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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Copyright Challenges of Legal Deposit and Web Archiving in the National Library of Singapore</text>
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                <text>This paper describes the expansion of web archiving in Singapore and its affiliation with international copyright law. The authors outline the concept of legal deposit in a modern and historical context. In addition, the authors contrast voluntary and compulsory legal deposit, and the ways the National Library of Singapore apply those important concepts. Two main projects are detailed: Web Archive Singapore and the Singapore Memory Project. The paper conducts an analysis of the implementation of legal deposit for the preservation of materials located on the World Wide Web. The electronic material invokes a complicated relationship between copyright and the need to preserve digital information, and describes obstacles which litter the information lifecycle of web archiving. In the latter portion of the paper, a set of conclusions and recommendations regarding the need for reviewing copyright law to promote academic research within Singapore.</text>
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                <text>Raible, John</text>
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                <text>Cadavid, Pabón and Antonio, Jhonny.  "Copyright Challenges of Legal Deposit and Web Archiving in the National Library of Singapore." Alexandria 25, no. 1/2 (August 2014).&#13;
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>The California Digital Library (CDL) serves the University of California’s community and over 200 institutions including academic libraries, public libraries, museums, and historical societies. The CDL also sponsors several digital archiving projects and services that include publishing collections (eg., Calisphere); training in use of preservation tools and archival finding aids; and providing technical infrastructure through XTF (CDL’s technical tool that coordinates database retrieval and resource sharing).  </text>
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                <text>California Digital Library. 2012. Regents of the University of California. Last modified February 8. &lt;a href="http://www.cdlib.org"&gt;http://www.cdlib.org&lt;/a&gt;/.</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>This anthology offers a comprehensive overview of theoretical approaches to cultural heritage institutions and digital media. Featuring authors from a broad variety of disciplinary fields, it aims at an international, cross-disciplinary audience of scholars, professionals, and students. Rather than focus on methodology or technical implementation, the collection provides critical analyses of arguments and theories about the intersections of material and digital objects. Arguing that questions and doubts regarding technology and cultural heritage are part of a long-standing, ongoing discourse, the authors ask “what new understandings can be brought to bear on the relationship between digital and physical collections, artworks, and on the digital object.” Each article illuminates different aspects of the theme; drawing on examples in practice, such as photography and art, the authors examine how digitization bears upon abstract concepts of materiality, authenticity, authority, and representation. </text>
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                <text>Cameron, Fiona, and Sarah Kenderdine, eds. Theorizing Digital Cultural Heritage: A Critical Discourse. Cambridge, MA: MIT Press, 2007.&#13;
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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
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                <text>Following over a decade of widespread use, social media platforms have evolved into virtual spaces where users create and store meaningful content, suggesting their potential to serve as components of personal digital archives. This article explores users' attitudes and habits concerning the preservation of digital memories on social media. Survey results indicate that users perceive these materials as potentially integral to their personal archives. Despite this recognition, the study reveals a lack of preservation strategies among users. Through an examination of social media platforms' policies concerning user preservation practices, the article proposes the need for heightened awareness among both users and platform providers regarding the risks associated with the fleeting nature of digital content. </text>
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                <text>Cannelli, Beatrice&#13;
Musso, Marta</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>Through seventeen essays, the discussion of opportunities in regards to the preservation of literature via Shakespeare as a staple for digital humanists and how the digital revolution is impacting Shakespearean studies is processed and analyzed. Addressing the sometimes controversial use of digital technologies, the collection of essays works to access how these new technologies are impacting the study of literature and digital humanities and how new methods of digital advances in the arts are able to attend to these impacts.</text>
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                <text>Waddington, Calyn</text>
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                <text>Carson, Christie &amp;amp; Peter Kirwan. Shakespeare and the Digital World: Redefining Scholarship and Practice. Camrbidge Universtiy Press, 2014, &lt;a title="Source Link" href="http://www.cambridge.org/cr/academic/subjects/literature/renaissance-and-early-modern-literature/shakespeare-and-digital-world-redefining-scholarship-and-practice" target="_blank"&gt;http://www.cambridge.org/cr/academic/subjects/literature/renaissance-and-early-modern-literature/shakespeare-and-digital-world-redefining-scholarship-and-practice&lt;/a&gt;.</text>
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                <text>ISBN-13: 9781107064362</text>
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                  <text>Planning, Building, and Curation</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>The David Rumsey Map Collection features nearly 50,000 historical maps spanning from 1492 to the present-day. More than simply a repository, the website is an interactive database giving users the ability to download the actual record and create their own online content. The collection includes maps from Europe, the Americas, Africa, and the Middle East, covering a wide range of topics such as boundaries, wars, soil studies, and roads, to name a few. All of the images have been scanned and uploaded using the latest high-resolution technology, allowing viewers to zoom in and study the map in detail. In addition, many are also geo-tagged, expanding their usefulness in a variety of digital applications. Researchers can create a free account, login, and build “sets” of maps for their particular project using one of the several web applications such as Google Earth or the Luna Browser embedded into the site. Once these sets are created, images can be linked to or downloaded without restriction for non-commercial use under the Creative Commons license. &#13;
&#13;
This collection exemplifies best practices in the field, from high quality images to its intuitive, user-friendly interface and serves as a model for building a digital archive. By allowing fair-use of its content, this site is an important resource for those considering projects in digital history that explore spatial aspects.</text>
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                <text>Cartography Associates. “David Rumsey Historical Map Collection.” Accessed September 10, 2015. http://www.davidrumsey.com/luna/servlet/</text>
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