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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>In “Toiling in the Archives of Cyberspace,” Renée Sentilles argues, “Our relationship with sources changes as they become more accessible, more abundant, and less tangible" (136). Sentilles discusses the usability of digital archives, particularly the Internet, using her experience studying the life of Adah Isaacs Menken to point out the differences digital archives bring to history scholarship. First, she states the Internet creates an excess of information and sources, when historians are used to working with a scarcity of sources. Second, she discusses how the community on the Internet can replace the solitude of historical writing. Ultimately, Sentilles concludes that, while one can conduct parts of research on the Internet, the digital medium cannot replace the experience of being in the physical location with archive personnel.  </text>
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                <text>Sentilles, Renée M. “Toiling in the Archives of Cyberspace.” In &lt;em&gt;Archive Stories: Facts, Fictions, and the Writing of History&lt;/em&gt;, edited by Antoinette Burton, 136-56. Durham: Duke University Press, 2005.</text>
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                <text>Archivist, Audra Yun, illuminates several fundamental digital archiving issues in her blog and provides critical commentary for the many conferences and workshops she attends. In her most recent entry, "The present and future of audiovisual archives: Screening the Future 2012, Los Angeles," she discusses critical archiving issues including: challenges of digital preservation and updating metadata for researching audio-visual data, social implications of personal digital archiving, and using digital archives as critical reading and media literacy. Yun embeds links to the diverse digital archives, software tools, and web sites of the presenters she features in her blogs, including her own publications and presentations. Her belief that "most primary sources belong in the hands (or on the screens) of users," and her mission as an archivist to "add context and longevity" to records of historic value are both evident in the information and educational service her blog provides its users.</text>
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                <text>Yun, Audra Eagle. &lt;em&gt;Touchable Archives &lt;/em&gt;(blog). &lt;a href="http://librarchivist.wordpress.com/"&gt;http://librarchivist.wordpress.com/. &lt;/a&gt;</text>
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                <text>In the article “Trajectories of Personal Archiving: Practical and Ethical Considerations,” published in the academic journal Geographical Review, Knapp discusses the intricacies archiving has for the professional individual, as well as the ethical concerns archiving personal works. Knapp offers that the digitization of one’s personal notes can be problematic when examined with their body of work and poses that there may need to be limitations on what is preserved. </text>
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                <text>Knapp, Gregory. “Trajectories of Personal Archiving: Practical and Ethical Considerations.” Geographical Review 110, no. 1-2 (July 2019): 65–77. https://doi.org/10.1111/gere.12339</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>This book tries to refocus the true purpose of social media and how it can be used to help further students’ education. The greatest issues educators face with social media is not privacy concerns rather motivating the students to participate in the learning process. Each chapter incorporates a new methodology according to the discipline the author presents, but each methodology integrates the social media as pedagogical. The author states the challenges and successes in bringing in the social media according to the particular discipline.</text>
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                <text>Ortiz, Samuel</text>
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                <text>Cheal, Catheryn, Shaun Moore, and John Coughlin. Transformation in Teaching: Social Media Strategies in Higher Education. Santa Rosa, CA: Informing Science Press, 2012.</text>
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                <text>&lt;p&gt;&lt;span style="font-weight:400;"&gt;Libraries are an important part of society today as they provide equal access to all who use it. It is home to a wide variety of resources such as internet, technology, literary resources, and information—all made free to the public through the library. As information has become more and more digitized, however, libraries are slowing down when it comes to technological advances: when looking at the online database, it is more than likely that a book is only available physically rather than being available online.  Due to the nature of the library as a medium for sharing information, it is imperative that these mediums be transformed to help users find information faster. &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight:400;"&gt;The Transformation Of Knowledge&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight:400;"&gt; offers different solutions to help libraries stay up-to-date with technology, while also addressing the many challenges that could come forth with such endeavors.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;em&gt;Transformation Of Knowledge In The Digital Age Environment Through Library&lt;/em&gt;. N.p.: OrangeBooks Publication, 2022.</text>
