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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>The article, “Archaeological Digital Archiving in Turkey,” provides an in-depth look behind the curtain of the digital archiving scene across the globe. Found through the University of Central Florida Library, this article is available online at no cost for UCF students. The article details the process of moving data from the excavation site into the archives. Beginning with fieldwork, the information is then transferred to existing repositories that serve as informational hubs. The landscape of archeological digital archiving is a loose and eclectic one. Turkey provides a good example of a decisive and well-oiled system. By providing an overview of the legal framework and organization of the archiving systems, this article could be useful to both archivists and archeologists. There are also helpful demonstrations of how important collaboration across career fields is. To borrow from the summary by the creators themselves, “we also conclude that the future promises progress towards more interoperable archaeological digital archives thanks to international training, network and knowledge transfer opportunities.”</text>
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                <text>  Atalan Çayırezmez, Nurdan, Piraye Hacıgüzeller, and Tuna Kalayci. “Archaeological Digital Archiving in Turkey.” Internet archaeology, no. 58 (2021).&#13;
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                <text>&lt;em&gt;Archives in Appalachia: A Directory&lt;/em&gt; is a book accessible through the University of Central Florida library’s Primo search. The book is composed of entries cataloging and describing the 181 repositories available throughout 195 counties. These counties are confined to the South-Central Appalachia region. Appalachia is a historically and culturally rich area and contains a great deal of information to be archived and preserved. This directory is a step in the process of organizing and preserving the political, social, cultural, and economic history of Appalachia. In the table of contents, there is also a section on “Coming Attractions,” which lists agencies that did not collect material but aim to do so in the future. The directory also provides indexes that are sorted by subject matter and material type; this was done so to help researchers narrow down information on time. As established earlier, this directory covers a wide range of valuable information in many fields of work. This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.</text>
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                <text>  Garrison, Ellen. Archives in Appalachia : A Directory. Appalachian State University, 1985.</text>
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                <text>Müller, Katja. &lt;em&gt;Digital Archives and Collections: Creating Online Access to Cultural Heritage&lt;/em&gt;. Vol. 11. Berghahn Books, 2021. https://doi.org/10.2307/j.ctv29sfzfx.</text>
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                <text>&lt;em&gt;Digital Archives and Collections: Creating Online Access to Cultural&lt;/em&gt; &lt;em&gt;Heritage&lt;/em&gt; by Katja Müller examines how museums and archives create and curate their online presence. It explores how archivists in India and Europe decide how to create their digital archives, what platforms to use, what records and collections to include, what methods to use in curating and maintaining these archives, and how to share these digital archives with the greater online public. The book is based on anthropological fieldwork and follows certain digital archives as they tackle technical advancements and postcolonial initiatives, examine programming alternatives, handle editing content, and deal with the active use of the digital archives themselves. It also looks at community archives and archives that have been digital since they were created and how these archives interact with the greater archival world. &lt;em&gt;Digital Archives and Collections: Creating Online Access to Cultural&lt;/em&gt; &lt;em&gt;Heritage &lt;/em&gt;provides a look at modern digital archives and the methods and reasons behind building these archives.</text>
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                <text>&lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections &lt;/em&gt;examines the types of collections that have been digital since the time of their inception. These include web archives, photoarchives, dark archives, and digital libraries. Digital archives have grown significantly in recent years, resulting in a growth of digital data, digital archivists, and new and open source software for the creation and maintenance of these digital archives. &lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections&lt;/em&gt; reviews how digital records are found, collected, appraised, and analyzed and the challanges archivists face throughout this process. It also explores how various disciplines interract throughout the archive creation, curation, and maintenance processes and examines possible ways to improve the communication and collaboration therein. Additionally, the book examines new artificial intelligence technologies, such as neural networks, machine learning, and handwriting optical recognition, and how they interact with digital archives.</text>
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                <text>Jaillant, Lise, ed. &lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections&lt;/em&gt;. 1st ed. transcript Verlag, 2022. http://www.jstor.org/stable/jj.11425482.</text>
