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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Noted archivist and library educator Frederick Stielow provides a comprehensive guide to efficiently adding content to the Web - and to creating Web-based descriptions and finding aids that will draw surfers to the library's, museum's, or other repository's Web site that houses them. All major digital approaches and languages - SGML, XML, and EAD (Encoded Archival Description) - as well as established descriptive standards such as the Dublin Core and Open URL are covered. Options for capturing images, sounds, and video resources and automated techniques for converting optical characters are explained step-by-step. As he did is his earlier critically acclaimed "Creating Virtual Libraries", Stielow provides much more than just technical guidance: he also discusses how to integrate digital archives (and their associated records) with turnkey library automation systems and provides a thorough discussion of policies regarding what to digitize and post. Here is the ideal primer for project management and the perfect general guide for managing digital archives.</text>
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                <text>During the research phase of History Detectives investigations, we rely on one tool more than any other: the digital image. We email them to experts, we enlarge them for details, and we use them to avoid handling originals any more than we must. Digital images are also used by the hundreds to illustrate the stories we tell. (Next time you watch an episode, count how many archival photos fly across the screen.) Over the course of eight seasons we’ve compiled a hulking digital archive. It’s invaluable to us, and it can be equally useful to anybody with a collection of old family photos.</text>
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                <text>The History Detectives Team. "DIY: Creating a Digital Archive." PBS. Accessed April 22, 2016.</text>
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                <text>Abadi, Daniel, et al. "The Beckman Report on Database Research." &lt;em&gt;Communications Of The ACM&lt;/em&gt; 59, no. 2 (February 2016): 92-99. &lt;em&gt;Business Source Premier&lt;/em&gt;, &lt;a href="https://login.ezproxy.net.ucf.edu/login?auth=shibb&amp;amp;url=http://search.ebscohost.com/login.aspx?direct=true&amp;amp;db=buh&amp;amp;AN=112719509&amp;amp;site=eds-live&amp;amp;scope=site"&gt;EBSCO&lt;/a&gt;&lt;em&gt;host.&lt;/em&gt;</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>The ubiquity of digital data and its seemingly effortless and transparent transmission in routine commerce and communication is rarely discussed from both technical and socio-political perspectives in one work. In this book, however, the authors provide a detailed technological history of digitization while also illuminating the social and cultural consequences of this information explosion. Two areas of concern for the authors and of particular interest for digital archivists are the changing view toward privacy and knowing what data should be preserved or deleted. In the former area, Abelson, Ledeen, and Lewis explain the gradual shift in perceptions of privacy as digital devices including credit cards, cell phones, digital cameras, and GPS trackers that encode and embed personal and local data. Consumers of these devices become acclimatized to the trade-off of personal privacy for the conveniences they provide. &#13;
&#13;
Data leakage and unethical trading of information, however, is another type of trade-off that challenges those responsible for securing and maintaining digital content, (which the authors contend is regulated by the U.S. in piecemeal fashion). Tracking and securing digitized documents are matters of concern for archivists, not just to balance the needs of the citizen’s right to know and to privacy. Knowing what to make accessible, for whom, and what must be done for long-term preservation requires an understanding of the technical properties of its collected artifacts. The authors discuss the technical properties of text and image, underscoring the importance of applying this knowledge to storage methods. In addition to storing data, the authors also discuss the difficulty in permanently deleting data, despite the short life of technological hardware and software. Creating multiple copies, and sharing content by standardizing protocols and data structures, requires widespread coordination and what the authors describe, “creative compromise.”  &#13;
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>“The Future of Web Archiving,” YouTube video, 1:08:06, posted by “LibraryofCongress,” October 9, 2014, https://www.youtube.com/watch?v=nlcsNuaZUa0.</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>“The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” by the Academy of Motion Pictures Arts and Sciences is a work of text consisting of 84 pages. It was published in the year 2007 as an open source English text. This item is different from the previous ones we have added to the digital archive because it analyzes the issues and discrepancies that come with preserving digital motion picture archiving. The text goes into great detail on what portions changed step by step and how they are changed when going through the process of archiving this form of media. This is a valuable item to add into the archive because it focuses on the archiving film which is an entirely different process than archiving other forms of media. When it comes to archiving this type of media, there are a lot of extra portions that need extra assurance that they are done &#13;
correctly because if done incorrectly different aspects of the media can be corrupted and damaged. For example, the media can be transferred correctly through video, but the audio can be damaged. </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Clara Pulido, Jacquelyn Curtin, Truc Duong</text>
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                <text>The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials. Beverly Hills, Calif: Academy of Motion Picture Arts and Sciences, 2007.</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>http://www.ufdc.ufl.edu/AA00007555/00009</text>
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          <element elementId="290">
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                <text>Acord, Sophia Kryz. "Open Access and the Digital Humanities." Open Access Week 2011. Recorded on October 26, 2011 in Gainesville, FL. Accessed on February 6, 2012. &lt;http://www.youtube.com/watch?v=gJMTsQf5QlU&gt;</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>In this academic journal, the authors discuss how the survey aspect of social media, Twitter in particular, presents an opportunity for a new way to collect data. It goes on to explain the complications in ethics  that requires “a deeper understanding of the nature and composition of Twitter data to fully appreciate the risks of disclosure and harm to participants.” The authors discuss three studies and how they have to do with informed consent regarding archiving social media content. Due to the concern the information might not be meant to be shared, they discuss how to maintain ethics while keeping the nature of the shared information in mind in this discussion.&#13;
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                <text>Alexis Cosio</text>
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                <text>Sloan, Luke, Curtis Jessop, Tarek Al Baghal, and Matthew Williams. “Linking Survey and Twitter Data: Informed Consent, Disclosure, Security, and Archiving.” Journal of Empirical Research on Human Research Ethics 15, no. 1–2 (February 2020): 63–76. doi:10.1177/1556264619853447.&#13;
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                <text>Community Archives is part of a series called Principles and Practices in Records Management and Archives. The series aims to augment the body of professional knowledge and understanding currently available. Each book in the series offers a detailed overview of a specific topic, in this case community archives. This book contains 14 essays, which offer an array of viewpoints from a variety of global contributors (academics, librarians, archivists, etc.) on the interrelationships between archives and communities. The contributors examine the ways in which records reveal community identity and collective memory. The book is split into five sections: case studies in community archives; community and non-traditional recordkeeping; record loss, destruction and recovery; online communities; and, practical suggestions for building a community archive. Numerous themes are examined: the human need for community, recording making, the construction of communities, community identity, empowerment of marginal communities, social justice, and reinforcement of memory. It assesses the recent advances in technology that can contribute to the creation of new virtual communities. The book also discusses the role of archivists in supporting communities and their relationship to community records because the contributors contend that the archivist has a significant role to play in the process of building communities archives. </text>
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