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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Digital Preservation for the Arts, Social Sciences and Humanities – Benefits for Everyone</text>
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                <text>Laura Molloy’s blog post reports on her presentation at the Digital Preservation for the Arts, Social Sciences, and Humanities Conference in June 2015 in Dublin, Ireland. Molloy discusses how humanities scholars archive their data, and are often comfortable with archival practices. However, Molloy “[investigates] the value of digital curation to professional communities beyond the academic research sector.” She states that some communities, such as performing arts professionals, find it economically valuable to preserve and curate digital collections, but have not had the training and support to undertake the projects. Molloy proposes a Curation Lifecycle Model that “specifically advocates for the transformation of existing material and knowledge into new work.”</text>
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                <text>Molloy, Laura. “Digital Preservation for the Arts, Social Sciences and Humanities – Benefits for Everyone.” In &lt;em&gt;Digital Curation Centre Blog&lt;/em&gt;. August 4, 2015. http://www.dcc.ac.uk/blog/digital-preservation-arts-social-sciences-and-humanities-benefits-everyone#sthash.RTluYpdC.dpuf.</text>
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                <text>Sara Raffel</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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Provenance from Repository to the Internet</text>
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                <text>This article examines the ways in which online archives challenge the concept of provenance. Monks-Leeson examines two online archives in detail, the First World War Poetry Digital Archive, hosted by Oxford, and the Walt Whitman Archive, edited by Ed Folsom and Kenneth M. Price, to determine the ways in which they interpret and incorporate provenance. She concludes that both websites rather offer a collection than archival fonds. According to Monks-Leesong, search emphasizes themes rather than the creator’s order; thus, online archives seem to privilege alternate structures over traditional ones, such as provenance and original order. Nevertheless, Monks-Leeson points out, traditional archives offer thematic guides as well. Additionally, online archives tend to provide rich amounts of contextual information, which allows researchers to retrace the creator’s order. Ultimately, Monks-Leeson argues that digital archives are “a familiar adaption of ongoing practices and concerns,” rather than entirely new phenomena. Archivists must therefore keep in mind those traditional concepts whilst thinking of them in complex and new ways. </text>
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                <text>Monks-Leeson, Emily. "Archives on the Internet: Representing Contexts and &#13;
Provenance from Repository to the Internet." The American Archivist 74 (2011): 38-57. &#13;
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Collection-Based Persistent Digital Archives-Part 2 [and] MyLibrary: Personalized Electronic Services in the Cornell University Library [and] Creating Accessible Digital Imagery</text>
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                <text>Moore et al.’s “Collection-Based Persistent Digital Archives” provides a brief view into the design and development of a persistent email archive that housed over a million messages, a project that offered students at Cornell personalized library services, and an effort to digitize a massive amount of images for a project in the UK. In the three associated articles, the authors break down their process of designing, and implementing a digital archiving system into four components: support for ingestion, archival storage, information discovery, and presentation of the collection. They define the ingestion process as the process of including, and documenting objects while “wrap[ping them] as XML digital objects,” and cataloguing them for future retrieval. The storage phase is broken down into similar stages where objects, collections, and containers are defined through the application of metadata. Their information discovery, and presentation stages involve the development of software, interfaces, referents, and representations for archived objects.</text>
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                <text>Moore, Reagan, Chaitan Baru, Arcot Rajasekar, Bertram Ludaescher, Richard Marciano, Michael Wan, Wayne Schroeder, and Amarnath Gupta. “Collection-Based Persistent Digital Archives-Part 2 [and] MyLibrary: Personalized Electronic Services in the Cornell University Library [and] Creating Accessible Digital Imagery.” D-Lib Magazine 6, no. 4 (April 2000). </text>
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                <text>Oracle9i: SQL with an Introduction to PL/SQL not only prepares individuals for the first exam in both the Oracle Database Administrator and Internet Application Developer Certification Tracks; it offers a true understnading of Oracle9i: SQL and how to use it effectively. This textbook is not simply a study guide; it can be utilized in a course on this latest implementation of SQL from Oracle while also offering a solid introduction to PL/SQL.</text>
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                <text>Mulligan, Paige </text>
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                <text>&lt;em&gt;Digital Archives and Collections: Creating Online Access to Cultural&lt;/em&gt; &lt;em&gt;Heritage&lt;/em&gt; by Katja Müller examines how museums and archives create and curate their online presence. It explores how archivists in India and Europe decide how to create their digital archives, what platforms to use, what records and collections to include, what methods to use in curating and maintaining these archives, and how to share these digital archives with the greater online public. The book is based on anthropological fieldwork and follows certain digital archives as they tackle technical advancements and postcolonial initiatives, examine programming alternatives, handle editing content, and deal with the active use of the digital archives themselves. It also looks at community archives and archives that have been digital since they were created and how these archives interact with the greater archival world. &lt;em&gt;Digital Archives and Collections: Creating Online Access to Cultural&lt;/em&gt; &lt;em&gt;Heritage &lt;/em&gt;provides a look at modern digital archives and the methods and reasons behind building these archives.</text>
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