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                <text>&lt;p&gt;Sternfeld, Joshua. "Archival Theory and Digital Historiography: Selection, Search, and Metadata as Archival&lt;br /&gt;Processes for Assessing Historical Contextualization." &lt;em&gt;American Archivist&lt;/em&gt; 74, no. 2 (Fall/Winter 2011): 544-575. Accessed April 22, 2016. &lt;a title="http://www.jstor.org/stable/23079050" href="http://www.jstor.org/stable/23079050" target="_blank"&gt;http://www.jstor.org/stable/23079050&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This article focuses on the application of archival theory to create digital representations of history, and how this has created a new theory within digital humanities scholarship termed digital historiography—a theory which focuses on analyzing and studying how digital technologies and historical practice interact. The sudden, rapid development of digital humanities scholarship and its increasing emphasis on interdisciplinarity has left scholars without a criteria to properly assess the validity and importance of digital representations, leaving them without a means to determine what scholarly value should be assigned to the project. The author provides a solution to this problem by proposing three processes of archival theory as criteria: selection, search, and the application of metadata. To support this idea, the author examines several digital representations to illustrate how selection, search functionality, and metadata application impact, inform, and interpret the historical knowledge that a digital representation aims to impart. While the author believes technology has improved the ways in which history is conveyed to wider, non-specialized audiences, he explains the important role that more traditional approaches have on archival theory and historical practice and argues for their assimilation into digital humanities scholarship.&#13;
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Participation in digital archives and collaborative digital environments, according to Vetter, can lead to increased student motivation, rhetorical awareness, and an increased awareness of library resources and the concepts of public information, while serving as stewards of the genesis and preservation of public knowledge. The research project began through the desire to produce and evaluate an assignment that designed and measured “collaborative-digital pedagogy,” directly engaging composition students with library services and special collections with the aim of increasing student awareness and usage of library services, and special collections for future research. Vetter constructed the study with the hypothesis that Kenneth Bruffee’s concept of peer learning, a cornerstone of composition pedagogy, could be enacted and extended through the design and implementation of activities that utilize collaborative technologies in the classroom and eventually engage a broader network of collaborators in an online environment like Wikipedia. Citing one particular student’s experience as a case study, Vetter attempts to illustrate the pedagogic value of providing students with the opportunity to collaborate with multiple individuals during the course of a service learning project. Vetter also discusses the potential of such exercises to teach the rhetorical situation, notably the concepts of authority and authorship, as well as the factors of motivation that accompany such unique learning models and environments.</text>
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                <text>Brown, Caroline. 2014. Archives and Recordkeeping: Theory Into Practice. Facet Books for Archivists and Records Managers. London: Facet Publishing. https://search.ebscohost.com/login.aspx?direct=true&amp;db=nlebk&amp;AN=766210&amp;site=eds-live&amp;scope=site</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>Jimerson argues that in the information age, knowledge is power, and power is determined by those who determine what information will be preserved for the future, i.e., archivists. Therefore, archivists should use their power to benefit all members of society. He contends that archivists should adopt a social conscience and “promote accountability, open government, diversity, and social justice.” In addition, this social conscience can be implemented through objectivity (he explains the difference between objectivity and neutrality) in which archivists can address social issues without abandoning their professional standards and values. He says their role does not prohibit political advocacy, and Jimerson argues that archivists have both a moral and a professional responsibility to balance the power of the status quo with that of the marginalized. Therefore, they should help restore social wrongs and support the causes for justice and community consciousness among these marginalized groups. They should be public advocates and agents of change because they have a collective responsibility to ensure the preservation of information (or evidence) for “accountability, individual rights, and social justice.” Jimerson believes archivists has two main goals: (1) reflect diverse societies and give a voice to those marginalized, and (2) increase professional membership among marginalized groups. And, these commitments must be international in order to be effective. </text>
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                <text>Jimerson, Randall </text>
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                <text>Society of the American Archivist</text>
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                <text> © 2015</text>
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                <text>Jimerson, Randall. "The American Archivist." &lt;em&gt;The Society of the American Archivist&lt;/em&gt; 77.2 (2014): n.pag. Web. 28 Apr. 2015.</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Planning, Building, and Curation</text>
