2
10
15
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
200
Height
200
Bit Depth
8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Public Participation and Memory
Description
An account of the resource
Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.
Interactive Resource
A resource requiring interaction from the user to be understood, executed, or experienced. Examples include forms on Web pages, applets, multimedia learning objects, chat services, or virtual reality environments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
How to Organize Old Digital Images
Subject
The topic of the resource
Pedagogy
Description
An account of the resource
This specific tutorial is just a single movie from chapter three of the Organizing and Archiving Digital Photos course presented by lynda.com author Derrick Story. The complete Organizing and Archiving Digital Photos course has a total duration of 2 hours and 28 minutes, and explores the concepts and techniques behind efficient photo management and backup
Creator
An entity primarily responsible for making the resource
Story, Derek
Publisher
An entity responsible for making the resource available
Lynda.com
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Contributor
An entity responsible for making contributions to the resource
Tripson, Charlotte
License
A legal document giving official permission to do something with the resource.
Standard YouTube License
Medium
The material or physical carrier of the resource.
Video
archive practices
digital images
photography
preservation
-
https://dar.cah.ucf.edu/files/original/be466ccb60de4b847c4d5965403007ee.jpg
c74e973b34739b2dc8a8d942b4c3f803
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
398
Height
500
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Personal Archiving
Description
An account of the resource
Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.
This collection aims to highlight methods and materials having to do with personal archiving, and its relationship to the field of digital archiving.
Book
A written or printed work consisting of pages.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thousands of Images, Now What: Painlessly Organize, Save, and Back Up Your Digital Photos
Subject
The topic of the resource
Personal archives
Description
An account of the resource
Tackle the challenges of digital photo file management!
If you find yourself with more digital photos than you know what to do with or at a loss as to how to begin organizing them all, then Digital Asset Management (DAM) is your solution. This incredibly helpful book answers such common questions as: how should I manage the sheer volume of images? How can I make sure my pictures are safely backed-up? How can I efficiently categorize my images so that I can quickly find the one I'm seeking?
Professional photographer and author Mike Hagen shows you how to organize, save, and back-up your digital photos by creating a filing and back-up system that are both efficient and effective. He walks you through the steps necessary to successfully maintain an orderly archiving system so that you can quickly store, save, and retrieve your images.
Digital Asset Management (DAM) helps you organize, save, and back-up your digital photos
Explains how to efficiently and effectively create an intuitive filing system that is right for you
Answers frequently asked questions regarding storing, saving, and retrieving images
Encourages you to create a successful digital photo archive that, once created, will be easy to maintain and use
Say "so long" to your days of being a digital photo pack rat when you put this easy-to-understand, helpful book to use!
Table Of Contents
A list of subunits of the resource.
<a href="http://www.amazon.com/Thousands-Images-Now-What-Painlessly/dp/0470582081/ref=sr_1_1?s=books&ie=UTF8&qid=1397667836&sr=1-1&keywords=digital+archiving+photography%5C#reader_0470582081">Click here for table of contents</a>
Creator
An entity primarily responsible for making the resource
Hagen, Mike
Publisher
An entity responsible for making the resource available
John Wiley & Sons Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Contributor
An entity responsible for making contributions to the resource
Tripson, Charlotte
Rights
Information about rights held in and over the resource
Copyright © 2000-2015 by John Wiley & Sons, Inc. or related companies. All rights reserved.
Type
The nature or genre of the resource
Book
Identifier
An unambiguous reference to the resource within a given context
ISBN-13: 978-0470582084
ISBN-10: 0470582081
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Hagen, Mike. <em>Thousands of Images, Now What: Painlessly Organize, Save, and Back Up Your Digital Photos. </em>Hoboken: John Wiley & Sons Inc.(2012). Print.
archive practices
digital conversion
digital images
photography
preservation
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Preservation Issues
Description
An account of the resource
Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and management policies. These entries illuminate standard archival preservation practices and present future trends.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Becoming digital: the challenges of archiving digital photographs
Subject
The topic of the resource
Digital humanities
Description
An account of the resource
This thesis paper covers the importance of digital recording and it's development. It talks about while scanned images tend to make it to the digital archives, the original digital images don't seem to always make it into an archive. This thesis aims to challenge the issue of not archiving digital photography and rather encourage it.
Creator
An entity primarily responsible for making the resource
Simonson, Karen Rae
Publisher
An entity responsible for making the resource available
University Microfilms Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Contributor
An entity responsible for making contributions to the resource
McLean, Sarah
Rights
Information about rights held in and over the resource
Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of its thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner.
Type
The nature or genre of the resource
Document
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Simonson, Karen Rae. "Becoming digital : the challenges of archiving digital photographs." Thesis. University of Manitoba, 2006. Web. 18 Apr. 2015.
digital images
digital records
photography
preservation
-
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502fa9de9b201d50f4f0370d0df8aab4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
90
Height
90
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Public Participation and Memory
Description
An account of the resource
Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.
