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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Moore et al.’s “Collection-Based Persistent Digital Archives” provides a brief view into the design and development of a persistent email archive that housed over a million messages, a project that offered students at Cornell personalized library services, and an effort to digitize a massive amount of images for a project in the UK. In the three associated articles, the authors break down their process of designing, and implementing a digital archiving system into four components: support for ingestion, archival storage, information discovery, and presentation of the collection. They define the ingestion process as the process of including, and documenting objects while “wrap[ping them] as XML digital objects,” and cataloguing them for future retrieval. The storage phase is broken down into similar stages where objects, collections, and containers are defined through the application of metadata. Their information discovery, and presentation stages involve the development of software, interfaces, referents, and representations for archived objects.</text>
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                <text>Moore, Reagan, Chaitan Baru, Arcot Rajasekar, Bertram Ludaescher, Richard Marciano, Michael Wan, Wayne Schroeder, and Amarnath Gupta. “Collection-Based Persistent Digital Archives-Part 2 [and] MyLibrary: Personalized Electronic Services in the Cornell University Library [and] Creating Accessible Digital Imagery.” D-Lib Magazine 6, no. 4 (April 2000). </text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>In a lecture at e.g. 2007 librarian Brewster Kahle introduced his radical idea to create a free, open access digital library with the aim of “bring[ing] all of the works of knowledge to as many people as want to read it.” He uses the Amazon.com website as a model for how he would like to organize, and provide access to the multimedia library he proposes. Kahle notes that digitization is the greatest challenge, arguing that a 10 cent per scanned page cost is miniscule compared to the demand and need for information to be digitized. Brewster continues by explaining how they have begun to seek out, and store audio and video by reaching out to artists, and individuals who are interested in storing and sharing their work for free. He discusses two of his projects “The Internet Archive,” and the “Wayback Machine” which respectively archive the web, and store previous images of websites at various points in time.</text>
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                <text>Romaniuk, Laurentia. "Metadata For A Web Archive: PREMIS And XMP As Tools For The Task." &lt;em&gt;Library Philosophy &amp;amp; Practice&lt;/em&gt; (2014): 1-20. Web. 11 May 2015.</text>
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                <text>Gomes, Daniel, and Miguel Costa. "The Importance Of Web Archives For Humanities." Journal Of Humanities &amp;amp; Arts Computing: A Journal Of Digital Humanities 8.1 (2014): 106-23. Web. 11 May 2015.</text>
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                <text>This article focuses on the challenges institutions such as the New York Archive Museum (NYAM) face when dealing with born-digital institutional archives. The findings are presented through a case study of NYAM using three data sources: analysis of network file storage, focus groups with staff (81 individuals total), and an analysis of their digital records in archival storage. Through the case study they found that the greatest challenges for born-digital institutional archiving are social and cultural. Essentially the main challenge is inspiring individuals to transfer physical material into a digital archive so that it can be accessed long-term. The article then discusses how this transfer is hindered by many different variables, which  can be addressed through infrastructure development and education. Finally it is claimed that in order to overcome the impending challenges the archivist must follow a "multi-pronged approach."</text>
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