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                  <text>Planning, Building, and Curation</text>
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                <text>Digital Curation in the Digital Humanites: Preserving and Promoting Archival Special Collections</text>
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                <text>In this book, Arjun Sabharwal explains the framework behind digital collections, and the relationships that hold it together.  Individual chapters explain the specifics behind preserving, promoting, and accessing a digital collection.</text>
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                <text>Van Dresar, Megan</text>
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                <text>Sabharwal, Arjun. "Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections". Digital Archiving Resources. Accessed April 21 2016. &lt;a href="http://store.elsevier.com/product.jsp?isbn=9780081001431&amp;amp;pagename=search"&gt;http://store.elsevier.com/product.jsp?isbn=9780081001431&amp;amp;pagename=search&lt;/a&gt;</text>
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>Sanderson, Pernilla. 2021. “Chapter 7 The Politics of Women’s Digital Archives and Its Significance for the History of Journalism.” UCF libraries. https://library.oapen.org/viewer/web/viewer.html?file=/bitstream/handle/20.500.12657/41776/9781003098843_oachapter7.pdf?sequence=1&amp;isAllowed=y.&#13;
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                <text>Pitti’s article focuses on the necessity of collaboration among scholars, despite the challenges they encounter. In order to design complex, sustainable projects in digital humanities, collaboration is necessary because of the cost and the familiarity required with both the research subject and the technologies. Pitti discusses the advantages and challenges connected with collaboration. The primary advantage of collaboration is that a group of scholars can create “research collections more intellectually complex and comprehensive than is possible for an individual.” However, Pitti also examines some of the challenges, such as individual interests versus shared objectives, creating guidelines for the project, and differing levels of technological abilities. He offers some solutions to these obstacles, and he insists that collaboration will enable greater productivity. </text>
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                <text>Pitti, Daniel V. "Designing Sustainable Projects and Publications." Edited by Susan Schreibman, Raymond George Siemens, and John Unsworth. In A Companion to Digital Humanities. Malden, MA: Blackwell Pub., 2004. </text>
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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
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                <text>This article houses a study that goes into the concept of digital curation on students’ smartphones. This is a recent study that emphasizes the importance of modern-day evaluations of technology and archiving resources that are made available to students and the general population. The study starts by stating that digital curation is a vital aspect of digital archiving and then expands on this idea by examining how students use these curation concepts to archiving their content. This is done through the use of MIP students using MRA records to manage, or not effectively manage, their digital archives within their smartphones. The results of their findings show that each individual is different and unique in their archival methods. This leads me to believe that a more user-centered model is necessary for the evolution of widely used archiving models within smartphones. &#13;
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Khairunnisa, Khairunnisa&#13;
Kurnia, Leila</text>
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                <text>Sentilles, Renée M. “Toiling in the Archives of Cyberspace.” In &lt;em&gt;Archive Stories: Facts, Fictions, and the Writing of History&lt;/em&gt;, edited by Antoinette Burton, 136-56. Durham: Duke University Press, 2005.</text>
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                <text>The article looks at efforts to preserve the contents of the Internet for future generations. Particular focus is given to the Global Database of Events, Language, and Tone (GDELT) project, led by computer scientist Kaylev Leetaru, and to the not-for-profit digital library known as the Internet Archive. Topics include the alteration of online documents such as government press releases and the digitization of books and other museum and library collections.</text>
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                <text>Shein, Esther. "Preserving the Internet." &lt;em&gt;Communications Of The ACM&lt;/em&gt; 59, no. 1 (January 2016): 26-28. &lt;em&gt;Business Source Premier&lt;/em&gt;, &lt;a href="https://login.ezproxy.net.ucf.edu/login?auth=shibb&amp;amp;url=http://search.ebscohost.com/login.aspx?direct=true&amp;amp;db=buh&amp;amp;AN=111924701&amp;amp;site=eds-live&amp;amp;scope=site"&gt;EBSCO&lt;/a&gt;&lt;em&gt;host.&lt;/em&gt;</text>
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                <text>Historypin is an archive that uses a collaborative approach to create stronger ties with local history. Users—either individuals or institutions —upload records and denote the location of the object by pinning it using Google Maps. These records can be arranged into collections which demonstrate the various applications of the site’s technology to digital scholarship, primarily through crowdsourcing. Users unaffiliated with the original creator of the collection are able to upload their own contributions. Both collections and records are assigned specific discussion threads, and can be shared through social media.</text>
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                <text>ShiftDesign. Historypin. Accessed April 22, 2016. &lt;a title="https://www.historypin.org/en/" href="https://www.historypin.org/en/"&gt;https://www.historypin.org/en/&lt;/a&gt;</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of its thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner.</text>
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                <text>Simonson, Karen Rae. "Becoming digital : the challenges of archiving digital photographs." Thesis. University of Manitoba, 2006. Web. 18 Apr. 2015.</text>
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                <text>Slania, Heather. "Online Art Ephemera: Web Archiving at the National Museum of Women in the Arts."Art Documentation: Journal of the Art Libraries Society of North America 32.1 (2013): 112-26. Web. 14 Apr. 2015.</text>
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