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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>	&#13;
Virtual Preservation of Contemporary Architectural Heritage in Developing Countries in Absence of Protection: Digital Reconstruction, Recording, and Archiving before Complete Disappearance</text>
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                <text>This journal covers the topic of Malaysia, and how it is an area in the world where digital preservation is not that strong, which makes any historical heritage that can be found is at risk of being lost. As such, the journal covers cases where they go to Malaysia and gain digital version of information regarding historical buildings in Malaysia, such as the A&amp;W PJ contemporary restaurant and the structure of another building's design. There are a lot of historical elements within the Malaysian area that showcase a lot of the culture of the people, as well as giving a better idea of how the people lived, showcased in the architectural structures of the buildings that may not be seen used elsewhere. As such, it is seen as a wise decision to digitally document this information so that it may be found again in the future, preventing any of it from being lost or destroyed overtime. Methods of preserving these kinds of data required for the researches to go to these locations in person, taking close looks at the layout of the buildings, taking pictures of the ways that they were structured and built, then coming back to create 3D models of the buildings as  away to preserve their image.</text>
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                <text>Esmaeili, Human. Woods, Peter Charles. Thwaites, Harold</text>
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                <text>Gonzalez, Sean</text>
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                <text>Esmaeili, Human, et al.. "Virtual Preservation of Contemporary Architectural Heritage in Developing Countries in Absence of Protection: Digital Reconstruction, Recording, and Archiving before Complete Disappearance."  11th International Conference on Signal-Image Technology &amp; Internet-Based Systems, 2015&#13;
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>#MeToo in Sweden: Museum Collections, Digital Archiving and Hashtag Visuality&#13;
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                <text>Uimonen discusses the Nordic Museum in Stockholm’s #MeToo collection and the public submissions to the collection. It also “analyses the museum’s rationale for collecting what is considered to be difficult cultural heritage.” Unlike most archives, it does not contain images. The article proposes a new visuality in digital archiving: “hashtag visuality.” The article claims it is visual representation of social media. The author argues that the amount this visuality for the hashtag occurs in Sweden is a statement regarding sexism and violence in a country that is believed to be feminist. The author states hashtag visuality has made an impact on how this topic is discussed and acted upon and that it has become a movement.&#13;
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                <text>Uimonen, Paula&#13;
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                <text>Alexis Cosio</text>
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                <text>Uimonen, Paula. "# MeToo in Sweden: Museum Collections, Digital Archiving and Hashtag Visuality." Ethnos (2019): 1-18.</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>A few too many? Some considerations on the digitisation of historical photographic archives </text>
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                <text>Baylis counters the idea that there are too many digitized historic photographs for public use by stating that there is too little information contextualizing these photographs. Using the Larcom Albums of 19th century Irish prison photographs housed in the New York Public Library’s photographic archive, Baylis reconstructs the original context of the photographs from each album, pointing out the differences in content, photographic style, technique, and description. She also recounts the history of the collection and the shift in meaning and context from when original owner, Larcom first organized and classified the prisoner photographs into an album to when albums transferred to a writer and eventually to the New York Public Library. Each album, while featuring prisoners from the same Irish prison within a similar time period, was unique in its categorization of criminal as opposed to political prisoners. However, because this information was recorded in a manuscript located elsewhere, the superficial visual similarities obscured the significant differences between the two albums. Since digitization of these photographs, they continue to be recreated in meaningful contexts far different from their origins. Genealogists interested in Irish ancestry are the predominant users of this collection, assembling individual photographs and records as an “assemblage” devoid of any “temporal anchoring.” Baylis notes that one of the results of digitization is the tendency to rely on photographs for surface meaning and visual reference, rather than recognize them as trace elements of a past, containing their own rich history and layers of meaning.  </text>
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                <text>Baylis, Gail</text>
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                <text>Polk, Victoria </text>
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                <text>Baylis, Gail. "A few too many? Some considerations on the digitisation of historical photographic archives." Paper presented at the MIT 6 Conference. Boston, MA,April 24-26 2009. &lt;a href="http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf"&gt;http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf&lt;/a&gt;</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>A Free Digital Library</text>
