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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Making African American History in the Classroom: The Pedagogy of Processing Undervalued Archives</text>
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                <text>This article argues that getting students to learn about archival preservation and research in the context of an underpreserved, underresearched history offers a number of pedagogical rewards. Colleges and universities are pushing to increase community-based learning opportunities for undergraduates. At the same time, digital humanities initiatives are making it increasingly possible for undergraduates to work hands-on with primary sources, and a number of university-sponsored efforts are being made to process and digitize neglected African American archives. Many of these projects make use of graduate student labor, but few have recognized the benefits of engaging undergraduates in processing local and minority archives as part of their classroom experience.&#13;
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This article argues that such classes would not only build mutually beneficial relationships between town and gown but also encourage students to recognize that the approach to history they are familiar with—one that emphasizes national leaders and “major” events—is part of the same tendency to value the powerful that has caused African American history to be underpreserved. Preserving and publicizing local histories counters this tendency and may help produce a younger generation of scholars who are attuned to politics of power and privilege within the scholarship they encounter and produce. (Provided by publisher)</text>
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                <text>Eaddy, Brionna</text>
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                <text>Mollie Godfrey. "Making African American History in the Classroom: The Pedagogy of Processing Undervalued Archives." Pedagogy 16, no. 1 (2016): 165-177. https://muse.jhu.edu/ (accessed April 20, 2016).&#13;
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                <text>From Text to Tags: The Digital Humanities in an Introductory Literature Course</text>
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                <text>Sarah H. Ficke. "From Text to Tags: The Digital Humanities in an Introductory Literature Course." CEA Critic 76, no. 2 (2014): 200-210. https://muse.jhu.edu/ (accessed April 20, 2016).</text>
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                <text>The class, titled “Introduction to Literary Study,” helps students build the foundational skills commonly used for the study of literature, including close reading, textual analysis, attention to genre and form, and attention to material and historical contexts. These are all skills that experts working in the digital humanities use to produce projects like digital scholarly editions, tools for large-scale analysis, and visual representations of texts and intertextual relationships. However, my students (largely sophomores), needed to work on honing those skills rather than applying them to a large-scale project or series of complex texts. With that in mind, I designed a digital humanities unit made up of a series of small assignments oriented towards experimenting with digitization and text analysis in a fairly low-stakes environment. &#13;
&#13;
The unit starts with identifying key elements of physical texts (rare books from the university library) and how those might translate into a digital environment. It then moves through digitization and into the ways that computers impact our reading and analysis of texts, focusing on some introductory text analysis tools and text markup. Though my assignments revolve around computers and bytes more than paper and highlighters, they share the goal articulated by Paul Fyfe in “Digital Pedagogy Unplugged”: “to keep students’ attention on the critical labor that digital resources seem to dissolve” (par. 12). By introducing my students to the process of creating familiar products like a digitized text or a word cloud, I hoped to demonstrate to them that the act of building a digital product or working tool is always an act of interpretation. (Provided by author)</text>
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                <text>Current teaching, learning and assessment practices can lead students to believe that courses within a programme are self-sufficient and separate. Integrative Learning explores this issue, and considers how intentional learning helps students become integrative thinkers who can see connections in seemingly disparate information, and draw on a wide range of knowledge to make decisions. Written by international contributors who engaged reflectively with their teaching and their students' learning, the book seeks to develop a shared language of integrative learning, encouraging students to adapt skills learned in one situation to problems encountered in another, and make autonomous connections across courses, between experiences, and throughout their lives. &#13;
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More informed teachers can help students develop the necessary attributes for intentional learning, which include having a sense of purpose, fitting fragmentary information into a 'learning framework', understanding something of their own learning processes, asking probing questions, reflecting on their own choices, and knowing when to ask for help. Integrative Learning draws on international research and vast studies to provide the reader with the resources to ensure access to a unified learning experience. The book discusses conceptual and technical tools necessary for facilitating integrative learning across a range of disciplines as well as providing learning pedagogies and considers integrative learning in the context of the relevance of higher education in the complexity and uncertainty of the 21st century. It will appeal to academics and researchers in the field of higher education, as well as those generating higher education curriculums- (Provided by publisher)</text>
