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                <text>Krystyna K. Matusiak &amp; Myagmar Munkhmandakh. "A Newspaper/Periodical Digitization Project in Mongolia: Creating a Digital Archive of Rare Mongolian Publications." The Serials Librarian, July 09 2009. 57:1-2, 118-127, doi: 10.1080/03615260802669136.&#13;
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                <text>Elish and Trettien argue the interface of digital collections transfers meaning through its design and acts as a metonym for the sponsoring web site. They scrutinize the visual interface and usability of three web sites housing large digitized collections and focus on the ideologies associated with the representation and mission of each site. By applying what they refer to as “visual epistemology,” Elish and Trettien identify the tools and visual markers that facilitate access to and navigation through three digital archives: NINES (Networked Infrastructure for Nineteenth-century Electronic Scholarship), “Objects of History” (George Mason University), and SFMOMA Art Scope (San Francisco Museum of Modern Art). Both presentation of the items and navigation through the site work in tandem to produce meaning, with the preferred result being a minimizing of the interface and a maximizing of the content. In this article, the authors underscore the “expressive potential of digital form” and offer a method for designing and critiquing digital archives.</text>
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                <text>At this formative moment in the field of Digital Humanities, this paper seeks to intervene with the question: how does visual epistemology inform and influence the ways of accessing artifacts (broadly construed) in a digital space? As Research Assistants for MIT’s Hyperstudio, we have helped to design, plan and implement Digital Humanities projects; as scholars and students of art, literature and media, we have used digitalarchives in our own research. Drawing on these experiences, we explore the ways in which three recent web-based Digital Humanities projects draw on visual conventions and interface design to translate user interactions into archival access.</text>
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                <text>&lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections &lt;/em&gt;examines the types of collections that have been digital since the time of their inception. These include web archives, photoarchives, dark archives, and digital libraries. Digital archives have grown significantly in recent years, resulting in a growth of digital data, digital archivists, and new and open source software for the creation and maintenance of these digital archives. &lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections&lt;/em&gt; reviews how digital records are found, collected, appraised, and analyzed and the challanges archivists face throughout this process. It also explores how various disciplines interract throughout the archive creation, curation, and maintenance processes and examines possible ways to improve the communication and collaboration therein. Additionally, the book examines new artificial intelligence technologies, such as neural networks, machine learning, and handwriting optical recognition, and how they interact with digital archives.</text>
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                <text>Jaillant, Lise, ed. &lt;em&gt;Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections&lt;/em&gt;. 1st ed. transcript Verlag, 2022. http://www.jstor.org/stable/jj.11425482.</text>
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                <text>Venezia, Tony. "Archives, Alan Moore, and the Historio-Graphic Novel." &lt;em&gt;International Journal Of Comic Art&lt;/em&gt; 12, no. 1 (2010): 183-199. &lt;em&gt;Art Full Text (H.W. Wilson)&lt;/em&gt;, EBSCO&lt;em&gt;host&lt;/em&gt; (accessed Feb. 1, 2013).</text>
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                <text>Roe, Kathleen.  Arranging and Describing Archives &amp; Manuscripts (Archival Fundamentals Series II). Chicago: Society of American Archivists, 2005. </text>
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