook digital preservation when archiving films, particularly focusing on the risks of digital preservation compared to its physical counterpart. Current methods of film preservation are…

This article uses information from an online database of music sampling to estimate the effect of copyright protection on the cumulative use of music. Using unique panel data that link upstream and downstream music, the author uses regression…

Russotti and Anderson give a good basic outline of Digital Asset Management. In contrast, or perhaps complimentary to Peter Krogh's The DAM Book, the authors bridge the gap between novice digital photographers and more advanced practitioners. Most of…

This book examines various approaches to digital preservation of Indigenous history, culture, and communication. Historically, those aspects are passed orally through family as opposed to officially recorded and stored, risking the loss of…

Colin Post’s article focuses on the importance of institutions establishing a collaborative relationship with local artist. The collaboration comes from the personal archives of artists sharing their content to institutions. To ensure the long-term…

For many, the idea of digital archives can often appear to be fundamentally opposed to media and art and can appear to be impossible to accomplish. This article examines some of the problems that digital archivists face when attempting to incorporate…

Abstract Artist and art subject file collections contain important primary source ephemera for art historical research—but what happens when the ephemera are online? The National Museum of Women in the Arts has been web archiving art-related online…