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                <text>&lt;p&gt;Sternfeld, Joshua. "Archival Theory and Digital Historiography: Selection, Search, and Metadata as Archival&lt;br /&gt;Processes for Assessing Historical Contextualization." &lt;em&gt;American Archivist&lt;/em&gt; 74, no. 2 (Fall/Winter 2011): 544-575. Accessed April 22, 2016. &lt;a title="http://www.jstor.org/stable/23079050" href="http://www.jstor.org/stable/23079050" target="_blank"&gt;http://www.jstor.org/stable/23079050&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This article focuses on the application of archival theory to create digital representations of history, and how this has created a new theory within digital humanities scholarship termed digital historiography—a theory which focuses on analyzing and studying how digital technologies and historical practice interact. The sudden, rapid development of digital humanities scholarship and its increasing emphasis on interdisciplinarity has left scholars without a criteria to properly assess the validity and importance of digital representations, leaving them without a means to determine what scholarly value should be assigned to the project. The author provides a solution to this problem by proposing three processes of archival theory as criteria: selection, search, and the application of metadata. To support this idea, the author examines several digital representations to illustrate how selection, search functionality, and metadata application impact, inform, and interpret the historical knowledge that a digital representation aims to impart. While the author believes technology has improved the ways in which history is conveyed to wider, non-specialized audiences, he explains the important role that more traditional approaches have on archival theory and historical practice and argues for their assimilation into digital humanities scholarship.&#13;
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                <text>Current teaching, learning and assessment practices can lead students to believe that courses within a programme are self-sufficient and separate. Integrative Learning explores this issue, and considers how intentional learning helps students become integrative thinkers who can see connections in seemingly disparate information, and draw on a wide range of knowledge to make decisions. Written by international contributors who engaged reflectively with their teaching and their students' learning, the book seeks to develop a shared language of integrative learning, encouraging students to adapt skills learned in one situation to problems encountered in another, and make autonomous connections across courses, between experiences, and throughout their lives. &#13;
&#13;
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                <text>Blackshields, Daniel. 2015. Integrative learning : international research and practice. n.p.: London ; New York : Routledge, 2015., 2015. UCF Libraries Catalog, EBSCOhost (accessed April 20, 2016).</text>
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                <text>The class, titled “Introduction to Literary Study,” helps students build the foundational skills commonly used for the study of literature, including close reading, textual analysis, attention to genre and form, and attention to material and historical contexts. These are all skills that experts working in the digital humanities use to produce projects like digital scholarly editions, tools for large-scale analysis, and visual representations of texts and intertextual relationships. However, my students (largely sophomores), needed to work on honing those skills rather than applying them to a large-scale project or series of complex texts. With that in mind, I designed a digital humanities unit made up of a series of small assignments oriented towards experimenting with digitization and text analysis in a fairly low-stakes environment. &#13;
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The unit starts with identifying key elements of physical texts (rare books from the university library) and how those might translate into a digital environment. It then moves through digitization and into the ways that computers impact our reading and analysis of texts, focusing on some introductory text analysis tools and text markup. Though my assignments revolve around computers and bytes more than paper and highlighters, they share the goal articulated by Paul Fyfe in “Digital Pedagogy Unplugged”: “to keep students’ attention on the critical labor that digital resources seem to dissolve” (par. 12). By introducing my students to the process of creating familiar products like a digitized text or a word cloud, I hoped to demonstrate to them that the act of building a digital product or working tool is always an act of interpretation. (Provided by author)</text>
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                <text>This article argues that getting students to learn about archival preservation and research in the context of an underpreserved, underresearched history offers a number of pedagogical rewards. Colleges and universities are pushing to increase community-based learning opportunities for undergraduates. At the same time, digital humanities initiatives are making it increasingly possible for undergraduates to work hands-on with primary sources, and a number of university-sponsored efforts are being made to process and digitize neglected African American archives. Many of these projects make use of graduate student labor, but few have recognized the benefits of engaging undergraduates in processing local and minority archives as part of their classroom experience.&#13;
&#13;
This article argues that such classes would not only build mutually beneficial relationships between town and gown but also encourage students to recognize that the approach to history they are familiar with—one that emphasizes national leaders and “major” events—is part of the same tendency to value the powerful that has caused African American history to be underpreserved. Preserving and publicizing local histories counters this tendency and may help produce a younger generation of scholars who are attuned to politics of power and privilege within the scholarship they encounter and produce. (Provided by publisher)</text>
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                <text>Mollie Godfrey. "Making African American History in the Classroom: The Pedagogy of Processing Undervalued Archives." Pedagogy 16, no. 1 (2016): 165-177. https://muse.jhu.edu/ (accessed April 20, 2016).&#13;
