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                <text>Clough, Wayne G. &lt;em&gt;Best of Both Worlds: Museums, Libraries, and Archives in the Digital Age. &lt;/em&gt;Washington: &lt;span&gt;Smithsonian Books, 2013. Web. 12 May 2015.&lt;/span&gt;</text>
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                <text>Haskins examines the effects of the Internet on the memory work of archives and the informal, vernacular style of the broad public. Examples of the vernacular style of memory work include the spontaneous display of mementos at memorials or sites of mourning, and uploading personal stories and photographs to the Internet via social media. Traditionally, archival memory stores and orders material traces of the past without the presence or engagement by the public. However, the Internet continually archives the transmission of media and exponentially, the private opinions, ephemera, and idiosyncratic methods of organization of its contributors. The diversity of public opinion and the sharing of content afford both potentially beneficial and destructive consequences. Participation in memory work by a greater cross-section of society that is unaffected by more conservative, institutional restraints supports the values and beliefs of a democratic society. Conversely, that same diversity fosters insularity, given the widely fragmented content and the commercial profit gained by nurturing individualistic self-expression. Haskins proposes, through her examination of the 9-11 digital archive a balanced approach to centering memory work by cultural heritage institutions with guidelines for public participation and fostering a comprehensive view of history. </text>
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                <text>Haskins, Katerina. "Between Archive and Participation: Public Memory in a Digital Age." &lt;em&gt;Rhetoric Society Quarterly &lt;/em&gt;v. 37, n.4. (2007): 401-422.</text>
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                <text>Haskins illuminates one of the most critical challenges facing builders of digital archives: balancing the time-tested standards and methods for storing and providing access to a comprehensive representation of cultural knowledge against the demands for digitization and greater public participation. In this article, she alerts the reader to the potential loss of historical consciousness and a “self-congratulatory amnesia” resulting from the Internet style of unbridled public expression. Archives should facilitate broad perspectives and a sense of the larger body politic. As digital archivists, we provide the contextual information, tools, and interface design that may either enhance or detract from the idea of cultural memory. </text>
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                  <text>Public Participation and Memory</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>Between Archive and Participation: Public Memory in a Digital Age</text>
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                <text>In sizing up the notion of public memory, rhetoricians would be remiss not to consider the increasing influence of new media on today's remembrance culture. This article addresses memorial functions of the internet in light of recent scholarly debates about virtues and drawbacks of modern 'archival memory' as well as the paradoxical link between the contemporary public obsession with memory and the acceleration of amnesia. To explore the strengths and limitations of the internet as a vehicle of collecting, preserving, and displaying traces of the past, the article examines The September 11 Digital Archive, a comprehensive online effort to document public involvement in recording and commemorating the tragedy of 11 September, 2001.</text>
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                <text>Haskins, Ekaterina</text>
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                <text>Taylor &amp; Francis Group</text>
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                <text>Vieira, Lisa</text>
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                <text>Haskins, Ekaterina. "Between Archive and Participation: Public Memory in a Digital Age." &lt;em&gt;Rhetoric Society Quarterly&lt;/em&gt; (2007): 401. &lt;em&gt;JSTOR Journals, &lt;/em&gt;&lt;a href="http://eds.a.ebscohost.com/eds/detail/detail?sid=0ba8ac76-90ab-4ca6-8d39-a595ee348ef1%40sessionmgr4004&amp;amp;vid=0&amp;amp;hid=4113&amp;amp;bdata=JnNpdGU9ZWRzLWxpdmUmc2NvcGU9c2l0ZQ%3D%3D&amp;amp;preview=false#AN=edsjsr.40232504&amp;amp;db=edsjsr"&gt;EBSCO&lt;/a&gt; &lt;em&gt;host.&lt;/em&gt;</text>
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              <description>An account of the resource</description>
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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
&#13;
This collection aims to highlight methods and materials having to do with personal archiving, and its relationship to the field of digital archiving.</text>
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            <description>The topic of the resource</description>
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                <text>In this edited volume, Gesa Kirsch and Liz Rohan explore the "backstory" of what goes into an archive. They dig deep into the research, political aspects, and decisions on what to archive. Many of the essays address the considerations involved in creating personal family archives. The writers discuss the difficulties of creating an archive that caters to a specific audience and purpose, realizing that just as history is limited so are the tools used to store information. They also maintain that archival records are not easily interpreted; both creators and readers of archival records approach these records from different interested perspectives. The authors state that professional archivists must make informed decisions as to the material they will include in an archive and must be committed to the criteria that controls the establishment of an archival collection. </text>
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            <name>Creator</name>
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            <description>An entity responsible for making the resource available</description>
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                <text>Southern Illinois University</text>
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            <name>Date</name>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Robert Clarke</text>
