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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>In this blogpost, Dan Cohen, executive director of the Digital Public Library of America, argues that square root sampling, a mathematically developed method for crime prevention, can help archivists make acquisition decisions, especially when large amounts of ephemera are to be archived. Cohen contends that ephemera are important collections of primary sources for practicing historians. Yet he acknowledges that the amount of available ephemera is overwhelming. The Calculus of Importance can help determine which ephemera to keep. The Calculus of Importance, according to mathematician William Press, is the ideal way to determine who should be screened for criminal activity. Cohen exemplifies the method, which is essentially a weighted form of random sampling, and maintains that it does not only apply to crime prevention, but in several other fields, archiving among them. Cohen asserts that using the calculus of importance on digital ephemera and other records that exist in large quantities is advantageous because we cannot anticipate who or what will be deemed important by future historians. </text>
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                <text>Cohen, Dan, “Digital Ephemera and the Calculus of Importance,” Dan Cohen (blog), 17 May, 2010.</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Mintz, Steven and Sara McNeil. Digital History. Accessed April 22, 2016. &lt;a title="http://www.digitalhistory.uh.edu/index.cfm" href="http://www.digitalhistory.uh.edu/index.cfm" target="_blank"&gt;http://www.digitalhistory.uh.edu/index.cfm&lt;/a&gt;</text>
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                <text>Daniel Cohen, professor of history at George Mason University and director of the Roy Rosenzweig Center for History and New Media and the late Roy Rosenzweig, professor of history and innovator in digital scholarship at George Mason University co-authored the book, Digital History: A Guide to Gathering, Preserving and Presenting the Past on the Web. The book is divided into chapters beginning with the evolution of digital historical scholarship and concluding with guidelines for planning and preserving an historical digital archive.  Historical research has been both enhanced by and reshaped by online resources, and the authors believe the interfaces to these resources have also shaped genres. Additionally, the authors emphasize the importance of establishing a partnership among scholars, librarians, and archivists for the purpose of creating new knowledge.</text>
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                <text>Cohen, Daniel J. and Roy Rosenzweig. Digital History: A Guide to Gathering, Preserving and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press, 2006. &lt;a href="http://chnm.gmu.edu/digitalhistory/"&gt;http://chnm.gmu.edu/digitalhistory/book/phpCohen, Daniel J. and Roy Rosenzweig.&lt;/a&gt; Digital</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>"Stanford scholars are harnessing the power of new technologies through an array of digital humanities endeavors. Current digital humanities projects are using tools like 3-D mapping, electronic literary analysis, digitization, and advanced visualization techniques in interdisciplinary research that aims to shed new light on humanities research. With online publishing and virtual archives, creators and users experiment and interact with source materials in ways that yield new findings, while also facilitating community building and information sharing. Stanford professors and students organize an array of workshop style forums to foster discussion of digital humanities scholarship. Guest presenters from around the globe regularly contribute to conversations about the techniques, challenges, and outcomes of digital humanities research.&#13;
&#13;
In collaboration with the Stanford Humanities Center, Stanford’s Center for Spatial and Textual Analysis (CESTA) provides the support and technological resources that enable humanities scholars to conduct leading edge research with digital tools. CESTA offers opportunities for fellows and affiliates of the Humanities Center to pursue digital humanities projects, to participate in workshops and training sessions, and to publish the results of their work in our online venues. CESTA’s innovative model of collaborative scholarly practice in the humanities brings together interdisciplinary research teams made of seasoned researchers, graduate students, and postdoctoral scholars. CESTA’s collaborative model enhances the research opportunities available in existing humanities departments by providing qualified professional staff support in an open research space with the necessary software and hardware for research."</text>
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                <text>Simanowski, roberto. Open Humanities Press, n.d. https://itunes.apple.com/us/podcast/midland-pictures-fm/id1369269749.</text>
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                <text>This volume in the series of teaching digital humanities covers a large amount of case studies, analyses, research and practice in the subject of Digital Humanities. Digital Humanities is the area of scholarly activity at the crossroads of computing, digital technology and humanities. Digital Humanities shows those who seek its knowledge the correct way to access digital resources as well as the analysis of their application. These points are broken down into a handful of genres such as digital literature, library science, online games, museum studies, and informational literacy. Digital Humanities is a newer subject of study and progresses forward with the ever moving pace of technology. The series strives to be the most up to date with the latest developments in digital humanities. With the ever evolving field of digital technology, the complexity of humanistic inquiries has evolved into an unimaginable collection of content. Throughout this volume, Dr. Anna Wing-bo Tso provides fascinating insight into the subject of technological changes and what it means for the people involved in the subject. This first part of the series dives in the current statuses of Asia, Canada and Europe within the field of digital humanities.</text>
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