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                <text>A Primer for Teaching Digital History: Ten Design Principles</text>
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                <text>&lt;em&gt;A Primer for Teaching Digital History&lt;/em&gt; is a guide for teachers at the high school and college level looking to teach about digital history and offers different strategies for building a syllabus or wish to include the topic in their teachings. Along with discussing rudimentary digital methods such as digital source criticism, text analysis, and visualization, Guiliano also delves into scholarly topics like digital archives, exhibitions, and collections, storytelling, and crowdsourcing. &lt;i&gt;A Primer for Teaching Digital History&lt;/i&gt; is a well-crafted guide that eases individuals into the different approaches digital history can take.</text>
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                <text>Guiliano, Jennifer. &lt;em&gt;A Primer for Teaching Digital History: Ten Design Principles&lt;/em&gt;. Germany: Duke University Press, 2022.</text>
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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
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                <text>This article explores the smartphone as a complex tool in the context of forced migration. The article explains how smartphones not only follow migrants but also document their journey through digital objects in times of conflict, displacement, and resettlement. The authors view smartphones as personal digital archives, where migrants curate their own narratives on their own portable devices. These archives can offer insights into the migrant experience and serve as records of forced migration. Drawing from fieldwork spanning five sites over five years, the article examines how personal digital archives capture and reflect migration's symbolic, affective, and material dimensions. By centering their analysis on these archives, the authors emphasize migrants' authority as witnesses to their own stories, challenging mainstream Western journalism's tendency to oversimplify migrant narratives.</text>
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                <text> Georgiou, Myria, and Koen Leurs. “Smartphones as Personal Digital Archives? Recentring Migrant Authority as Curating and Storytelling Subjects.” Journalism (London, England), vol. 23, no. 3, 2022, pp. 668–89, https://doi.org/10.1177/14648849211060629.</text>
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                <text>The article reports on the implementation of a digitial archival assignment in an upper-level Victorian Literature and Culture course at Florida Gulf Coast University. The assignment had students utilize ProQuest’s database, Queen Victoria’s Journals, a database composed of the journals of Queen Victoria. The implementation of digital archives in the course showed the value of primary historical research and emphasized the ways in which digital archives enhance student content knowledge, information literacy, and critical thinking skills. </text>
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                <text>DOI: 10.1215/15314200-9576485</text>
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                <text>Mattison, Laci, and Rachel Tait-Ripperdan. “Digital Archives and the Literature Classroom: Advancing Information Literacy through Queen Victoria’s Journals.” Pedagogy : critical approaches to teaching literature, language, culture, and composition 22, no. 2 (2022): 295–307.</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>“Digital Humanities and Digital Social Reading” discusses the concept of Digital Social Reading (DSR) and how it has emerged as the internet has evolved. DSR encompasses various activities like book reviews, inline commenting, online storytelling (e.g., fanfiction), and book discussions. The article explains that DSR provides unique opportunities for studying literature, reading, and literary communication, with computational tools playing a significant role. Additionally, the article explores the different research aspects of DSR and reviews the relevant literature for each, and in doing so, distinguishes between studies on DSR that examine broader literary exchanges versus studies focused on DSR culture. </text>
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                <text>DOI: 10.1093/llc/fqab020</text>
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                <text>Rebora, Simone, Peter Boot, Federico Pianzola, Brigitte Gasser, J. Berenike Herrmann, Maria Kraxenberger, Moniek M. Kuijpers, et al. “Digital Humanities and Digital Social Reading.” Digital Scholarship in the Humanities 36, no. Supplement_2 (2021): 230–250.</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Applying AI to Digital Archives: Trust, Collaboration and Shared Professional Ethics</text>
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                <text>Policy makers generate digital records every single day, a fraction of which is preserved in archival repositories. However, accessing these archives is often challenging due to various factors like data protection, sensitivity, and copyright. While Artificial Intelligence (AI) holds promise for enhancing archive accessibility, its implementation remains experimental. This article contends that gaps in skills and communication exacerbate these challenges. Despite sharing professional ethics, civil servants, archivists, and academics often fail to communicate effectively, fostering mistrust. This lack of trust extends to AI technology, further hindering its integration into archival practices. The article suggests that highlighting shared professional ethics can foster collaboration, ultimately building trust in AI tools. Drawing on semi-structured interviews with thirty professionals spanning government, archiving, history, digital humanities, and computer science, the research fills a gap by addressing access rather than just preservation of digital records, and by including perspectives of record creators alongside archivists. It emphasizes the importance of trust and collaboration across the entire archival process, from record creation to user access.</text>
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                <text>Lise, Jaillant&#13;
Rees, Arran</text>
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                <text>DOI: 10.1093/llc/fqac073</text>
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                <text>Jaillant, Lise, and Arran Rees. “Applying AI to Digital Archives: Trust, Collaboration and Shared Professional Ethics.” Digital Scholarship in the Humanities 38, no. 2 (2023): 571–585.</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Archives in the Digital Age: Preservation and the Right to be Forgotten</text>
