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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Digital humanities is a new, emerging field and only recently has it started to take more notice of its application. T. Mills Kelly synthesizes the changes over time of digital history within the two decades. This book serves as a platform for people who are practitioners to learn use and to apply the skills found in digital media and how it has changed in the research, writing, and teaching of history. Kelly uses the results she has found so the readers can apply them in the classroom and new ways of thinking about pedagogy in the digital humanities.</text>
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                <text>Within her article “Personal digital archiving for journalists: a “private” solution to a public problem” Sarah King aims to inform journalists on the benefits of digital preservation. Although librarians and archivists are all aware of the importance of preservation, many journalists are not. King explains how much of today’s journalism is published directly online which means libraries cannot archive these items as they only have short-term access through subscriptions. King makes it clear that personal preservation of articles and documents by journalists is the next step forward in the realm of digital archiving for the 21st century.</text>
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                <text>King, Rachel. “Personal digital archiving for journalists: a “private” solution to a public problem.” Library Hi Tech 36 iss. 4 (November 19, 2018): 573-82. Accessed April 13, 2020. https://www.emerald.com/insight/content/doi/10.1108/LHT-09-2017-0184/full/html</text>
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                <text>Kirsch, Gesa E., Romeo García, Caitlin Burns Allen, and Walker P. Smith, eds. &lt;em&gt;Unsettling Archival Research&lt;/em&gt;. Southern Illinois University Press, 2023. https://doi.org/10.2307/jj.9669312.</text>
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                <text>&lt;em&gt;Unsettling Archival Research&lt;/em&gt; is a collection of articles examining the way archives are currently created, curated, and maintained and how these methods might be improved. &lt;em&gt;Unsettling Archival Research&lt;/em&gt; highlights how current archival methods overlook or outright ignore multiple individual and community accounts of history, due to either the creators or the means of record creation.&lt;br /&gt;This collection details different ways of looking at archives, new methods of creation and curation of archives in order to preserve  the memories of underrepresented communities, and alternative methods of teaching which allow for open and critical thought on the methods of archival creation and curation. The articles highlight the tendency for archives to follow history in being selective in the truths the curators choose to share and reasons why this should stop. The contributors look at the historical treatment of the archive towards black communities, queer communities, women, incarcerated individuals, and more in this engaging and enlightening new take on the archive.</text>
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                <text>In this edited volume, Gesa Kirsch and Liz Rohan explore the "backstory" of what goes into an archive. They dig deep into the research, political aspects, and decisions on what to archive. Many of the essays address the considerations involved in creating personal family archives. The writers discuss the difficulties of creating an archive that caters to a specific audience and purpose, realizing that just as history is limited so are the tools used to store information. They also maintain that archival records are not easily interpreted; both creators and readers of archival records approach these records from different interested perspectives. The authors state that professional archivists must make informed decisions as to the material they will include in an archive and must be committed to the criteria that controls the establishment of an archival collection. </text>
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                <text>Kirsch, Gesa A., et al. Beyond the Archives: Research as a Lived Process. Carbondale, Il.: Southern Illinois University Press, 2008.</text>
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                <text>This article is concerned with how access to free and open-source software—as well as tools that can be purchased, downloaded, and/or accessed directly online—enable classroom engagement with digital humanities scholarship. Detailing the alternate approach to education implemented by the City University of New York, the author uses this as a case study to examine the importance of access, collaboration, and methodology to digital humanities research and scholarship.</text>
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                <text>&lt;p&gt;Klein, Lauren. "Hacking the Field: Teaching Digital Humanities with Off-the-Shelf Tools." &lt;em&gt;Transformations: The Journal of Inclusive Scholarship and Pedagogy&lt;/em&gt; 22, no. 3 (Spring/Summer 2011): 37-52. Accessed April 22, 2016. &lt;a href="%20http%3A//www.jstor.org/stable/10.5325/trajincschped.22.1.0037" target="_blank"&gt;http://www.jstor.org/stable/10.5325/trajincschped.22.1.0037&lt;/a&gt;&lt;/p&gt;</text>