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              <description>An account of the resource</description>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>&lt;em&gt;Archives in Appalachia: A Directory&lt;/em&gt; is a book accessible through the University of Central Florida library’s Primo search. The book is composed of entries cataloging and describing the 181 repositories available throughout 195 counties. These counties are confined to the South-Central Appalachia region. Appalachia is a historically and culturally rich area and contains a great deal of information to be archived and preserved. This directory is a step in the process of organizing and preserving the political, social, cultural, and economic history of Appalachia. In the table of contents, there is also a section on “Coming Attractions,” which lists agencies that did not collect material but aim to do so in the future. The directory also provides indexes that are sorted by subject matter and material type; this was done so to help researchers narrow down information on time. As established earlier, this directory covers a wide range of valuable information in many fields of work. This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.</text>
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                <text>Appalachian State University </text>
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                <text>  Garrison, Ellen. Archives in Appalachia : A Directory. Appalachian State University, 1985.</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Ethics, Privacy, Copyright, and Legislation</text>
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              <description>An account of the resource</description>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Archives in the Digital Age: Preservation and the Right to be Forgotten</text>
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                <text>Archiving has become an increasingly complex process. While preserving data is a challenge, this has evolved into finding a method to preserve data more efficiently, and make sure that data can keep its authenticity and integrity over a period of time. With this growing need to store data, there has been a surplus in technology that allows individuals to archive their data; many e-mails, for example, have the option to archive any mail in the user’s inbox. This concern to preserve everything, Mkadmi states, also begs another concern: “that of being forgotten”.  As more information of an individual becomes public online due to things like social media and resumes, Archives in The Digital Age examines how individuals should have a right to guarantee their privacy and freedom on the internet. </text>
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                <text>Amanda Dabao</text>
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                <text>Mkadmi, Abderrazak. &lt;em&gt;Archives in the Digital Age: Preservation and the Right to be Forgotten&lt;/em&gt;. United Kingdom: Wiley, 2021.</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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Provenance from Repository to the Internet</text>
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                <text>This article examines the ways in which online archives challenge the concept of provenance. Monks-Leeson examines two online archives in detail, the First World War Poetry Digital Archive, hosted by Oxford, and the Walt Whitman Archive, edited by Ed Folsom and Kenneth M. Price, to determine the ways in which they interpret and incorporate provenance. She concludes that both websites rather offer a collection than archival fonds. According to Monks-Leesong, search emphasizes themes rather than the creator’s order; thus, online archives seem to privilege alternate structures over traditional ones, such as provenance and original order. Nevertheless, Monks-Leeson points out, traditional archives offer thematic guides as well. Additionally, online archives tend to provide rich amounts of contextual information, which allows researchers to retrace the creator’s order. Ultimately, Monks-Leeson argues that digital archives are “a familiar adaption of ongoing practices and concerns,” rather than entirely new phenomena. Archivists must therefore keep in mind those traditional concepts whilst thinking of them in complex and new ways. </text>
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                <text>Monks-Leeson, Emily</text>
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                <text>Monks-Leeson, Emily. "Archives on the Internet: Representing Contexts and &#13;
Provenance from Repository to the Internet." The American Archivist 74 (2011): 38-57. &#13;
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Planning, Building, and Curation</text>
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              <description>An account of the resource</description>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>THE NATIONAL ARCHIVES AND RECORDS ADMINISTRATION (NARA) completed construction of a new facility, the&#13;
National Archives at College Park, in 1993. Informally known as Archives II, it is the largest and most technically advanced archives building in the world. As it was built primarily to protect the Nation’s records, extreme care was taken to design and construct a building that would offer the best possible conditions for the storage,&#13;
preservation, and use of the archival materials</text>
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                <text>Korosec, Pat </text>
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                <text>National Archives and Records Administration. "Archives Storage Environment Specifications Manual." 1997. PDF file.</text>
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