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                <text>Delve, Janet; Anderson, David; Wilson, Andrew</text>
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                <text>Great attention and focus has been made towards preserving physical documents, pages, and books. However, as we become more technologically advanced our attention has shifted. There is a great need for improvements and maintenance with regards to our now current text. These being electronic documents suchs as TIFFS, PDFs, XML/HTML Code, and many other forms of textual data that can be viewed on a computer or related storage device. This is where Advanced Digital Preservation methods come into play. </text>
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                <text>Giaretta, David. Advanced Digital Preservation. Springer Science &amp; Business Media. 2011. https://books.google.com/books?id=75NXd0b-Ob0C&amp;dq=Curation+and+Preservation&amp;source=gbs_navlinks_s</text>
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                <text>This article explores the reasons that many archivists overlook digital preservation when archiving films, particularly focusing on the risks of digital preservation compared to its physical counterpart. Current methods of film preservation are highly comprehensive. The industry uses strict guidelines on the selection, funding, maintenance and accessibility of archived films. The Academy of Motion Picture Arts and Sciences, a leading non-profit organization in film preservation, sets many of these standards and explains that there are too many disadvantages in digitally preserving films to make any investments into it. One of the biggest problems that is present is the rapid obsolescence of digital files. Using 35mm cold film stocks, preservationists and archivists are able to safely keep films for over one hundred years, which is a lifespan that most digitally preserved films cannot match. In addition to this, many archives struggle with the storage of digital files. Films, especially ones with high quality, can take an immense amount of storage, and this can be exacerbated when keeping multiple copies of one film. Archivists also struggle with the cost of digitally preserving films. The standards for this practice are in their infancy, and many are hesitant to provide any investments to it, especially since the current methods work so well. However, Conrad warns that this refusal to address these problems will only delay the realities of the industry, as more and more films are not able to be properly preserved with physical methods.</text>
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                <text>Conrad, Suzanna. "Analog the Sequel: An Analysis of Current Film Archiving Practice And Hesitance to Embrace Digital Preservation." Archival Issues 34, no. 1 (2012): 27-43.  www.jstor.org/stable/41756160.</text>
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                <text>The Automatic Obsolescence Notification System, version 2 (AONS II) is a system designed by the National Library of Australia and the Australian Partnership for Sustainable Repositories to monitor archived digital files in order to help archivists keep track of when files may become obsolete, so they may update file formats before information is lost. Pearson explains the need for this type of system, noting that “we are still far more advanced in creating digital information resources than we are in taking concrete action to preserve them.” AONS II helps archivists to deal with the practical issue of keeping digital files in updated and usable formats. Pearson discusses the PANIC (Preservation Webservices Architecture for Newmedia, Interactive Collections, and Scientific Data) model and the AONS I program that together led to the creation of AONS II. Next, he details the goals of the program and describes how the system works to track file formats and notify users of files that are in danger of becoming obsolete. Additionally, Pearson notes that AONS II is an open source program freely available for download through the SourceForge website.</text>
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                <text>http://www.ipres-conference.org/ipres07/presentations/David_Pearson_AONS_II_continuing_the_trend_towards_preservation_software_Nirvana.pdf</text>
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                <text>Guay-Bélanger, D. (2022). Assembling Auras: Towards a Methodology for the Preservation and Study of Video Games as Cultural Heritage Artifacts. Games and Culture, 17(5), 659-678. https://doi.org/10.1177/15554120211020381&#13;
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                <text>http://www.clir.org/pubs/abstract//reports/pub92.</text>
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                <text>"Authenticity in a Digital Media Environment." Council on Library and Information Resources Report. May 2000. Accessed January 25, 2012. &lt;a title="http://www.clir.org/pubs/abstract//reports/pub92" href="http://www.clir.org/pubs/abstract//reports/pub92"&gt;http://www.clir.org/pubs/abstract//reports/pub92&lt;/a&gt;.</text>
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              <name>Title</name>
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                <text>Becoming digital: the challenges of archiving digital photographs</text>
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                <text>This thesis paper covers the importance of digital recording and it's development. It talks about while scanned images tend to make it to the digital archives, the original digital images don't seem to always make it into an archive. This thesis aims to challenge the issue of not archiving digital photography and rather encourage it.</text>
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                <text>University Microfilms Inc. </text>
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            <name>Date</name>
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                <text>McLean, Sarah</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="24181">
                <text>Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of its thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner.</text>
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              <elementText elementTextId="24184">
                <text>Simonson, Karen Rae. "Becoming digital : the challenges of archiving digital photographs." Thesis. University of Manitoba, 2006. Web. 18 Apr. 2015.</text>
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