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                <text>&lt;em&gt;Transforming the Authority of the Archive&lt;/em&gt; from editors and contributors Andi Gustavson and Charlotte Nunes is a collection of articles written by vcontributors from a range of institutions including small liberal arts colleges, HBCUs, Ivy Leagues, large research institutions, and community-based collections. Contributors include, in addition to the editors, Hannah Alpert-Abrams, Gianluca De Fazio, Myranda Fuentes, Sam Koreman, Mary A. Armstrong, Jennifer Wellnitz, Michele Hardesty, Alana Kumbier, Christopher Jones, Elizabeth Rodrigues, Rachel Schnepper, Temitayo Wolff, Nora Claire Miller, Elise Nacca, Elon Lang, aems emswiler, Marco Robinson, Phyllis Earles and Daren White, and Jane Field. &lt;br /&gt;The collection is focused on teaching methods and archival methods that emphasize records from individual and community voices that have historically been hidden and underrepresented in "neutral" archives. The methods offered contain ideas for significantly and sometimes radically altering the way archival authority is determined and destributed. The models, methods, and activities in this collection seek to engage students in creating, analyzing, preserving, and discussing archives in a thoughtful and creative manner. &lt;em&gt;Transforming the Authority of the Archive&lt;/em&gt; offers a multitude of fresh perspectives and ideas on teaching archival practices and creating archives and is an important read for anyone interested in archival studies.</text>
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                <text>Gustavson, Andi, and Charlotte Nunes, eds. &lt;em&gt;Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives&lt;/em&gt;. Lever Press, 2023. https://doi.org/10.3998/mpub.12752519.</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Chris Needham opens the door on the common copyfraud that occurs when museums misrepresent or restrict rights in a way that go against public domain copyright law. Needham first explains relevant copyright issues such as the copyright of certain artworks and books. Copyright lasts for about seventy years, but certain copyright laws can be a gray area when it comes to preservation of artifacts. How these artifacts become part of the public domain is a photograph is taken of the artifact and posted online for anyone to see much like a virtual museum. The author then dives into how the copyfraud of archives affect universities, publishing houses, and museums. In a more positive light, Needham shows how librarians and visual resource managers are supporting museums change their approach to copyright and copyfraud. Needham focuses on how this change is transforming scholarship and allowing scholars and librarians to better serve the public. &#13;
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                <text>Needham, Chris "Understanding Copyfraud: Public Domain Images and False Claims of Copyright," Art Documentation: Journal of the Art Libraries Society of North America 36, no. 2 (Fall 2017): 219-230. https://doi.org/10.1086/694241</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>In his introduction to Understanding Digital Humanities, David Berry traces the history of digital humanities—an evolving method and theory of interpreting the effects of  digitization and computation on society and culture, while simultaneously adopting and inventing computational processes for guiding its nascent discipline. Notable scholars and pathfinders in the field were selected to write the essays featured in this book, which illuminate fundamental and often controversial issues of the digital humanities,. These issues include the relationship between computation and literacy, aesthetics, gender studies, and the invention and application of data mining tools for interpreting vast quantities of cultural data. &#13;
&#13;
Of particular interest to the digital archivist is the Jussi Parikka’s essay, “Archives in Media Theory: Material Media Archaeology and Digital Humanities.” Parikka believes the archive offers a basis for theory and theoretical backing for digital humanities work, especially studies that focus on calculating effects and representing patterns. The non-narrative, non-discursive, and database logic of the archive presents a digital space, a metaphor, and a method for ingesting and interpreting the vast amount of information transmitted daily through digital media. By breaking down the study of digital media and culture into a study of the digital object’s materiality, its purposes, its historical and cultural context, and its representation and preservation, the archive as method becomes apparent—an apt metaphor Berry uses to describe the Internet’s resources, the “new infinite archive.” &#13;
&#13;
Digital archivists will also find the final chapter, “Transdisciplinarity and Digital Humanities: Lessons Learned from Developing Text-Mining Tools for Textual Analysis” by Yu-Wei Lin, useful for promoting collaborative efforts between software engineers and humanists, and for extending the reach of archives into scholarly research and knowledge creation.</text>
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                <text>Kirsch, Gesa E., Romeo García, Caitlin Burns Allen, and Walker P. Smith, eds. &lt;em&gt;Unsettling Archival Research&lt;/em&gt;. Southern Illinois University Press, 2023. https://doi.org/10.2307/jj.9669312.</text>
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                <text> “Vatican Library Digital Archiving Project,” YouTube video, 8:57, posted by “NTTDATAGlobal,” November 19, 2014, https://www.youtube.com/watch?v=YSYJj4G2fMs.</text>
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