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                <text>Blackshields, Daniel. 2015. Integrative learning : international research and practice. n.p.: London ; New York : Routledge, 2015., 2015. UCF Libraries Catalog, EBSCOhost (accessed April 20, 2016).</text>
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                <text>&lt;p&gt;Sternfeld, Joshua. "Archival Theory and Digital Historiography: Selection, Search, and Metadata as Archival&lt;br /&gt;Processes for Assessing Historical Contextualization." &lt;em&gt;American Archivist&lt;/em&gt; 74, no. 2 (Fall/Winter 2011): 544-575. Accessed April 22, 2016. &lt;a title="http://www.jstor.org/stable/23079050" href="http://www.jstor.org/stable/23079050" target="_blank"&gt;http://www.jstor.org/stable/23079050&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This article focuses on the application of archival theory to create digital representations of history, and how this has created a new theory within digital humanities scholarship termed digital historiography—a theory which focuses on analyzing and studying how digital technologies and historical practice interact. The sudden, rapid development of digital humanities scholarship and its increasing emphasis on interdisciplinarity has left scholars without a criteria to properly assess the validity and importance of digital representations, leaving them without a means to determine what scholarly value should be assigned to the project. The author provides a solution to this problem by proposing three processes of archival theory as criteria: selection, search, and the application of metadata. To support this idea, the author examines several digital representations to illustrate how selection, search functionality, and metadata application impact, inform, and interpret the historical knowledge that a digital representation aims to impart. While the author believes technology has improved the ways in which history is conveyed to wider, non-specialized audiences, he explains the important role that more traditional approaches have on archival theory and historical practice and argues for their assimilation into digital humanities scholarship.&#13;
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                <text>Cohen, Daniel J., et al. "Interchange: The Promise of Digital History." &lt;em&gt;Journal of American History&lt;/em&gt; 95, no. 2 (September 2008): 452-491. Accessed April 22, 2016. &lt;a title="http://dx.doi.org/10.2307/25095630" href="http://dx.doi.org/10.2307/25095630" target="_blank"&gt;http://dx.doi.org/10.2307/25095630&lt;/a&gt;</text>
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                <text>Brügger, Niels. “When the Present Web Is Later the Past: Web Historiography, Digital History, and Internet Studies.” &lt;em&gt;Historical Social Research&lt;/em&gt; 37, no. 4 (2012): 102–17. Accessed April 22, 2016. &lt;a title="http://www.jstor.org/stable/41756477" href="http://www.jstor.org/stable/41756477" target="_blank"&gt;http://www.jstor.org/stable/41756477&lt;/a&gt;.</text>
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                <text>Mintz, Steven and Sara McNeil. Digital History. Accessed April 22, 2016. &lt;a title="http://www.digitalhistory.uh.edu/index.cfm" href="http://www.digitalhistory.uh.edu/index.cfm" target="_blank"&gt;http://www.digitalhistory.uh.edu/index.cfm&lt;/a&gt;</text>
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                <text>This website is an archive of digital history sources and resources. Filtering by either era, region, or topic brings the user to a dedicated portal which includes an interactive timelime, biographic information, articles, videos, visual resources, and external links. Its exhibitions are designed to engage the viewer by utilizing interactive tools adapted for use in a digital humanities context. The exhibits use Google Maps, Prezi, hyperlinks, and other digital tools to integrate archived primary sources into a narrative that both contextualizes and improves accessibility to facilitate a better connection with the viewers. </text>
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                <text>Ohio State University Department of History. eHistory. Accessed April 22, 2016. &lt;a title="http://ehistory.osu.edu/" href="http://ehistory.osu.edu/" target="_blank"&gt;http://ehistory.osu.edu/&lt;/a&gt;</text>
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                <text>Historypin is an archive that uses a collaborative approach to create stronger ties with local history. Users—either individuals or institutions —upload records and denote the location of the object by pinning it using Google Maps. These records can be arranged into collections which demonstrate the various applications of the site’s technology to digital scholarship, primarily through crowdsourcing. Users unaffiliated with the original creator of the collection are able to upload their own contributions. Both collections and records are assigned specific discussion threads, and can be shared through social media.</text>
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                <text>ShiftDesign. Historypin. Accessed April 22, 2016. &lt;a title="https://www.historypin.org/en/" href="https://www.historypin.org/en/"&gt;https://www.historypin.org/en/&lt;/a&gt;</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Van Dresar, Megan</text>
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                <text>Fishman, Stephen.  "The Copyright Handbook: What Every Writer Needs to Know".  &lt;em&gt;Digital Archiving Resources.&lt;/em&gt;  Accessed April 21, 2016.  &lt;a href="https://www.nolo.com/products/the-copyright-handbook-coha.html"&gt;https://www.nolo.com/products/the-copyright-handbook-coha.html&lt;/a&gt;</text>
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