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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
&#13;
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                <text>Social Media as Part of Personal Digital Archives: Exploring Users’ Practices and Service Providers’ Policies Regarding the Preservation of Digital Memories</text>
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                <text>Following over a decade of widespread use, social media platforms have evolved into virtual spaces where users create and store meaningful content, suggesting their potential to serve as components of personal digital archives. This article explores users' attitudes and habits concerning the preservation of digital memories on social media. Survey results indicate that users perceive these materials as potentially integral to their personal archives. Despite this recognition, the study reveals a lack of preservation strategies among users. Through an examination of social media platforms' policies concerning user preservation practices, the article proposes the need for heightened awareness among both users and platform providers regarding the risks associated with the fleeting nature of digital content. </text>
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                <text>Cannelli, Beatrice&#13;
Musso, Marta</text>
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                <text>Katherine Weiss</text>
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                <text>DOI: 10.1007/s10502-021-09379-8</text>
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                <text>Cannelli, Beatrice, and Marta Musso. “Social Media as Part of Personal Digital Archives: Exploring Users’ Practices and Service Providers’ Policies Regarding the Preservation of Digital Memories.” Archival Science, vol. 22, no. 2, 2022, pp. 259–83, https://doi.org/10.1007/s10502-021-09379-8.</text>
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                <text>Vallier contends archives are not “value-neutral institutions” and due to their inherent power to represent and preserve historic artifacts in support of their institutional sponsors, archiving marginalized populations is particularly challenging. Vallier investigated various strategies for redressing past grievances by indigenous parties whose memorabilia had been improperly archived, including repatriating the artifacts. He also queried faculty and students on their perception of the archive and the relative lack of use by researchers. Vallier reasoned the relevance and political correctness of the archive could be improved by making greater use of community experts. Using his experience developing ethnomusicology archives, Vallier explained his motives and methods for soliciting community involvement and “joint ownership” of the archive. In the Filipino and African American communities of LA, Vallier tapped local volunteers and students to record, research, and describe the musical traditions of these respective communities. By enabling the donors to participate in the archive’s creation, the archive’s visibility and support by a larger public increased and Vallier parlayed these successes into another community archive documenting the diverse music cultures of the Puget Sound. Despite continuing financial challenges, he maintains “communal archiving efforts,” together with institutional outreach and repatriation of unethically archived items, counters the esoteric isolation of the archive and allows the archive to develop new knowledge.</text>
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                <text>&lt;p&gt;Vallier, John. "Sound Archiving Close to Home: Why Community Partnerships Matter." &lt;em&gt;Notes, &lt;/em&gt;v67 n1 (2010): 39-49. &lt;a href="http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/notes/v067/67.1.vallier.html"&gt;http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/notes/v067/67.1.vallier.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Spreadable media is basically getting across the needed message from one person to another through the mouth or in this case through social media. If you break up the term, then spreadable means to describe these increasingly pervasive forms of media circulation and this has a parallel and contrast relation with the term stickiness that means attracting the audience’s attention and engagement. In regards, stickiness can prevent spreadable media because of the restriction people place for audience’s social connections such as charging a subscription fee and government censorship. In reality, spreadability emphasizes producing content in easy-to-share formats such as YouTube while stickiness makes spreading information forced where users cannot leave once on the site when the site disabled the Back button. &#13;
&#13;
In the book, the authors provide examples of Susan Boyle and the show Mad Men, which proves that spreadable media refers not just those texts which circulate broadly but also those that achieve particularly deep engagement within a niche community. The show Mad Men exemplifies the meaning of spreadable media through the medium of television. In addition, the Voice in the UK could have had more participatory engagement if it was not restricted within the UK boundaries. The show became recognized globally in regards to Susan Boyle, a participant, and winner of the Voice. But the show was not recognized in itself because it was not aired outside of the UK so the spreadability was not as popular as it could have been. </text>
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                <text>Jenkins, Henry, Ford, Sam, and Green, Joshua. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: NYU, 2013.&#13;
&#13;
https://books.google.com/books?id=pq1oClUrhDgC&amp;dq=spreadable+media+amazon&amp;source=gbs_navlinks_s</text>
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                <text>Muiser, Iwe, Mariet Theune, Ruud de Jong, Nigel Smink, Rudolf Berend Trieschnigg, Djoerd Hiemstra, and Theo Meder. "Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database." Digital humanities quarterly 11, no. 4 (2018).</text>
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https://books.google.com/books?id=6fnsBmAB0lEC&amp;dq=teaching%20strategies%20for%20digital%20humanities%20book&amp;source=gbs_similarbooks</text>
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