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                <text>The history of the web and the record of its impact on society may never fully be realized if measures to record and preserve its content are not carefully and consistently maintained. Leetaru identifies the inconsistencies in web archiving by public institutions, such as the Library of Congress, and commercial enterprises, such as the New York Times. He explains current trends for limiting the size of the “crawl” (ingesting web content into the archive) and the web site’s rate of change may not promote discovery of patterns and insights for future scholars and historians. Leetaru proposes web archiving institutions solicit the users and data miners for selecting and presenting the web archive’s content and developing the protocol for ingesting web artefacts.&#13;
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                <text>Lessig, Lawrence. 2008. "Do Copyright Laws Stifle Creativity?" YouTube &lt;a href="http://www.youtube.com/watch?v=JXwB9FlkNXA"&gt;Video. http://youtube.com/JXwB9FlkNXA&lt;/a&gt;</text>
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Levander states, “Digital archives can offer new opportunities for rethinking the nation-state as the organizing rubric for literary and cultural history of the Americas,” and she reminds the reader of the correspondence between the history of print and the development of nation-states (30).  The digital archive provides tools for representing and visualizing data from phenomena including environmental, archaeological, and technological changes over time. </text>
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                <text>Levander, Caroline. "The Changing Landscape of American Studies in a Global Era." Working Together or Apart: Promoting the Next Generation of Digital Scholarship (2008):27-33. </text>
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&#13;
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