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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>Romaniuk, Laurentia. "Metadata For A Web Archive: PREMIS And XMP As Tools For The Task." &lt;em&gt;Library Philosophy &amp;amp; Practice&lt;/em&gt; (2014): 1-20. Web. 11 May 2015.</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>This TEDtalk outlines Dave Isay, the founder of StoryCorps, argument for the construction of a digital archive that aims to capture the voices, and stories of all of humanity. He argues that by the interview itself becoming the central focus of the work of StoryCorps, instead of focusing on a figure in history, the StoryCorps project aimed to create transformational experiences for participants while collecting and archiving the stories and conversations of others in the Library of Congress. StoryCorps has grown to include well over 100,000 participants, constituting the largest collection of human voices every created.  In response to receiving the TED prize he was asked to come up with a brief wish for humanity: “that you will help us take everything we’ve learned through StoryCorps and bring it to the world, so that anyone, anywhere can easily record a meaningful interview with another human being which will then be archived for history. </text>
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                <text>Isay, Dave. “Everyone Around You Has a Story the World Needs To Hear.” Presentation at TED 2015, Vancouver, Canada, March 16-20, 2015. Web. </text>
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                <text>In a lecture at e.g. 2007 librarian Brewster Kahle introduced his radical idea to create a free, open access digital library with the aim of “bring[ing] all of the works of knowledge to as many people as want to read it.” He uses the Amazon.com website as a model for how he would like to organize, and provide access to the multimedia library he proposes. Kahle notes that digitization is the greatest challenge, arguing that a 10 cent per scanned page cost is miniscule compared to the demand and need for information to be digitized. Brewster continues by explaining how they have begun to seek out, and store audio and video by reaching out to artists, and individuals who are interested in storing and sharing their work for free. He discusses two of his projects “The Internet Archive,” and the “Wayback Machine” which respectively archive the web, and store previous images of websites at various points in time.</text>
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                <text>Kahle, Brewster. “A Free Digital Library.” Presentation at EG 2007, TED. Web.</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Collection-Based Persistent Digital Archives-Part 2 [and] MyLibrary: Personalized Electronic Services in the Cornell University Library [and] Creating Accessible Digital Imagery</text>
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                <text>Moore et al.’s “Collection-Based Persistent Digital Archives” provides a brief view into the design and development of a persistent email archive that housed over a million messages, a project that offered students at Cornell personalized library services, and an effort to digitize a massive amount of images for a project in the UK. In the three associated articles, the authors break down their process of designing, and implementing a digital archiving system into four components: support for ingestion, archival storage, information discovery, and presentation of the collection. They define the ingestion process as the process of including, and documenting objects while “wrap[ping them] as XML digital objects,” and cataloguing them for future retrieval. The storage phase is broken down into similar stages where objects, collections, and containers are defined through the application of metadata. Their information discovery, and presentation stages involve the development of software, interfaces, referents, and representations for archived objects.</text>
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                <text>Moore, Reagan, Chaitan Baru, Arcot Rajasekar, Bertram Ludaescher, Richard Marciano, Michael Wan, Wayne Schroeder, and Amarnath Gupta. “Collection-Based Persistent Digital Archives-Part 2 [and] MyLibrary: Personalized Electronic Services in the Cornell University Library [and] Creating Accessible Digital Imagery.” D-Lib Magazine 6, no. 4 (April 2000). </text>
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                <text>James Purdy’s 2011 article builds on Susan Wells’ 2002 chapter "Claiming the Archive for Rhetoric and Composition,” in which Purdy discusses the importance of Wells’ previous “gifts” while extending and redefining it to include three new “gifts” afforded by emergent archiving technology: “integration”, “customization”, and “accessibility.” Purdy breaks the gift of integration into two key components; he suggests that the integration of the writing, and research space, and the integration of collaborative possibilities are both possible in new digital environments, allowing for new forms of creation, and interaction. Purdy describes that the customization of research spaces afforded by new digital archives are especially useful for novice academic researchers, and writers, but also offer the most advanced researchers new opportunities and conveniences such as the ability to save, bookmark, and access research from multiple sites and devices. Accessibility is defined as the ability for researchers to overcome “temporal and spatial” obstacles that restricted research prior to digital networks.</text>
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                <text>Purdy, James P. "Three Gifts of Digital Archives." Journal of Literacy &amp; Technology 12, no. 3 (November 2011): 24-29. </text>
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                <text>Queensland State Archives. “Digital Archiving Discussion Paper: Informing an Approach to the Long Term Management and Preservation of Digital Government Records.” The State of Queensland Department of Science, Information Technology, Innovation, and the Arts, 2010. Web.</text>
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                <text>Ramsey, Alexis, Wendy Sharer, Barbara L’Eplattenier and Lisa Mastrangelo. Working in the Archives: Practical Research Methods for Rhetoric and Composition. Carbondale : Southern Illinois University Press, 2010. Print.</text>
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                <text>Association for Information Science and Technology. “Research Data Access &amp; Preservation Summit: Past Events.” Association for Information Science and Technology. Last modified 2015. http://www.asis.org/rdap/past-events/</text>
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