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                <text>The development of new digital technologies has led to fundamental changes in the ways that cultural institutions fulfill their public missions of access, preservation, research, and education. Many institutions are developing publicly accessible Web sites that allow users to visit online exhibitions, search collection databases, access images of collection items, and in some cases create their own digital content. Digitization, however, also raises the possibility of copyright infringement. It is imperative that staff in libraries, archives, and museums understand fundamental copyright principles and how institutional procedures can be affected by the law. "Copyright and Cultural Institutions" was written to assist understanding and compliance with copyright law. It addresses the basics of copyright law and the exclusive rights of the copyright owner, the major exemptions used by cultural heritage institutions, and stresses the importance of "risk assessment" when conducting any digitization project. Case studies on digitizing oral histories and student work are also included. (Provided by authors)</text>
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                <text>This study examines Our Marathon &lt;http://marathon.neu.edu&gt;, which is a digital historiography website created in response to the bombings at the Boston Marathon on April 15th, 2013. As a participatory archive, Our Marathon is an example of community literacy practice. This article explores the construction of community through the public memory work of the archive by examining two collections of archival artifacts: public submissions and the Boston City Archives content. This examination reveals the complexity of community construction, but also the influence of Our Marathon as a material support for the work of public memory. Highlighting the archive's negotiation between an intimate space for community participation in the wake of trauma, and its role as an open, digital archive with global reach, this article demonstrates that tensions of this negotiation are useful to highlight the power of the archive as a location of public memory construction, and can suggest ways Our Marathon and other digital historiographic projects can better foster community participation and formation through the reflexive collection, preservation, and display of archival content.&#13;
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                <text>Smith, Kevin G. "Negotiating Community Literacy Practice: Public Memory Work and the Boston Marathon Bombing Digital Archive." &lt;em&gt;Computers and Composition&lt;/em&gt; (March 16, 2016): &lt;em&gt;ScienceDirect,&lt;/em&gt; &lt;a href="http://eds.a.ebscohost.com/eds/detail/detail?sid=12b24f21-51bd-4887-9a04-f1f8ddc7a915%40sessionmgr4004&amp;amp;vid=0&amp;amp;hid=4113&amp;amp;bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3D%3D&amp;amp;preview=false#AN=S875546151630024X&amp;amp;db=edselp"&gt;EBSCO&lt;/a&gt; &lt;em&gt;host.&lt;/em&gt;</text>
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                  <text>Public Participation and Memory</text>
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                <text>Between Archive and Participation: Public Memory in a Digital Age</text>
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                <text>In sizing up the notion of public memory, rhetoricians would be remiss not to consider the increasing influence of new media on today's remembrance culture. This article addresses memorial functions of the internet in light of recent scholarly debates about virtues and drawbacks of modern 'archival memory' as well as the paradoxical link between the contemporary public obsession with memory and the acceleration of amnesia. To explore the strengths and limitations of the internet as a vehicle of collecting, preserving, and displaying traces of the past, the article examines The September 11 Digital Archive, a comprehensive online effort to document public involvement in recording and commemorating the tragedy of 11 September, 2001.</text>
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                <text>Vieira, Lisa</text>
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                <text>Haskins, Ekaterina. "Between Archive and Participation: Public Memory in a Digital Age." &lt;em&gt;Rhetoric Society Quarterly&lt;/em&gt; (2007): 401. &lt;em&gt;JSTOR Journals, &lt;/em&gt;&lt;a href="http://eds.a.ebscohost.com/eds/detail/detail?sid=0ba8ac76-90ab-4ca6-8d39-a595ee348ef1%40sessionmgr4004&amp;amp;vid=0&amp;amp;hid=4113&amp;amp;bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3D%3D&amp;amp;preview=false#AN=edsjsr.40232504&amp;amp;db=edsjsr"&gt;EBSCO&lt;/a&gt; &lt;em&gt;host.&lt;/em&gt;</text>
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                  <text>Teaching Strategies</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>The arrival of the digital age has not only reshaped and refocused critical research in the humanities, but has provided real opportunities to innovate with pedagogy and classroom structure. This article describes the development of a new pedagogical model that integrates learning by teaching with student access to electronic archival resources. This teaching approach counters many of the drawbacks of conventional post-secondary instruction by engendering a more participatory learning environment, facilitating the deformation of restrictive critical categories, deepening students' interpretative abilities, and at the same time giving faculty opportunities to broaden their own research.</text>
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                <text>Stymeist, David</text>
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                <text>Vieira, Lisa</text>
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                <text>Stymeist, David. "Students Teaching Texts to Other Students: Integrating LdL and Digital Archives." &lt;em&gt;College Teaching &lt;/em&gt;63, no. 2 (April 2015): 46-51. &lt;em&gt;Education Full Text (H.W. Wilson)&lt;/em&gt;, &lt;a href="http://eds.a.ebscohost.com/eds/detail/detail?sid=54f668ad-b9fd-49c1-b330-1154ee91a196%40sessionmgr4005&amp;amp;vid=0&amp;amp;hid=4113&amp;amp;bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3D%3D&amp;amp;preview=false#AN=102498736&amp;amp;db=eft"&gt;EBSCO&lt;/a&gt; &lt;em&gt;host.&lt;/em&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;</text>
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