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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>This article focuses on the new challenges that have surfaced for the archiving of digital writing besides the already present challenge of the constant changing software and what strategies to use to conquer those challenges. Some strategies include microfilming born-digital media or the preservation of the plainest possible digital formats that still comprise the inherent values of the original such as transcoding the text files into American Standard Code for Information Interchange (ASCII), Tagged Image File Format (TIFF), or the Portable Document Format (PDF). Another possible strategy is the conservation through replication of the original software and hardware and environment. This article greatly emphasizes on the backup of digital copies through replication, but more specifically through emulation--the imitation of obsolete hardware. </text>
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                <text>Zimmermann, Heiko. "New Challenges For The Archiving Of Digital Writing." Clcweb: Comparative Literature &amp;amp; Culture: A Wwweb Journal 16.5 (2014): 1-10. Web. 11 May 2015.</text>
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                <text>Tyler Walters, archivist, librarian and associate dean of Virginia Tech’s technology and information resources, discusses the nature and responsibilities of academic librarians as they undertake the collection and curation of digital content. He cites several projects, partnerships, strategic alliances, and collaborations between academic institutions in order to coordinate efforts to preserve and disseminate large-scale digital archiving projects. Some of the principles discussed in this report include: mutual commitment to long-term preservation; collaboration to adopt policies and procedures that will sustain the archive to the benefit of its collection owners and institution and commitment to high standards for metadata and content. Walters also discusses several applications and systems used for designing archives and user tools, including DSpace, Fedora, and CDL’s Curation Center.</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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&#13;
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&#13;
 &#13;
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                <text>Hurford, Amanda A. “New Workflows for Born-Digital Assets: Managing Charles E. Bracker's Orchid Photographs Collection.” &lt;em&gt;Computers in Libraries&lt;/em&gt; 31.1 (2011): 6-10,40.</text>
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&#13;
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                <text>Jerome McGann’s focus in this essay is directed at how crucial it is to establish both research and online scholarship as we reconsider the humanities in the digital age. He highlights the “systematic institutional dysfunction” as the crisis in humanities. He believes humanities scholarship can be sustained through the cooperation of four institutional agents: scholars, publishing companies, professional journals and libraries. He questions the institutional commitment to the development of digital systems that are meant to replace print-based systems. McGann recounts his experience with The Rosetti Archive, which now “comprises seventy thousand digital files and forty-two thousand hyperlinks.” This archive includes high-resolution images of all known work by Daniel Gabriel Rosetti, including art and manuscripts. McGann discusses important issues in regards to work in the humanities and claims that scholars in the field all have the same need no matter the delivery system (digital or print) and that is to make cultural records inclusive, constant, and accessible. Having another archive to investigate, especially one that is interdisciplinary is vital to future research on creating archives.</text>
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