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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>Technology holds the key to the future when it comes to preserving our rich history. Trends are quickly and have ultimately moved towards preserving data and printed text by transposing them into digital text. However, just like tangible text data, information on both storage devices such as servers and even a desktop hard drive have a preservation life in which software engineers and IT management must go in and maintenance this data in order to keep it from deterioration. This book references this process and how much work goes into preserving digital data. </text>
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                <text>Uwe M. Borghoff, Peter Rödig, Jan Scheffczyk, Lothar Schmitz</text>
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                <text>Faucette, Thomas</text>
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                <text>Uwe M. Borghoff, Peter Rödig, Jan Scheffczyk, Lothar Schmitz. Faucette, Thomas. Long-Term Preservation of Digital Documents: Principles and Practices. Science &amp; Business Media. 2007. https://books.google.com/books?id=sZpm0dBV5MwC&amp;dq=Long-Term+Preservation+of+Digital+Documents:+Principles+and+Practices&amp;source=gbs_navlinks_s</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>“The Long term preservation of digital documents” is a book published in the year 2015. It was originally written in German but was eventually translated to English to reach a wider array of audiences. It is categorized as a digital preservation of electronic information resources. It includes sixty-two figures and thirty-two tablets with a list of informational bibliography references used within the book. The purpose of the novel is to understand and explain the importance of preserving digitized information and what are the best resources and methods to efficiently do so correctly. The book is set up in a textbook format divided by prefaces of specific subject headings followed by chapters that break down the individual information. This is a valuable addition to the archiving website because the importance of archiving digital documents is getting less and less relevant over time as generations are becoming less informed on the proper way to reserve documents and media. The textbook does have a lot of information and therefore has to be divided into concise paragraphs using small fonts. Thankfully, it is available for download in different formats helping readers to individually decide in what type of format would be most comfortable for them to read the given information. </text>
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                <text>Clara Pulido, Jacquelyn Curtin, Truc Duong</text>
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                <text>Borghoff, Uwe M. Long-Term Preservation of Digital Documents: Principles and Practices. Berlin: Springer, 2010.</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>Explores how art archiving is changing in theory, how our understanding of archiving is influenced and changed, and how archives can be made accessible. The topic of what archiving is, what it means to society, and the value it holds is addressed in terms of archiving art in regards to representing our culture. &#13;
A factor into preservation that is overlooked and should be addressed is considered as how the future will perceive our current archival databases and items we have preserved. Historically, the future will use our current archives as an aspect of study, therefore it is discussed how we are currently unable to determine how our archiving now will be seen at a future time. &#13;
Archiving is explored based on theory and how that theory is changing in practice.</text>
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                <text>Waddington, Calyn</text>
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                <text>Vaknin, Judy, Karyn Stuckey, &amp;amp; Victoria Lane. "All This Stuff: Archiving the Artist." Libri Publishing, 2013</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>Sound Archiving Close to Home: Why Community Partnerships Matter</text>
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                <text>Vallier contends archives are not “value-neutral institutions” and due to their inherent power to represent and preserve historic artifacts in support of their institutional sponsors, archiving marginalized populations is particularly challenging. Vallier investigated various strategies for redressing past grievances by indigenous parties whose memorabilia had been improperly archived, including repatriating the artifacts. He also queried faculty and students on their perception of the archive and the relative lack of use by researchers. Vallier reasoned the relevance and political correctness of the archive could be improved by making greater use of community experts. Using his experience developing ethnomusicology archives, Vallier explained his motives and methods for soliciting community involvement and “joint ownership” of the archive. In the Filipino and African American communities of LA, Vallier tapped local volunteers and students to record, research, and describe the musical traditions of these respective communities. By enabling the donors to participate in the archive’s creation, the archive’s visibility and support by a larger public increased and Vallier parlayed these successes into another community archive documenting the diverse music cultures of the Puget Sound. Despite continuing financial challenges, he maintains “communal archiving efforts,” together with institutional outreach and repatriation of unethically archived items, counters the esoteric isolation of the archive and allows the archive to develop new knowledge.</text>
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                <text>Vallier, John</text>
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                <text>Polk, Victoria</text>
