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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care </text>
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                <text>Social media and the internet has become a major presence in the lives of people that we have curated our own identities online, but what happens to this digital footprint once someone passes away? Even as the number of users and accounts on the internet increase every minute of the day, Carl Öhman addresses that “the dead will outnumber the living on Facebook”. While individuals can write a will to distribute their property after death, the same isn’t so easy with a digital footprint. With companies like Meta and X playing a huge role in data sharing, it’s increasingly difficult to say whether our data is truly our own—and if it isn’t, “who should have the right to decide what happens to our data?” In &lt;em&gt;The Afterlife of Data, Öhman &lt;/em&gt;explores these questions while urging individuals to take control of their data.</text>
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                <text>Amanda Dabao</text>
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                <text>ISBN-13: 9780226828237</text>
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                <text>Öhman, Carl. &lt;em&gt;The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care.&lt;/em&gt; United Kingdom: University of Chicago Press, 2024.</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>The ubiquity of digital data and its seemingly effortless and transparent transmission in routine commerce and communication is rarely discussed from both technical and socio-political perspectives in one work. In this book, however, the authors provide a detailed technological history of digitization while also illuminating the social and cultural consequences of this information explosion. Two areas of concern for the authors and of particular interest for digital archivists are the changing view toward privacy and knowing what data should be preserved or deleted. In the former area, Abelson, Ledeen, and Lewis explain the gradual shift in perceptions of privacy as digital devices including credit cards, cell phones, digital cameras, and GPS trackers that encode and embed personal and local data. Consumers of these devices become acclimatized to the trade-off of personal privacy for the conveniences they provide. &#13;
&#13;
Data leakage and unethical trading of information, however, is another type of trade-off that challenges those responsible for securing and maintaining digital content, (which the authors contend is regulated by the U.S. in piecemeal fashion). Tracking and securing digitized documents are matters of concern for archivists, not just to balance the needs of the citizen’s right to know and to privacy. Knowing what to make accessible, for whom, and what must be done for long-term preservation requires an understanding of the technical properties of its collected artifacts. The authors discuss the technical properties of text and image, underscoring the importance of applying this knowledge to storage methods. In addition to storing data, the authors also discuss the difficulty in permanently deleting data, despite the short life of technological hardware and software. Creating multiple copies, and sharing content by standardizing protocols and data structures, requires widespread coordination and what the authors describe, “creative compromise.”  &#13;
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                <text>Polk, Victoria</text>
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                <text>Abelson, Harold, Ken Ledeen, and Harry R. Lewis. &lt;em&gt;Blown to Bits: your life, liberty, and happiness after the digital explosion. &lt;/em&gt;Upper Saddle River, N.J.: Addison-Wesley, 2008. &lt;a href="http://www.bitsbook.com/wp-content/uploads/2008/12/B2B_3.pdf"&gt;http://www.bitsbook.com/wp-content/uploads/2008/12/B2B_3.pdf&lt;/a&gt;</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>In this academic journal, the authors discuss how the survey aspect of social media, Twitter in particular, presents an opportunity for a new way to collect data. It goes on to explain the complications in ethics  that requires “a deeper understanding of the nature and composition of Twitter data to fully appreciate the risks of disclosure and harm to participants.” The authors discuss three studies and how they have to do with informed consent regarding archiving social media content. Due to the concern the information might not be meant to be shared, they discuss how to maintain ethics while keeping the nature of the shared information in mind in this discussion.&#13;
I found this journal to be informative regarding the ethics of media archiving with new considerations such as polls on Twitter and accounts that are not meaning to pander to the masses. I appreciate how the authors use recent studies to discuss the issue at hand. I like how it explores what the “good ethical practice” is in an archiving world that is constantly changing. I think even if the information changes over time, this will hold to be interesting as a piece of history. I believe what is “good ethical practice” will continue to shift and change, but this paper holds a piece of history as to what archivists believe to be ethical now.</text>
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                <text>Alexis Cosio</text>
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                <text>Sloan, Luke, Curtis Jessop, Tarek Al Baghal, and Matthew Williams. “Linking Survey and Twitter Data: Informed Consent, Disclosure, Security, and Archiving.” Journal of Empirical Research on Human Research Ethics 15, no. 1–2 (February 2020): 63–76. doi:10.1177/1556264619853447.&#13;
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                <text>Bradley et al. “Creating an Oral History Archive: Digital Opportunities and Ethical Issues”. Australian Historical Studies Vol. 47 Issue 1, p75-91, 17p. Accessed April 3rd, 2020. DOI:&#13;
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                <text>The distribution of multi-media primary sources, in this article, chiefly oral history interviews through searchable digital archives has dramatically improved the quality of historical research in recent years. With the integration of audio sources comes ethical complexities regarding how researches interpret their sources and how the public interacts with them. This article explores this issues while by using the Australian Generations Oral History Project as a case study. </text>
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                <text>Breed, Miana. 2019. Capturing a Moment: The Practices and Ethics of Social Media Archiving. https://doi.org/10.17615/p4ff-zk64</text>
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                <text>Buchanan, Rachel and Tumarkin, Maria. "Bread and Breath: Two Reflections on the Ethics of (Doing) History." &lt;em&gt;Australian Humanities Review&lt;/em&gt; no. 52 (May 2012): 71-89. &lt;em&gt;Humanities Source, &lt;/em&gt;&lt;a href="http://eds.a.ebscohost.com/eds/detail/detail?sid=74aee47e-563e-407f-8931-cf85d8c364f7%40sessionmgr4004&amp;amp;vid=0&amp;amp;hid=4113&amp;amp;bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3D%3D&amp;amp;preview=false#AN=87481341&amp;amp;db=hus"&gt;EBSCO&lt;/a&gt; &lt;em&gt;host.&lt;/em&gt;</text>
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