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                <text>In a lecture at e.g. 2007 librarian Brewster Kahle introduced his radical idea to create a free, open access digital library with the aim of “bring[ing] all of the works of knowledge to as many people as want to read it.” He uses the Amazon.com website as a model for how he would like to organize, and provide access to the multimedia library he proposes. Kahle notes that digitization is the greatest challenge, arguing that a 10 cent per scanned page cost is miniscule compared to the demand and need for information to be digitized. Brewster continues by explaining how they have begun to seek out, and store audio and video by reaching out to artists, and individuals who are interested in storing and sharing their work for free. He discusses two of his projects “The Internet Archive,” and the “Wayback Machine” which respectively archive the web, and store previous images of websites at various points in time.</text>
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                <text>Kahle, Brewster. “A Free Digital Library.” Presentation at EG 2007, TED. Web.</text>
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                <text>Wakimoto, Diana K., and Christine S. Bruce. "Academic Librarians' Varying Experiences of Archives: A Phenomenographic Study." &lt;em&gt;Journal Of Academic Librarianship&lt;/em&gt; 40, no. 5 (September 2014): 452-459. &lt;em&gt;Professional Development Collection&lt;/em&gt;, &lt;a href="https://login.ezproxy.net.ucf.edu/login?auth=shibb&amp;amp;url=http://search.ebscohost.com/login.aspx?direct=true&amp;amp;db=tfh&amp;amp;AN=98603151&amp;amp;site=eds-live&amp;amp;scope=site"&gt;EBSCO&lt;/a&gt;&lt;em&gt;host.&lt;/em&gt;</text>
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                <text>Bastian, Jeannette A. Archiving Cultures: Heritage, Community and the Making of Records and Memory. 1st ed. United Kingdom: Taylor &amp; Francis, 2023.</text>
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                <text>Haskins examines the effects of the Internet on the memory work of archives and the informal, vernacular style of the broad public. Examples of the vernacular style of memory work include the spontaneous display of mementos at memorials or sites of mourning, and uploading personal stories and photographs to the Internet via social media. Traditionally, archival memory stores and orders material traces of the past without the presence or engagement by the public. However, the Internet continually archives the transmission of media and exponentially, the private opinions, ephemera, and idiosyncratic methods of organization of its contributors. The diversity of public opinion and the sharing of content afford both potentially beneficial and destructive consequences. Participation in memory work by a greater cross-section of society that is unaffected by more conservative, institutional restraints supports the values and beliefs of a democratic society. Conversely, that same diversity fosters insularity, given the widely fragmented content and the commercial profit gained by nurturing individualistic self-expression. Haskins proposes, through her examination of the 9-11 digital archive a balanced approach to centering memory work by cultural heritage institutions with guidelines for public participation and fostering a comprehensive view of history. </text>
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                <text>Haskins, Katerina. "Between Archive and Participation: Public Memory in a Digital Age." &lt;em&gt;Rhetoric Society Quarterly &lt;/em&gt;v. 37, n.4. (2007): 401-422.</text>
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                <text>Haskins illuminates one of the most critical challenges facing builders of digital archives: balancing the time-tested standards and methods for storing and providing access to a comprehensive representation of cultural knowledge against the demands for digitization and greater public participation. In this article, she alerts the reader to the potential loss of historical consciousness and a “self-congratulatory amnesia” resulting from the Internet style of unbridled public expression. Archives should facilitate broad perspectives and a sense of the larger body politic. As digital archivists, we provide the contextual information, tools, and interface design that may either enhance or detract from the idea of cultural memory. </text>
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                <text>In sizing up the notion of public memory, rhetoricians would be remiss not to consider the increasing influence of new media on today's remembrance culture. This article addresses memorial functions of the internet in light of recent scholarly debates about virtues and drawbacks of modern 'archival memory' as well as the paradoxical link between the contemporary public obsession with memory and the acceleration of amnesia. To explore the strengths and limitations of the internet as a vehicle of collecting, preserving, and displaying traces of the past, the article examines The September 11 Digital Archive, a comprehensive online effort to document public involvement in recording and commemorating the tragedy of 11 September, 2001.</text>
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                <text>Cocciolo, Anthony. "Challenges To Born-Digital Institutional Archiving: The Case Of A New York Art Museum." &lt;em&gt;Records Management Journal&lt;/em&gt; 24.3 (2014): 238-250. Web. 11 May 2015.</text>
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