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                <text>&lt;p&gt;Vallier, John. "Sound Archiving Close to Home: Why Community Partnerships Matter." &lt;em&gt;Notes, &lt;/em&gt;v67 n1 (2010): 39-49. &lt;a href="http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/notes/v067/67.1.vallier.html"&gt;http://muse.jhu.edu/login?auth=0&amp;amp;type=summary&amp;amp;url=/journals/notes/v067/67.1.vallier.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>In this article, Venezia discusses the influence of the archive on the comics of Alan Moore and proposes using the archive as a “model and method” for “reading the history” presented in similar types of graphic narratives. Ephemeral objects of history, including diaries, photographs, and other memorabilia that form archival collections abound in Moore’s comics. The comic’s unique ability to feature fragments of the past juxtaposed or placed within the space of the present and an imagined future renders the comic its historiographic quality. Venezia suggests the archival elements of the comic legitimizes its representation of history and illuminates for the reader popular cultural attitudes. In the examples given, he identifies fears of unemployment and the anticipation of the government’s demise indicating the social context and at a deeper level, the presentation of history as an archive. The importance of preserving the scattered remnants of a society as depicted in the comic is not just a narrative device; it is an acknowledgement of the archive’s power in making people aware of the present.</text>
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                <text>Venezia, Tony. "Archives, Alan Moore, and the Historio-Graphic Novel." &lt;em&gt;International Journal Of Comic Art&lt;/em&gt; 12, no. 1 (2010): 183-199. &lt;em&gt;Art Full Text (H.W. Wilson)&lt;/em&gt;, EBSCO&lt;em&gt;host&lt;/em&gt; (accessed Feb. 1, 2013).</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>Archive 2.0: What Composition Students and Academic Libraries Can Gain from Digital-Collaborative Pedagogies</text>
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                <text>Participation in digital archives and collaborative digital environments, according to Vetter, can lead to increased student motivation, rhetorical awareness, and an increased awareness of library resources and the concepts of public information, while serving as stewards of the genesis and preservation of public knowledge. The research project began through the desire to produce and evaluate an assignment that designed and measured “collaborative-digital pedagogy,” directly engaging composition students with library services and special collections with the aim of increasing student awareness and usage of library services, and special collections for future research. Vetter constructed the study with the hypothesis that Kenneth Bruffee’s concept of peer learning, a cornerstone of composition pedagogy, could be enacted and extended through the design and implementation of activities that utilize collaborative technologies in the classroom and eventually engage a broader network of collaborators in an online environment like Wikipedia. Citing one particular student’s experience as a case study, Vetter attempts to illustrate the pedagogic value of providing students with the opportunity to collaborate with multiple individuals during the course of a service learning project. Vetter also discusses the potential of such exercises to teach the rhetorical situation, notably the concepts of authority and authorship, as well as the factors of motivation that accompany such unique learning models and environments.</text>
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                <text>Vetter, Matthew A. "Archive 2.0: What Composition Students and Academic Libraries Can Gain from Digital-Collaborative Pedagogies." Composition Studies 42, no. 1 (Spring 2014): 35-53. </text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>Academic Librarians' Varying Experiences of Archives: A Phenographic Study</text>
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                <text>This article reports on a study investigating academic librarians' varying experiences of archives in order to promote understanding and communication among librarians and archivists. A qualitative, phenomenographic approach was adopted for the study. Three different ways of experiencing archives were identified from analysis of interviews. Archives may be experienced by academic librarians as 1) a place which protects collections; 2) resources to be used in accomplishing tasks such as teaching, research, or outreach; or 3) manifestations of politics. The third way of experiencing archives is the most complex, incorporating both the other experiences. The results of this study may help librarians, especially academic librarians, and archivists communicate more clearly on joint projects involving archival collections thereby enabling more collaboration.</text>
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                <text>Wakimoto, Diana K., and Christine S. Bruce. "Academic Librarians' Varying Experiences of Archives: A Phenomenographic Study." &lt;em&gt;Journal Of Academic Librarianship&lt;/em&gt; 40, no. 5 (September 2014): 452-459. &lt;em&gt;Professional Development Collection&lt;/em&gt;, &lt;a href="https://login.ezproxy.net.ucf.edu/login?auth=shibb&amp;amp;url=http://search.ebscohost.com/login.aspx?direct=true&amp;amp;db=tfh&amp;amp;AN=98603151&amp;amp;site=eds-live&amp;amp;scope=site"&gt;EBSCO&lt;/a&gt;&lt;em&gt;host.&lt;/em&gt;</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>New Roles for New Times: Digital Curation for Preservation</text>
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                <text>Tyler Walters, archivist, librarian and associate dean of Virginia Tech’s technology and information resources, discusses the nature and responsibilities of academic librarians as they undertake the collection and curation of digital content. He cites several projects, partnerships, strategic alliances, and collaborations between academic institutions in order to coordinate efforts to preserve and disseminate large-scale digital archiving projects. Some of the principles discussed in this report include: mutual commitment to long-term preservation; collaboration to adopt policies and procedures that will sustain the archive to the benefit of its collection owners and institution and commitment to high standards for metadata and content. Walters also discusses several applications and systems used for designing archives and user tools, including DSpace, Fedora, and CDL’s Curation Center.</text>
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                <text>Skinner, Katherine </text>
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