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&#13;
This collection aims to highlight methods and materials having to do with personal archiving, and its relationship to the field of digital archiving.</text>
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                <text>In the article “Trajectories of Personal Archiving: Practical and Ethical Considerations,” published in the academic journal Geographical Review, Knapp discusses the intricacies archiving has for the professional individual, as well as the ethical concerns archiving personal works. Knapp offers that the digitization of one’s personal notes can be problematic when examined with their body of work and poses that there may need to be limitations on what is preserved. </text>
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                <text>Knapp, Gregory. “Trajectories of Personal Archiving: Practical and Ethical Considerations.” Geographical Review 110, no. 1-2 (July 2019): 65–77. https://doi.org/10.1111/gere.12339</text>
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              <description>An account of the resource</description>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>Since 2010, the application of QR Codes has sprung their popularity in various industries, allowing companies to bring customers directly to their site via scanning a code with their smartphones. &#13;
QR Codes have become part of digital culture, therefore are applied in unlikely areas such as everyday objects rather than their intended use of advertisement. So the application of QR Codes on headstones begins the question of what is pertinent for these codes to demonstrate. &#13;
With the growth of QR Code use, applying them to headstones has expanded through individuals wanting to create an interactive memorial for their loved ones while also pertaining to more information than what is available on a typical headstone. In this way, anyone can scan the code with their smartphone and learn about the person in question.&#13;
However, the use of QR Codes in cemeteries is not so far fetched in terms of recording and organizing the deceased. The initial use of Geographic Information System was to digitize archaeological and historical data, including cemeteries, providing analysis of plots both ancient and contemporary, and genealogical information. QR Codes add to GIS in terms of detailed and specific information, mapping plots and their geographical location, and an increase in sharing information.&#13;
The controversy with applying QR Codes to the headstones of the deceased falls to the commodity aspect that QR Codes promote. While they promote sharing information, their connection to commercial use still taints the purpose of these codes.   </text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Waddington, Calyn</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Kneese, Tamara. "QR Codes for the Dead." The Atlantic, 2016, &lt;a title="Source Link" href="http://www.theatlantic.com/technology/archive/2014/05/qr-codes-for-the-dead/370901/" target="_blank"&gt;http://www.theatlantic.com/technology/archive/2014/05/qr-codes-for-the-dead/370901/&lt;/a&gt;.</text>
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      <tag tagId="104">
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              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Proceed With Caution: How Digital Archives Have Been Left In The Dark</text>
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                <text>In “Proceed With Caution: How Digital Archives Have Been Left In The Dark,” Alyssa N. Knutson covers issues of legality on the subject of copyright within digital preservation. Described by Knutson as a “legal limbo,” digital archives teeter on the edge of fair use. Knutson uses the case of Internet Archive v. Suzanne Shell from the mid-2000s to inform readers of the many legal issues of digital archiving. Knutson is adamant on the need for a change in policies by Congress to give more freedom to archivists as they attribute to a storage of the history.</text>
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                <text>Knutson, Alyssa N. "Proceed With Caution: How Digital Archives Have Been Left in the Dark." Berkeley Technology Law Journal 24, no. 1 (2009): 437-73. Accessed April 13, 2020. www.jstor.org/stable/24121350.</text>
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                <text>Since its first-edition printing in 2003, The DAM Book has become one of the standard references for photographers trying to build and protect their digital archives. In this revised edition, Krogh takes a holistic approach, outlining what he refers to as the “Digital photography ecosystem.” After explaining the theoretical aspects of developing a sound digital asset management plan, Krogh tackles the practical issues of non-destructive image editing, understanding and using metadata, the benefits of controlled vocabularies, consistent file naming, choosing the right hardware and software platforms, analyzing cataloging strategies, and finally devising a comprehensive back-up system. &#13;
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