Conference Proceeding
Academic papers published in the context of an academic conference.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A few too many? Some considerations on the digitisation of historical photographic archives
Subject
The topic of the resource
Archives
Description
An account of the resource
Baylis counters the idea that there are too many digitized historic photographs for public use by stating that there is too little information contextualizing these photographs. Using the Larcom Albums of 19th century Irish prison photographs housed in the New York Public Library’s photographic archive, Baylis reconstructs the original context of the photographs from each album, pointing out the differences in content, photographic style, technique, and description. She also recounts the history of the collection and the shift in meaning and context from when original owner, Larcom first organized and classified the prisoner photographs into an album to when albums transferred to a writer and eventually to the New York Public Library. Each album, while featuring prisoners from the same Irish prison within a similar time period, was unique in its categorization of criminal as opposed to political prisoners. However, because this information was recorded in a manuscript located elsewhere, the superficial visual similarities obscured the significant differences between the two albums. Since digitization of these photographs, they continue to be recreated in meaningful contexts far different from their origins. Genealogists interested in Irish ancestry are the predominant users of this collection, assembling individual photographs and records as an “assemblage” devoid of any “temporal anchoring.” Baylis notes that one of the results of digitization is the tendency to rely on photographs for surface meaning and visual reference, rather than recognize them as trace elements of a past, containing their own rich history and layers of meaning.
Creator
An entity primarily responsible for making the resource
Baylis, Gail
Publisher
An entity responsible for making the resource available
MIT
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-17
Contributor
An entity responsible for making contributions to the resource
Polk, Victoria
Type
The nature or genre of the resource
Conference Proceeding
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Baylis, Gail. "A few too many? Some considerations on the digitisation of historical photographic archives." Paper presented at the MIT 6 Conference. Boston, MA,April 24-26 2009. <a href="http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf">http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf</a>
archival standards
history
library
photography
-
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dfaf54a63e169e8d3b71fb96a0fc3917
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
110
Height
155
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Public Participation and Memory
Description
An account of the resource
Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.
Journal
An item printed in an academic or professional journal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Between Archive and Participation: Public Memory in a Digital Age
Subject
The topic of the resource
Collective memory
Description
An account of the resource
Haskins examines the effects of the Internet on the memory work of archives and the informal, vernacular style of the broad public. Examples of the vernacular style of memory work include the spontaneous display of mementos at memorials or sites of mourning, and uploading personal stories and photographs to the Internet via social media. Traditionally, archival memory stores and orders material traces of the past without the presence or engagement by the public. However, the Internet continually archives the transmission of media and exponentially, the private opinions, ephemera, and idiosyncratic methods of organization of its contributors. The diversity of public opinion and the sharing of content afford both potentially beneficial and destructive consequences. Participation in memory work by a greater cross-section of society that is unaffected by more conservative, institutional restraints supports the values and beliefs of a democratic society. Conversely, that same diversity fosters insularity, given the widely fragmented content and the commercial profit gained by nurturing individualistic self-expression. Haskins proposes, through her examination of the 9-11 digital archive a balanced approach to centering memory work by cultural heritage institutions with guidelines for public participation and fostering a comprehensive view of history.
Creator
An entity primarily responsible for making the resource
Haskins, Katerina
Publisher
An entity responsible for making the resource available
Rhetoric Society Quarterly
Date
A point or period of time associated with an event in the lifecycle of the resource
2007
Contributor
An entity responsible for making contributions to the resource
Polk, Victoria
Rights
Information about rights held in and over the resource
The Rhetoric Society of America
Type
The nature or genre of the resource
Journal Article
Bibliographic Citation
A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.
Haskins, Katerina. "Between Archive and Participation: Public Memory in a Digital Age." <em>Rhetoric Society Quarterly </em>v. 37, n.4. (2007): 401-422.
Instructional Method
A process, used to engender knowledge, attitudes and skills, that the described resource is designed to support. Instructional Method will typically include ways of presenting instructional materials or conducting instructional activities, patterns of learner-to-learner and learner-to-instructor interactions, and mechanisms by which group and individual levels of learning are measured. Instructional methods include all aspects of the instruction and learning processes from planning and implementation through evaluation and feedback.
Haskins illuminates one of the most critical challenges facing builders of digital archives: balancing the time-tested standards and methods for storing and providing access to a comprehensive representation of cultural knowledge against the demands for digitization and greater public participation. In this article, she alerts the reader to the potential loss of historical consciousness and a “self-congratulatory amnesia” resulting from the Internet style of unbridled public expression. Archives should facilitate broad perspectives and a sense of the larger body politic. As digital archivists, we provide the contextual information, tools, and interface design that may either enhance or detract from the idea of cultural memory.
cultural heritage
memory
new media
photography