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                <text>Archiving has become an increasingly complex process. While preserving data is a challenge, this has evolved into finding a method to preserve data more efficiently, and make sure that data can keep its authenticity and integrity over a period of time. With this growing need to store data, there has been a surplus in technology that allows individuals to archive their data; many e-mails, for example, have the option to archive any mail in the user’s inbox. This concern to preserve everything, Mkadmi states, also begs another concern: “that of being forgotten”.  As more information of an individual becomes public online due to things like social media and resumes, Archives in The Digital Age examines how individuals should have a right to guarantee their privacy and freedom on the internet. </text>
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                <text>Mkadmi, Abderrazak </text>
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                <text>Amanda Dabao</text>
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                <text>Mkadmi, Abderrazak. &lt;em&gt;Archives in the Digital Age: Preservation and the Right to be Forgotten&lt;/em&gt;. United Kingdom: Wiley, 2021.</text>
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                  <text>What is an Archive?</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>500 Amazing Online Archives and Digital Collections You've Never Heard Of: US Edition</text>
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                <text>This source emphasizes the paradigm shift in genealogical research. According to this book, the landscape of genealogical research has undergone a profound transformation with people having access to millions of records available from the comfort of home. Despite this advancement, the intricate maze of online resources presents a formidable challenge for numerous researchers endeavoring to unravel the intricacies of their family history. Within the pages of &lt;em&gt;500 Amazing Online Archives and Digital Collections You've Never Heard Of – US Edition&lt;/em&gt;, readers are introduced to an expansive array of lesser-known repositories teeming with invaluable insights into ancestral lives. Each meticulously curated listing within the book serves as a gateway to a treasure trove of untold stories, essential for comprehensive genealogical exploration. By immersing themselves in these meticulously preserved archives, researchers stand to gain fresh perspectives and unearth previously undiscovered narratives, thereby bridging gaps within their family trees and fostering a deeper understanding of their ancestors’ lived experiences.</text>
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                <text>MacEntee, Thomas</text>
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                <text>Dariannie Merced-Calderon</text>
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                <text>MacEntee, Thomas. &lt;em&gt;500 Amazing Online Archives and Digital Collections You’ve Never Heard Of: US Edition&lt;/em&gt;. Independently published, 2023.</text>
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
&#13;
This collection aims to highlight materials that pertain to the process of  preserving elements of the World Wide Web using of web crawlers for automated capture of content.</text>
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            </elementTextContainer>
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                <text>This book revolves around web archives and methods for exploring preserved information. It also offers examples of web archivists exploring preserved information using different methods. It also covers different academics in digital humanities, social science, media studies, history, and information or computer science.</text>
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                <text>Gomes, Daniel, E. I. (Elena Igorevna) Demidova, Jane Winter, and Thomas Risse, eds. The Past Web : Exploring Web Archives. Cham, Switzerland: Springer, 2021.</text>
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                  <text>Public Participation and Memory</text>
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                <text>Coproducing Digital Archiving with 2SLGBTQ+ Atlantic Canadian youth amidst the COVID-19 pandemic. &#13;
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                <text>This article discusses the details and execution of digital archival research for the LGBTQ+  youth in Canada, and the process of that within the digital archive space. Their work for the archives was for youth art, things like social media and project websites. This showed how youth viewed digital archives, and how it was to be hands on with it as it grows within society. </text>
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                <text>Katie Steed</text>
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                <text>ISSN: 1443-9883</text>
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                <text>Burkholder, Casey, Katie MacEntee, April Madrona, and Amelia Thorpe. 2022. “Coproducing Digital Archiving with 2SLGBTQ+ Atlantic Canadian youth amidst the COVID-19 pandemic.” Qualitative Research Journal 22 (1). https://www.proquest.com/docview/2625131651?pq-origsite=primo&amp;_oafollow=false&amp;sourcetype=Scholarly%20Journals</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>&lt;em&gt;Transforming the Authority of the Archive&lt;/em&gt; from editors and contributors Andi Gustavson and Charlotte Nunes is a collection of articles written by vcontributors from a range of institutions including small liberal arts colleges, HBCUs, Ivy Leagues, large research institutions, and community-based collections. Contributors include, in addition to the editors, Hannah Alpert-Abrams, Gianluca De Fazio, Myranda Fuentes, Sam Koreman, Mary A. Armstrong, Jennifer Wellnitz, Michele Hardesty, Alana Kumbier, Christopher Jones, Elizabeth Rodrigues, Rachel Schnepper, Temitayo Wolff, Nora Claire Miller, Elise Nacca, Elon Lang, aems emswiler, Marco Robinson, Phyllis Earles and Daren White, and Jane Field. &lt;br /&gt;The collection is focused on teaching methods and archival methods that emphasize records from individual and community voices that have historically been hidden and underrepresented in "neutral" archives. The methods offered contain ideas for significantly and sometimes radically altering the way archival authority is determined and destributed. The models, methods, and activities in this collection seek to engage students in creating, analyzing, preserving, and discussing archives in a thoughtful and creative manner. &lt;em&gt;Transforming the Authority of the Archive&lt;/em&gt; offers a multitude of fresh perspectives and ideas on teaching archival practices and creating archives and is an important read for anyone interested in archival studies.</text>
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                <text>Gustavson, Andi, and Charlotte Nunes, eds. &lt;em&gt;Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives&lt;/em&gt;. Lever Press, 2023. https://doi.org/10.3998/mpub.12752519.</text>
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