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                <text>“Research and Advanced Technology for Digital Libraries” is one out of many in a elongated series. This exact version is titled as the Third European Conference Proceedings, published in 1999. The purpose of this text is to enhance the skills of the readers by breaking down the individual means of archinging separated by every chapter. The text first breaks down the “text-book” approaches of digitizing and categorizing images for digital downloading and archiving. The text then goes into the various methods of doing this, but in what they believe to be in more efficient manners. There are many tools and methods explained in the text for “first time users” of archiving and digitization. This is an essential addition to the archiving website because it has various instructions that can be help to a first time user to these new programs for archiving. In addition, it offers a lot of design guidelines and assistance in regard to aesthetics to make it easier for the reader to present their information for a wider audience. This is an extremely relevant addition because many instructions for archiving assume that every reader knows the basics. This text offers information in a  way that a beginner or an expert can gain valuable knowledge from. </text>
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                <text>Abiteboul, Serge. Research and Advanced Technology for Digital Libraries: Third European Conference, ECDL 99, Paris, France, September 22-24, 1999: Proceedings. Berlin: Springer, 1999.</text>
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                <text>Digital Curation: The Emergence of a New Discipline</text>
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                <text>Sarah Higgins explores the world of digital curation from its beginnings to now in her article “Digital Curation: The Emergence of a New Discipline.” With the world becoming more digital by the day, Higgins brings to light the importance of curation. The article takes readers on a journey of the evolution of digital curation over the years. Higgins also delves into some of the history of digital preservation within the United Kingdom and America. The efforts put in by the Digital Curation Centre (DCC) and its three phases are also included along with information on different digital curation organizations in the world.</text>
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                <text>Higgins, Sarah. “Digital Curation: The Emergence of a New Discipline.” International Journal of Digitization 6 no. 2 (July 25, 2011): 78-88. Accessed April 13, 2020. https://doi.org/10.2218/ijdc.v6i2.191</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>The authors of this paper aim to show how interfaces and rich prospect browsers centered around the users of a specific archive can best help the needs of the primary users. The authors’ goal is to solve problems faced by other cultural heritage collections. “These problems are lack of accessibility, limited functionalities to explore the collection through browsing, and risk of less known content being overlooked.” Their focus centers on the Dutch Folktale Database which was designed for folktale experts, but actually appealed more for casual users of the general public. The authors try to present new interfaces in order to appeal to both sets of users. The author’s main point is that as cultural heritage collections are digitised, the people who consume the content expands to larger audiences and the interfacing has to reflect this from the beginning.&#13;
I believe this paper is a good addition to the archive because it involves an archive centered in the culture of another country. I think it also considers how media archives and physical archives are different. It considers the difference between these archives by platform and how the archive should be adjusted to suit the potential viewers. Keeping in mind how to benefit the original and expanded audience is important while building a successful platform.&#13;
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                <text>Alexis Cosio</text>
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                <text>Muiser, Iwe, Mariet Theune, Ruud de Jong, Nigel Smink, Rudolf Berend Trieschnigg, Djoerd Hiemstra, and Theo Meder. "Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database." Digital humanities quarterly 11, no. 4 (2018).</text>
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                <text>Building digital archives: Design decisions: A best practice example</text>
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                <text>This conference by Meyer et al discusses the concept of digital archive building and the best methods to, “search for an applicable and adequate data or document model [and] software tools which meets the requirements” (Meyer et al) of making digital library applications. Within their conference, they explained how there is not an ideal document model or system, there is not a “one-size-fits-all” (Meyer et al), but that each document model or system is unique to the information that is being digitally archived. This conference goes in-depth on the technical implementation of aspects of a digital archive, factors that will ultimately determine the sustainability and the maintenance of the archive. These ideas are all included within the “digital archive project DARL (Digitales Archiv Rostocker Liederbuch, engl.)” (Meyer et al). &#13;
