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                <text>Making African American History in the Classroom: The Pedagogy of Processing Undervalued Archives</text>
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                <text>This article argues that getting students to learn about archival preservation and research in the context of an underpreserved, underresearched history offers a number of pedagogical rewards. Colleges and universities are pushing to increase community-based learning opportunities for undergraduates. At the same time, digital humanities initiatives are making it increasingly possible for undergraduates to work hands-on with primary sources, and a number of university-sponsored efforts are being made to process and digitize neglected African American archives. Many of these projects make use of graduate student labor, but few have recognized the benefits of engaging undergraduates in processing local and minority archives as part of their classroom experience.&#13;
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This article argues that such classes would not only build mutually beneficial relationships between town and gown but also encourage students to recognize that the approach to history they are familiar with—one that emphasizes national leaders and “major” events—is part of the same tendency to value the powerful that has caused African American history to be underpreserved. Preserving and publicizing local histories counters this tendency and may help produce a younger generation of scholars who are attuned to politics of power and privilege within the scholarship they encounter and produce. (Provided by publisher)</text>
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                <text>Eaddy, Brionna</text>
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                <text>Mollie Godfrey. "Making African American History in the Classroom: The Pedagogy of Processing Undervalued Archives." Pedagogy 16, no. 1 (2016): 165-177. https://muse.jhu.edu/ (accessed April 20, 2016).&#13;
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                <text>Hand investigates political and economic power, digital technologies, and culture. Although he does not cite digitization as a cause of decentering economies or other cultural changes he does acknowledge broad trends related to digitization. One of the trends discussed is the increasing invisibility of the “infrastructure of contemporary digital culture.” Networks of information, in order to maintain speed and efficiency, conform to a logic that “atomizes the subject.” Hand explores the effects of digitization, including the logic of speed, as they pertain to access, interactivity, and authenticity. Access and interactivity address the fragmentation and customization of both digital technologies and societies, implying a decentralization of power and the illusion of greater choice. Authenticity illuminates contemporary society’s transition from predominantly analog to digital technologies and the subsequent replacement of notions of the “real” and “hyper real.” Participation in Web 2.0 platforms is illusory and belies the underlying commodification of information and inauthentic claims of democracy. &#13;
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The significance of Hand’s text for building and assessing digital archives is found in his discussion of authenticity and the challenges experienced by public archives in their attempts to balance demands for access with conflicting standards and principles of provenance and intellectual property rights.&#13;
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                <text>Hand, Martin. &lt;em&gt;Making Digital Cultures: Access, Interactivity, and Authenticity.&lt;/em&gt;Aldershot, Hants, England ; Burlington, VT : Ashgate, 2008.</text>
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                <text>Nicholas Tanzi wrote a book to assist librarians on how to teach others to use the digital repositories and digital materials in the libraries database. Much like UCF’s library, most libraries have their entire collection online where you can request a book if you want to. Libraries also have a purely digital collection where the originals are too old and fragile to be held or used, so a digital form is a better option unless you specifically need the original. Besides the physical change of the libraries and archives, people have to adapt to a digital age as well. Tanzi found that librarians were having difficulty teaching their visitors on how to use the digital archives and search engine as they didn’t understand it themselves. Tanzi provides easy terms and ways to use with visitors so that the process doesn’t get confusing. Another aspect that Tanzi focuses on is how to help visitors who had a bad experience prior. This can be an issue because this can make visitors unwilling to adapt, so creating a good experience for every visitor is crucial. &#13;
Tanzi’s book provides a teaching strategy to use for everyday people who come into the library looking for a book, movie, audio clip, etc. It’s important to assist our community in adapting to a digital age&#13;
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                <text>Tanzi, Nicholas. Making the Most of Digital Collections through Training and Outreach: The Innovative Librarian’s Guide. Santa Barbara, CA: Libraries Unlimited, 2016. https://www.amazon.com/Digital-Collections-through-Training-Outreach-ebook/dp/B0178MKAT8/ref=sr_1_1?dchild=1&amp;keywords=ISBN+978-1-4408-4072-2&amp;qid=1586490650&amp;s=books&amp;sr=1-1</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Little, Geoffrey. 2011. "MANAGING TECHNOLOGY: We Are All Digital Humanists Now." The Journal Of Academic Librarianship 37, 352-354. ScienceDirect, EBSCOhost (accessed April 20, 2016).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://connection.ebscohost.com/c/articles/63191943/managing-technology-we-are-all-digital-humanists-now"&gt;http://connection.ebscohost.com/c/articles/63191943/managing-technology-we-are-all-digital-humanists-now&lt;/a&gt;</text>
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                <text>For many, the idea of digital archives can often appear to be fundamentally opposed to media and art and can appear to be impossible to accomplish. This article examines some of the problems that digital archivists face when attempting to incorporate art pieces into their projects. According to Saba, even though a piece of art may have an audio or visual component, that does not make it the most important part of the piece. Archivists must determine which parts of the media are essential for its preservation and place a priority on these components, even if it may reduce the complexity of the piece. In addition to the physical components of the art piece, it is crucial to present its context in greater society, allowing the archive to become a place of cultural conservation. This can often include connecting the media to other pieces that are present in the collection. The documentation of these aspects of an art piece can be challenging when considering works that are performance or time based. Saba also questions how archives can effectively incorporate all of these components into an archive, with proper use of metadata, while also preserving the complexities that are present in the art piece. </text>
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                <text>Saba, Cosetta G. "Media Art and the Digital Archive." Preserving and Exhibiting Media Art: Challenges and Perspectives, edited by Noordegraaf Julia, Saba Cosetta G., Le Maitre Barbara, and Hediger Vinzenz, 101-21. Amsterdam: Amsterdam University Press, 2013. doi:10.2307/j.ctt6wp6f3.9.</text>
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