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            <description>The nature or genre of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text> ISBN-13: 978-0804011174</text>
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                <text>Kirsch, Gesa A., et al. Beyond the Archives: Research as a Lived Process. Carbondale, Il.: Southern Illinois University Press, 2008.</text>
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        <name>archive practices</name>
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      <tag tagId="191">
        <name>content management</name>
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      <tag tagId="235">
        <name>digital repositories</name>
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        <name>preservation</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Web Archiving</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="26257">
                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
&#13;
This collection aims to highlight materials that pertain to the process of  preserving elements of the World Wide Web using of web crawlers for automated capture of content.</text>
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      <name>Online Journal</name>
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            <description>A name given to the resource</description>
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                <text>Beyond the Encyclopedia: Collective Memories in&#13;
Wikipedia</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Collective memory</text>
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            <description>An account of the resource</description>
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                <text>Michela Ferron and Paolo Massa employ a quantitative study of Wikipedia as a digital archive in order to show how one can view memory as an active process. The authors begin with a discussion of Web 2.0 as public, private, and modifiable, but unable to be completely erased. They further assert that backups of the Internet, particularly in the case of Wikipedia, allowed them to conduct longitudinal studies about data. Ferron and Massa used an XML file to show the revision history of all pages of the English Wikipedia on September 16, 2010, arguing that a revision spike occurs near the anniversary of a traumatic event. They found that pages relating the September 11, 2001 attacks received an average of 10, 701 edits per day during the anniversary, and only 4,619 edits per day otherwise. Ferron and Massa compared this data to Wikipedia pages for non-traumatic events, like Woodstock and Apollo 11, which did not receive as much attention. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="26548">
                <text>Ferron, Michela&#13;
Massa, Paolo</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2013</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
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                <text>Ferron, M., and P. Massa. "Beyond the Encyclopedia: Collective Memories in Wikipedia." &lt;em&gt;Memory Studies&lt;/em&gt; 7.1 (2013): 22-45. Web.</text>
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            <name>Contributor</name>
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              <elementText elementTextId="26707">
                <text>Sara Raffel</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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        <name>archival standards</name>
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        <name>content management</name>
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        <name>memory</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Ethics, Privacy, Copyright, and Legislation</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="26251">
                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bibliographic Indeterminacy and the Scale of Problems and Opportunities of “Rights” in Digital Collection Building</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>John P. Wilkin, executive director of &lt;a href="http://www.hathitrust.org/"&gt;HathiTrust&lt;/a&gt; and associate research librarian for the University of Michigan, provides an in-depth report on the current percentages of published works that are at various stages of public domain and in-copyright. He explains that ascertaining the extent of the institution’s collections, the number of orphan works (holder of copyright unavailable), and the number of works in-copyright, enables librarians and archivists to develop strategies for storage and circulation of items particularly suited for academic institutions. A comprehensive bibliography with complete metadata enables scholarship found lacking in many large-scale bibliographic resources, including WorldCat and Google Books. Although Wilkin acknowledges these sources facilitate discovery through their search and retrieval interfaces, the quality of information provided is limited primarily to publication data. He suggests a significant amount of gray literature and orphan works are unavailable due to copyright restrictions and minimal cataloging. Thus, even within academic institutions, the patrons are unaware of potentially valuable resources. Using HathiTrust’s resources to survey the scope and categories of works ranging from public domain to in-copyright status, Wilkin concludes that the largest percentage of academic library collections are comprised of orphan works. In addition to the patron’s lack of access to these rich materials, these institutions incur great cost and unnecessary duplication of printed material for storage and maintenance.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Council on Library and Information Resources</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Polk, Victoria </text>
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          <element elementId="47">
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://www.clir.org/pubs/ruminations/01wilkin</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="290">
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="24882">
                <text>Wilkin, John P. "Bibliographic Indeterminacy and the Scale of Problems and Opportunities of “Rights” in Digital Collection Building." &lt;em&gt;Ruminations &lt;/em&gt;1 (2011): 1-15. &lt;a href="http://www.clir.org/pubs/ruminations/01wilkin"&gt;http://www.clir.org/pubs/ruminations/01wilkin&lt;/a&gt;</text>
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