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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Besek explains how the collecting and preserving of digital content poses challenges to the intellectual property rights that libraries and archives are use to following. A balance between copyright owners and users is an ongoing process; therefore, Besek offers a paper in which she describes the copyright rules and exceptions. She also focuses on issues those involved with libraries and archives might encounter if involved in the creation of a digital archive. Besek explains that numerous factors exist when determining the copyright implications for works being considered for inclusion in an archive. Some of these factors include: the purpose of the archive, its subject matter, the manner in which it will acquire materials, and who will have access to the archive, and from where, and under what conditions. The purpose of Besek’s paper is not to go in-depth about copyright, but to provide the reader and potential archive creator, with information about basic copyright matters, so that the creator might recognize areas of concern as he/she plans the archive. </text>
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                <text>Besek, June M. "Copyright Issues Relevant to the Creation of a Digital Archive: A Preliminary Assessment." Council on Library and Information Resources Reports. December 2005. Accessed January 25, 2012. http://www.clir.org/pubs/reports.</text>
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                <text>This book provides a comprehensive manual that covers key areas of archiving. Its audience is that of the novice and student archivist. In addition to it textbook format, the material in the book examines the role of the archival profession in the electronic records environment. The first four chapters focus on how to get started with archives. The chapters concentrate on the definition of archives, organization and storage issues, and preservation. They provide practical knowledge on developing frameworks for the establishment of an archive. The next six chapters examine how to manage archives. The chapters explain how to decide what one wants, how to get it, once one obtains it, and finally how to manage it. It looks at appraisal and disposal, acquisition, accessioning, arrangement, documentation programs, and using computers (the tasks for which they can be used). The four chapters in section three discuss promoting archives, which includes public access, security, privacy, confidentiality, cultural sensitivity, and copyright. The last four chapters discuss how to manage non-textual items. Digital recordkeeping is described. The chapters provide guidance on how to use archival principles, process, and services for digital records, maps, objects, sound recordings, moving images, and photographs. </text>
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                <text>Bettington, Jackie, Kim Eberhard, Rowena Loo, and Clive Smith, eds. &lt;em&gt;Keeping Archives&lt;/em&gt;. 3rd ed. Canberra: Australian Society of Archivists, 2008.</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar</text>
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                <text>The Advanced Studies Center of the International Institute of the University of Michigan held a year-long Sawyer Seminar from 2000-2001 to investigate the complicated relationships between archives, forms of documentation, and societies. The program had 100 presentations over 28 sessions with representation from 15 different countries. The focus of the seminar was the role of archives in the production of knowledge. The book is divided into five sections. The first section deals with archives themselves. How does one define an archive? The second section looks at how archives are used in the production of knowledge. The third section is about social memory. These articles explore how archives create knowledge about broader social processes and activities that can be used to explore the past, such as how archives can deliberately limit, shape, or structure certain kinds of social understanding. The fourth section examines archives and political cultures, specifically Canada, the Caribbean, Western Europe, African, and European Colonial Archives. Essays cover the challenge of recovering “memory” in areas of colonialism and postcolonialism, revolutionary events, and evolving stable states. In contrast to section four, the last section covers archives and social understanding in states undergoing rapid transition, such as China, Postwar Japan, Postwar Greece, Russia, Ukraine, and the Balkins. The essays examine the relationship between state archives and governments, and they look at how politics affects archives. </text>
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                <text>Blouin, Jr, Francis X., and William G. Rosenberg, eds. Archives, Documentation, and Institutions of Social Memory: Essays from the Sawyer Seminar. Ann Arbor: University of Michigan Press, 2006. </text>
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                <text>Jimerson argues that in the information age, knowledge is power, and power is determined by those who determine what information will be preserved for the future, i.e., archivists. Therefore, archivists should use their power to benefit all members of society. He contends that archivists should adopt a social conscience and “promote accountability, open government, diversity, and social justice.” In addition, this social conscience can be implemented through objectivity (he explains the difference between objectivity and neutrality) in which archivists can address social issues without abandoning their professional standards and values. He says their role does not prohibit political advocacy, and Jimerson argues that archivists have both a moral and a professional responsibility to balance the power of the status quo with that of the marginalized. Therefore, they should help restore social wrongs and support the causes for justice and community consciousness among these marginalized groups. They should be public advocates and agents of change because they have a collective responsibility to ensure the preservation of information (or evidence) for “accountability, individual rights, and social justice.” Jimerson believes archivists has two main goals: (1) reflect diverse societies and give a voice to those marginalized, and (2) increase professional membership among marginalized groups. And, these commitments must be international in order to be effective. </text>
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                <text>Pitti’s article focuses on the necessity of collaboration among scholars, despite the challenges they encounter. In order to design complex, sustainable projects in digital humanities, collaboration is necessary because of the cost and the familiarity required with both the research subject and the technologies. Pitti discusses the advantages and challenges connected with collaboration. The primary advantage of collaboration is that a group of scholars can create “research collections more intellectually complex and comprehensive than is possible for an individual.” However, Pitti also examines some of the challenges, such as individual interests versus shared objectives, creating guidelines for the project, and differing levels of technological abilities. He offers some solutions to these obstacles, and he insists that collaboration will enable greater productivity. </text>
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                <text>Pitti, Daniel V. "Designing Sustainable Projects and Publications." Edited by Susan Schreibman, Raymond George Siemens, and John Unsworth. In A Companion to Digital Humanities. Malden, MA: Blackwell Pub., 2004. </text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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          <element elementId="50">
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              <elementText elementTextId="25688">
                <text>The Power of Archives:&#13;
Archivists’ Values and Value&#13;
in the Postmodern Age</text>
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            <name>Subject</name>
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                <text>Archives</text>
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          <element elementId="41">
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                <text>In this article, Greene eschews the "intuitive, informal, and cookbooky" approach to information infrastructure and advises archivists to base their work on core professional values (22). He recommends beginning a digital archive project with well-planned policies of selection and collection criteria. Greene also discusses the importance of "activism"—"active shaping of the historical record" and "advocacy of archival issues and values in a variety of settings including the political arena" (25). By defining archivists as activists, Greene contends they are not neutral and that become interpreters and shapers of content when they select and preserve archival materials. In addition to discussing core values, he advocates aggressive pursuit of funding, while also educating the public on the importance of maintaining an open archive in a democratic society.</text>
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            <name>Creator</name>
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                <text>Greene, Mark A.</text>
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          <element elementId="45">
            <name>Publisher</name>
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                <text>Society of American Archivists</text>
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            <name>Date</name>
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              <elementText elementTextId="25693">
                <text>2009</text>
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            <name>Contributor</name>
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                <text>Polk, Victoria</text>
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              <elementText elementTextId="25695">
                <text>The Society of the American Archivists</text>
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            <name>Type</name>
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            <name>Identifier</name>
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              <elementText elementTextId="25697">
                <text>http://www.archivists.org/governance/presidential/GreeneAddressAug08.pdf</text>
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              <elementText elementTextId="25698">
                <text>Greene, Mark A. "The Power of Archives: Archivists' Values and Value in the Postmodern Age." American Archivist 72, no.1. (2009): 17-41. http://www.archivists.org/governance/presidential/GreeneAddressAug08.pdf</text>
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        <name>archive practices</name>
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        <name>content management</name>
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        <name>history</name>
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