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                  <text>Teaching Strategies</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Teaching to Dismantle White Supremacy in Archives</text>
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                <text>Pedagogy</text>
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                <text>This article gives a transparent view of how archives have been affected by white supremacy. Caswell provides simple ways for students and professionals to dismantle the signs of white supremacy in archives across the United States. Caswell’s greatest teaching is the ethics behind the critique of materials. Caswell creates a model of behaviors to help students resist the unconscious teachings of white supremacy by retraining the impressionable students in her class. Caswell explains that the election of President Trump, who has shown to be homophobic, sexist and racist, has created a divide in the classroom. The only way to prevent this is for teachers to intervene pedagogically. The students identify instances in which archives have white privilege embedded in them and how to collectively strategize steps to dismantle white supremacy in the student’s own personal archiving. Caswell proposes that students will exhibit behavior based on what is already innate in their minds, but Caswell’s model of behavior trains students to think differently. &#13;
Caswell’s article gives real life instruction on how politics both in the past and currently, effect digital or physical archiving. While most people don’t intentionally allow white privilege in archiving, Caswell’s article shows that it is an unconscious act that is done from years of example from the many role models of a person’s life. &#13;
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                <text>Michelle Caswell</text>
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                <text>The Library Quarterly</text>
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                <text>Abbygail Dees</text>
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                <text>Caswell, Michelle. "Teaching to Dismantle White Supremacy in Archives," The Library Quarterly 87, no. 3 (July 2017): 222-235. https://doi.org/10.1086/692299</text>
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                  <text>What is an Archive?</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>The Library of Congress and Personal Digital Archiving</text>
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                <text>The Library of Congress and Personal Digital Archiving by Mike Ashenfield was produced and released on May 5th, 2015. It is an open source instruction and informational guide on various personal digital archiving resources. There is a total of 300 pages with various different categories to sectionalize the information being presented. For example, some categorizations are by social media. According to the presentation, different social media contain various functions in regarding how they like to cite and source their resources.  In addition, it provides the history and origins of digital archiving and why it is necessary for saving data and information over time. This informational presentation is provided by the Library of Congress, allowing it to be an open access program available for viewing and download by the public. This item can be a very essential item to add because it is categorized in a very sleek and concise manner. It is a very simplistic but informational guide that can be used to aid anyone from students to professors when teaching and instruction lessons on digital archiving. It’s overall purpose is to ensure that the public continues being informed on the processes and value of digital archiving so that information can be digitized and preserved for future generations to come.</text>
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                <text>Clara Pulido, Jacquelyn Curtin, Truc Duong</text>
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                <text>Ashenfelder, Mike. The Library of Congress and Personal Digital Archiving. Accessed April 13, 2020. https://archive.org/details/ashenfelder_pda2015/page/n1/mode/2up.</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>Archives: Principles and Practices</text>
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                <text>In her book Archives: Principles and Practices, author Laura Millar dives deep into the world of archiving, explaining archiving from the very beginning by breaking down the essentials of what an archive is and how archives are essential to preserving our history. Millar details how the process of creating an archive is simple: starting with a piece of knowledge, then detailing how a piece of knowledge becomes a record, which then ultimately becomes an archive. Millar’s research is not only limited to just digital archives, but all types of archives, as she argues that all archives serve a purpose to achieve a common goal.  This book breaks down all archival concepts from records, documentary evidence, content and context, explaining the difference between all of these, why it is important to know the difference between them, and how each of them are used. The use of textual examples, visual examples, and easy- to-read language helps the reader understand Archiving in simple terms while still offering useful and intelligent detail, breaking down complex concepts and making them seem easy.  In Archives: Principles and Practices, Millar presents archiving as an important part of our personal histories, essential in documenting our world’s history, and why everybody should be familiar with it.</text>
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                <text>Lafontaine, Marisa</text>
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                <text>Millar, Laura A. Archives: Principles and Practices. London: Facet Publishing, 2017.</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>As the “Foreword” by Geoffrey Yeo says, Millar explains archives as “the tools we can use to help us understand where we came from and where we are going” (vii).  Her book explains ways of understanding and supporting archives.  It sets up important elementary archiving principles for the new and seasoned archivist alike.  It defines archives as “the small portion of all the information, communications, ideas and opinions people generate that are recorded and kept” (2).  She describes archives as “tangible” and “concrete.”  The chapters define important archival concepts, including the fonds, provenance, and original order.  They also describe ways of preserving archives.  Later, the book covers weeding and deaccessioning.  She also discusses ways of making archives available and ends with a chapter on digital archives.  While digital archives “solve” the problem of sharing the information with the public, they also create a unique situation because they have seemingly endless storage. However, one of the most important parts of archiving is selecting materials.  Digital archives are often called in to question, as well, because of difficulties in tracking provenance.</text>
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                <text>Millar, Laura Agnes</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Archives in the Digital Age: Preservation and the Right to be Forgotten</text>
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                <text>Archiving has become an increasingly complex process. While preserving data is a challenge, this has evolved into finding a method to preserve data more efficiently, and make sure that data can keep its authenticity and integrity over a period of time. With this growing need to store data, there has been a surplus in technology that allows individuals to archive their data; many e-mails, for example, have the option to archive any mail in the user’s inbox. This concern to preserve everything, Mkadmi states, also begs another concern: “that of being forgotten”.  As more information of an individual becomes public online due to things like social media and resumes, Archives in The Digital Age examines how individuals should have a right to guarantee their privacy and freedom on the internet. </text>
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                <text>Amanda Dabao</text>
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                <text>Mkadmi, Abderrazak. &lt;em&gt;Archives in the Digital Age: Preservation and the Right to be Forgotten&lt;/em&gt;. United Kingdom: Wiley, 2021.</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>How Do You Know What You Don't Know? Digital Preservation Education</text>
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                <text>This journal article talks about the importance of educating those at the local library or school level who are tasked with a digitizing or scanning project but do not have the proper experience to know how to manage or request the proper resources for such a project and are not familiar with the most current and best practices of digital preservation. Molinaro also warns of the pitfalls of not having an adequate plan when it comes to storage of the large amounts of digital information that is generated during a scanning or transfer project. One example she uses is the digitizing of newspaper microfilm which produced large files of information that the library was not able to handle and thus the file types were changed to fit the space they had and many of the files were lost in the process. In such a case Molinaro says that “In reality, a poorly conceived plan is not better than nothing.” This is in response to a common idea that even if the process of digital preservation is flawed, it is still better than nothing. Molinaro would rather see those responsible for digital preservation projects attend one of the many national seminars on the subject so that those on the local library level can be on the same page as many of the national institutions of higher education are. </text>
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                <text>Molinaro, Mary</text>
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                <text>Information Standards Quarterly</text>
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                <text>Polk, Victoria</text>
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                <text>NISO</text>
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                <text>Molinaro, Mary. “How Do You Know What You Don’t Know? Digital Preservation Education.” &#13;
Information Standards Quarterly 22, no. 2 (2010): 45-47.&#13;
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