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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Digital Preservation for the Arts, Social Sciences and Humanities – Benefits for Everyone</text>
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                <text>Laura Molloy’s blog post reports on her presentation at the Digital Preservation for the Arts, Social Sciences, and Humanities Conference in June 2015 in Dublin, Ireland. Molloy discusses how humanities scholars archive their data, and are often comfortable with archival practices. However, Molloy “[investigates] the value of digital curation to professional communities beyond the academic research sector.” She states that some communities, such as performing arts professionals, find it economically valuable to preserve and curate digital collections, but have not had the training and support to undertake the projects. Molloy proposes a Curation Lifecycle Model that “specifically advocates for the transformation of existing material and knowledge into new work.”</text>
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                <text>Molloy, Laura. “Digital Preservation for the Arts, Social Sciences and Humanities – Benefits for Everyone.” In &lt;em&gt;Digital Curation Centre Blog&lt;/em&gt;. August 4, 2015. http://www.dcc.ac.uk/blog/digital-preservation-arts-social-sciences-and-humanities-benefits-everyone#sthash.RTluYpdC.dpuf.</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>The purpose of the Digital Preservation Handbook is to guide scholars, archivists and communities on the importance of preserving their digital materials that they have collected. The handbook is online, so it is accessible to everyone who is seeking introduction to preservation and the purpose it holds for preserving digital sources. It focuses on the rapid increase of digital forms that are being published on the daily and the handbook is bringing awareness to these digital materials. The Handbook is a guide set for the long term in maintaining, creating and investing digital materials. Sources are complicated data and need to be handled with a lot of thought and patience. The Handbook explores preservation’s major topics and issues, and it helps others come up with strategic options on handling these problems. It is also important to know how to handle the practical tools in the process of preservation so there are no challenges faced.&#13;
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                <text> Coalition, Digital Preservation. “Digital Preservation Handbook.” Digital Preservation Coalition, 2020. https://www.dpconline.org/handbook.&#13;
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>This paper illuminates the multiple challenges of archiving naively digital academic content and emphasizes digital preservation is more difficult than print. Digital native content has dramatically increased with transition of academic journals and publishers eliminating print copies. The rise in the quantity of content is compounded by the authors’ assertion that digital content is “fragile and not durable”. The ability to access content in the future will depend heavily on the technologies available. The authors suggest several strategies to aid in digital content preservation: data migration, technology preservation, and software emulation. It is acknowledged financial difficulty can strain digital preservation efforts. The authors propose collaborative efforts between libraries, publishers, governmental entities, and open archival systems to increase digital content preservation. </text>
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                <text>Gaur, Ramesh C., and Tripathi, Manorama. 2012. "Digital Preservation of Electronic Resources." DESIDOC Journal of Library &amp; Information Technology 32, no. 4 (July 2012).</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>Doris Hamburg, Director of Preservation Programs, takes viewers to the state of the art digital processing lab at the National Archives at College Park. Inside the lab, Jennifer Seitz, Digital Imaging Specialist, and Norris White, Digital Imaging Technician, show how these historic and fragile materials are photographed, scanned and digitized.</text>
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                <text>Meddings, Colin. “Digital Preservation: The Library Perspective.” Serials Librarian 60, no. 1-4 (2011): 55–60. https://doi.org/10.1080/0361526X.2011.556437. </text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>More and more, library patrons are embracing the ease with which information can be accessed digitally. In an instant, a few keywords can bring patrons exactly what they desire, such as a book or a photograph, rather than going through the much more tedious activity of browsing through shelves, searching for a call number, or, even more daunting, the process of trying to work a microfilm reel. Thus, many librarians in libraries of every size and type are currently working toward making more information available electronically. </text>
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                <text>Leggett, Elizabeth R.</text>
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                <text>Leggett, Elizabeth R. Digitization and Digital Archiving: A Practical Guide for Librarians. 2014.</text>
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              <description>An account of the resource</description>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>Digitization and the Digital Archive</text>
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            <description>An account of the resource</description>
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                <text>In this TEDx talk, Jamie Robinson, photographer at the John Rylands University Library in Manchester, England, gives an introduction to heritage imaging and collection care. Robinson starts out by summarizing the history of the JRU Library archive, while showing examples of early digital images. He defines heritage imaging as “creating digital surrogates of material that requires sensitive handling”, adding that such material is mainly of historical or cultural importance and therefore relevant to research. He then moves on to explain kinds of tools and technologies that are currently used in digitization and collection care, and elaborating on the technical processes the material undergoes throughout its lifecycle. Robinson repeatedly emphasizes the significance of such technologies in various fields: for instance, digital technologies can help read documents that otherwise have become illegible, thus aiding archeologists and historians retrieve lost material. </text>
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28:59. 4 December, 2013.&#13;
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                <text>Laura Moeller</text>
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