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                <text>Daniel, Dominique &amp;amp; Amalia Levi. "Identity Palimpsests: Archiving Ethnicity in the U.S. and Canada." Litwin Books, 2014, &lt;a title="Source Link" href="http://litwinbooks.com/identity-palimpsests.php" target="_blank"&gt;http://litwinbooks.com/identity-palimpsests.php&lt;/a&gt;.</text>
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                <text>Carson, Christie &amp;amp; Peter Kirwan. Shakespeare and the Digital World: Redefining Scholarship and Practice. Camrbidge Universtiy Press, 2014, &lt;a title="Source Link" href="http://www.cambridge.org/cr/academic/subjects/literature/renaissance-and-early-modern-literature/shakespeare-and-digital-world-redefining-scholarship-and-practice" target="_blank"&gt;http://www.cambridge.org/cr/academic/subjects/literature/renaissance-and-early-modern-literature/shakespeare-and-digital-world-redefining-scholarship-and-practice&lt;/a&gt;.</text>
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                <text>This anthology offers a comprehensive overview of theoretical approaches to cultural heritage institutions and digital media. Featuring authors from a broad variety of disciplinary fields, it aims at an international, cross-disciplinary audience of scholars, professionals, and students. Rather than focus on methodology or technical implementation, the collection provides critical analyses of arguments and theories about the intersections of material and digital objects. Arguing that questions and doubts regarding technology and cultural heritage are part of a long-standing, ongoing discourse, the authors ask “what new understandings can be brought to bear on the relationship between digital and physical collections, artworks, and on the digital object.” Each article illuminates different aspects of the theme; drawing on examples in practice, such as photography and art, the authors examine how digitization bears upon abstract concepts of materiality, authenticity, authority, and representation. </text>
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                <text>Cameron, Fiona, and Sarah Kenderdine, eds. Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge, MA: MIT Press, 2007.&#13;
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>In Part II of The Future of the Past, Alexander Stiille discusses cultural memory as it relates to the National Archive and the process of digitizing and converting nontextual material to a more stable format. Stille states that, at current staff levels, it would take 120 years to transfer nontextual material to more stable digital formats. Using this example, he thus elucidates a problem pinpointed by many scholars of digital archives: eventually, information abundance starts to feel overwhelming. Furthermore, with information glut comes questions of authority and vetting processes: who is creating and controlling cultural memories?</text>
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                <text>Sara Raffel</text>
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