I found the information found within this conference pertinent to the overall understanding of a digital archive. I think that it can be easy to lose sight of how archives, while they have the same goal and purpose, are all unique and, thus, made differently. Understanding how an archive is made is extremely important and this resource helps readers to understand the technical side of design decisions that impact an archive in big ways.</text>
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Bruder, Ilvio&#13;
Finger, Andreas&#13;
Heuer, Andreas</text>
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                <text>Meagan Roge</text>
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                <text>DOI: 10.1109/ETTLIS.2015.7048172</text>
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                <text>Meyer, Holger, Ilvio Bruder, Andreas Finger, and Andreas Heuer. “Building Digital Archives: Design Decisions: A Best Practice Example.” 4th International Symposium on Emerging Trends and Technologies in Libraries and Information Services, Emerging Trends and Technologies in Libraries and Information Services (ETTLIS), (2015): 59–64. Accessed April 8, 2020. doi:10.1109/ETTLIS.2015.7048172.</text>
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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Bringing User-Centered Design to the Field of Language Archives</text>
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                <text>Within this academic journal, Wasson et al provides the reader with both research and findings from their self-conducted workshop that sparks conversation between “fields of user-centered design (UCD) and language archives” (Wasson et al). Within the article itself, there is emphasis on the challenges of digital archiving in regard to language archiving, navigating cultural practices, and then using the understanding of these concepts to make informed archive design decisions. These concepts all arise within their workshop, “User-Centered Design of Language Archives.” Specifically, a very important discovery that is made within the workshop is how, “most language archives are not meeting the needs of most users” (Wasson et al). &#13;
I found the information within this article and, further, within their study, to be extremely informative of and pertinent to the study of digital archiving and the challenges that arise from the format of language. The focus on the user and user-based design is a step towards personalizing and adapting existing archives while also setting a new standard for language archives. As mentioned prior, this study not only analyzed existing archives, but it also uncovered flaws within the archiving practice. This showcases the relevancy and need for this study and I believe it also warrants the inclusion of such an item within the showcase.</text>
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                <text>Wasson, Christina&#13;
Holton, Gary&#13;
Roth, Heather S.</text>
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                <text>Meagan Roge</text>
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                <text>ISSN: 1934-5275</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Wasson, Christina, Gary Holton, and Heather S. Roth. “Bringing User-Centered Design to the Field of Language Archives.” University of Hawaii Press, (2016): 0-41. Accessed April 8, 2020.&#13;
https://search.ebscohost.com/login.aspx?direct=true&amp;db=edsbas&amp;AN=edsbas.C23ADAFF&amp;site=eds-live&amp;scope=site.</text>
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        <name>digital conversion</name>
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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Digital Renaissance</text>
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                <text>Deanna Shemek</text>
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                <text>I Tatti Studies in the Italian Renaissance</text>
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                <text>2019 Fall</text>
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                <text>Abbygail Dees</text>
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                <text>Shemek, Deanna. "Digital Renaissance," I Tatti Studies in the Italian Renaissance 22, no. 2 (Fall 2019): 383-391. https://doi.org/10.1086/705488</text>
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                <text>Deanna Shemek’s article is about how our current push in new digital technologies is bring about a “digital renaissance”. With the introduction of Geographic Information Systems, Augmented Reality, Virtual reality and things like a cloud or sound cloud: the term of what constitutes as art has changed. Our art is now online, between the use of Adobe cloud products and games, art is not just what we create on paper or on a canvas. Shemek’s research began as a simple preservation paper evolved to a “multimedia, online environment for study of the Italian Renaissance” that is constantly changing. With the collaboration of many countries, the Isabella d’Este Archive is a great example of the Digital Renaissance according to Shemek. Smemek then goes into and explains how archives that typically acquire and focus on early modernity materials and objects differ from archives focusing on the new and complex forms of the digital world. Shemek goes into the Teamwork, Reference Resources, Databases, Author Resources Site and Digital Editions, Visualization Projects, Mapping and Network Visualization, Big data and Machine Learning and Immersive Experience and Virtual Reality. &#13;
Shemek gives the reader the run down as to how archives are and will be adjusting and adapting to an ever-changing digital world. Shemek proposes an interesting way of adapting to these new digital forms. &#13;
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