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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Knutson, Alyssa N. "Proceed With Caution: How Digital Archives Have Been Left in the Dark." Berkeley Technology Law Journal 24, no. 1 (2009): 437-73. Accessed April 13, 2020. www.jstor.org/stable/24121350.</text>
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                <text>Brayman Hackel, Heidi, and Ian Frederick Moulton. Teaching Early Modern English Literature from the Archives. New York: The Modern Language Association of America, 2015.</text>
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                <text>King, Rachel. “Personal digital archiving for journalists: a “private” solution to a public problem.” Library Hi Tech 36 iss. 4 (November 19, 2018): 573-82. Accessed April 13, 2020. https://www.emerald.com/insight/content/doi/10.1108/LHT-09-2017-0184/full/html</text>
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                <text>Manley, Elizabeth S., Rien Fertel, Jenny Schwartzberg, and Robert Ticknor. “Teaching in the Archives: Engaging Students and Inverting Historical Methods Classes at The Historic New Orleans Collection.” History Teacher. </text>
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                <text>Marčetić poses that many people today archive their own personal data as a byproduct of their day-to-day lives rather than as a deliberate act of preservation. She contextualizes this by discussing the activities and habits of students, and examining if their digital preservation is a willful endeavor or simply an incidental aspect of living in the digital era. </text>
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                <text>Caden Norris</text>
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                <text>Marčetić, Hana. “Exploring the Methods and Practises of Personal Digital Information Archiving among the Student Population.” ProInflow, no. 1 (2015). https://doi.org/10.5817/proin2015-1</text>
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                  <text>What is an Archive?</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>The Library of Congress and Personal Digital Archiving</text>
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                <text>The Library of Congress and Personal Digital Archiving by Mike Ashenfield was produced and released on May 5th, 2015. It is an open source instruction and informational guide on various personal digital archiving resources. There is a total of 300 pages with various different categories to sectionalize the information being presented. For example, some categorizations are by social media. According to the presentation, different social media contain various functions in regarding how they like to cite and source their resources.  In addition, it provides the history and origins of digital archiving and why it is necessary for saving data and information over time. This informational presentation is provided by the Library of Congress, allowing it to be an open access program available for viewing and download by the public. This item can be a very essential item to add because it is categorized in a very sleek and concise manner. It is a very simplistic but informational guide that can be used to aid anyone from students to professors when teaching and instruction lessons on digital archiving. It’s overall purpose is to ensure that the public continues being informed on the processes and value of digital archiving so that information can be digitized and preserved for future generations to come.</text>
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                <text> 2015-05-06 18:56:32</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Clara Pulido, Jacquelyn Curtin, Truc Duong</text>
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                <text>Ashenfelder, Mike. The Library of Congress and Personal Digital Archiving. Accessed April 13, 2020. https://archive.org/details/ashenfelder_pda2015/page/n1/mode/2up.</text>
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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Digital Curation: The Emergence of a New Discipline</text>
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                <text>Sarah Higgins explores the world of digital curation from its beginnings to now in her article “Digital Curation: The Emergence of a New Discipline.” With the world becoming more digital by the day, Higgins brings to light the importance of curation. The article takes readers on a journey of the evolution of digital curation over the years. Higgins also delves into some of the history of digital preservation within the United Kingdom and America. The efforts put in by the Digital Curation Centre (DCC) and its three phases are also included along with information on different digital curation organizations in the world.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>2011-07-25</text>
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                <text>Natasha Furness</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="28493">
                <text>Higgins, Sarah. “Digital Curation: The Emergence of a New Discipline.” International Journal of Digitization 6 no. 2 (July 25, 2011): 78-88. Accessed April 13, 2020. https://doi.org/10.2218/ijdc.v6i2.191</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
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This collection aims to highlight methods and materials having to do with personal archiving, and its relationship to the field of digital archiving.</text>
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            <description>A name given to the resource</description>
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                <text>Trajectories of Personal Archiving: Practical and Ethical Considerations</text>
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            <description>The topic of the resource</description>
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                <text>In the article “Trajectories of Personal Archiving: Practical and Ethical Considerations,” published in the academic journal Geographical Review, Knapp discusses the intricacies archiving has for the professional individual, as well as the ethical concerns archiving personal works. Knapp offers that the digitization of one’s personal notes can be problematic when examined with their body of work and poses that there may need to be limitations on what is preserved. </text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2019-02-08</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Caden Norris</text>
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            <description>A language of the resource</description>
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                <text>Journal</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="28484">
                <text>Knapp, Gregory. “Trajectories of Personal Archiving: Practical and Ethical Considerations.” Geographical Review 110, no. 1-2 (July 2019): 65–77. https://doi.org/10.1111/gere.12339</text>
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              <description>An account of the resource</description>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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      <description>An item published by an online journal or magazine.</description>
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            <description>A name given to the resource</description>
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                <text>Principles for Digital Preservation</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Published in the 49th issue of Communications of the ACM, H. M. Gladney’s article “Principles for Digital Preservation” discusses the ins and outs of preservation in regard to digital archiving. Gladney speaks on the challenges faced in preservation as well as the different solutions archivists have found to counter those challenges. The article also explains the struggle of authenticity when dealing with digitally preserved items. This leads to an explanation of the Trustworthy Digital Object (TDO) methodology, which is one method used to combat this issue of authenticity. The overview of TDO gives readers an insight on the many steps archivists take to ensure an item is original. These steps may include certification, inspection of metadata, and a much more. Gladney’s goal in this article is to raise the importance of TDO and proper usage of its method.</text>
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                <text>Gladney, H. M.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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                <text>Gladney, H. M. “Principles for Digital Preservation.” Communications of the ACM 49, no. 2 (February 2006): 111–16. Accessed April 13, 2020. https://doi.org/10.1145/1113034.1113038</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Web Archiving</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
&#13;
This collection aims to highlight materials that pertain to the process of  preserving elements of the World Wide Web using of web crawlers for automated capture of content.</text>
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      <name>Website</name>
      <description>A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).</description>
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        <element elementId="6">
          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>http://www.digitalpreservation.gov/meetings/documents/othermeetings/Smorul-Web_Archive.pdf</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Web Archive Processing</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Web Archiving</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Web Archive Processing by Mike Smorul is a pdf document that describes different types of archiving strategies and how they work. It describes the indexing of various websites and how they tackle managing a large quantity of websites within the archives. It details the different manager components available to help in managing the data and gives an example of how the URLs are documented. It goes into more detail about how their management and storage is designed and what they used to get it as efficient as it is, not to mention describing how the process works and giving stats on how it performs.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28460">
                <text>Smorul, Mike</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="28461">
                <text>2010, 09/28</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="28462">
                <text>Jordan Lunsford</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Document</text>
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            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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              <elementText elementTextId="28464">
                <text>Smorul, Mike. “Web Archiving Processing.” Library of Congress, August 18, 2010. http://www.digitalpreservation.gov/meetings/documents/othermeetings/Smorul-Web_Archive.pdf.</text>
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        <name>archive practices</name>
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        <name>data</name>
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        <name>digital technologies</name>
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      <tag tagId="97">
        <name>web archiving</name>
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  </item>
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