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                  <text>What is an Archive?</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>Digital Curation/Digital Archiving: A View from the National Archives of Australia</text>
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                <text>Within his article “Digital Curation/Digital Archiving: A View from the National Archives of Australia,” Adrian Cunningham tackles the true definition of the term digital archive. Bringing in a perspective from the National Archives of Australia (NAA), Cunningham shares his hands-on experience of working as an archivist. There are three main messages Cunningham aims to get across, which are: the difference between curation and archiving, the difference between digital archives and digital libraries/museum, and the need for archival intervention.</text>
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                <text>Natasha Furness</text>
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                <text>Cunningham, Adrian. "Digital Curation/Digital Archiving: A View from the National Archives of Australila." The American Archivist 71, no. 2 (2008): 530-43. Accessed April 13, 2020. www.jstor.org/stable/40294529. </text>
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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>While this video does advertise the use of Toshiba products, it does give a brief explanation of OCR and  what the process that it entails. It also highlights the benefits of using this process, in conjunction with the Toshiba software, including search ability.</text>
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                <text>D'Adamo, Lou </text>
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                <text>Action Business Systems</text>
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                <text>Rosa, Ryan</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>Ethnic archiving has evolved and developed based on organizations, communities, collections, and preservation tactics in order to access their cultural heritage. Institutions such as libraries, archives, museums and other areas of documented history use ethnic archiving to document immigration and ethnicity in the U.S. and Canada. However, the issue of using ethnic archiving as historical practice and research begins to impact archivists in terms of create a challenge to record historical documentation. Specifically regarding the impact of ethnic archivists on the very ethnicity and cultural heritages they are trying to preserve and study, archival science is explored in terms of new archival methods and intent. </text>
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                <text>Waddington, Calyn</text>
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                <text>Daniel, Dominique &amp;amp; Amalia Levi. "Identity Palimpsests: Archiving Ethnicity in the U.S. and Canada." Litwin Books, 2014, &lt;a title="Source Link" href="http://litwinbooks.com/identity-palimpsests.php" target="_blank"&gt;http://litwinbooks.com/identity-palimpsests.php&lt;/a&gt;.</text>
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                <text>ISBN-13: 978-1936117857</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>Assembling Auras: Towards a Methodology for the Preservation and Study of Video Games as Cultural Heritage Artifacts &#13;
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                <text>Guay-Bélanger, D. (2022). Assembling Auras: Towards a Methodology for the Preservation and Study of Video Games as Cultural Heritage Artifacts. Games and Culture, 17(5), 659-678. https://doi.org/10.1177/15554120211020381&#13;
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>The Fight to Save Old Video Games&#13;
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                <text>Muiser, Iwe, Mariet Theune, Ruud de Jong, Nigel Smink, Rudolf Berend Trieschnigg, Djoerd Hiemstra, and Theo Meder. "Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database." Digital humanities quarterly 11, no. 4 (2018).</text>
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                <text>Shemek, Deanna. "Digital Renaissance," I Tatti Studies in the Italian Renaissance 22, no. 2 (Fall 2019): 383-391. https://doi.org/10.1086/705488</text>
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                <text>Deanna Shemek’s article is about how our current push in new digital technologies is bring about a “digital renaissance”. With the introduction of Geographic Information Systems, Augmented Reality, Virtual reality and things like a cloud or sound cloud: the term of what constitutes as art has changed. Our art is now online, between the use of Adobe cloud products and games, art is not just what we create on paper or on a canvas. Shemek’s research began as a simple preservation paper evolved to a “multimedia, online environment for study of the Italian Renaissance” that is constantly changing. With the collaboration of many countries, the Isabella d’Este Archive is a great example of the Digital Renaissance according to Shemek. Smemek then goes into and explains how archives that typically acquire and focus on early modernity materials and objects differ from archives focusing on the new and complex forms of the digital world. Shemek goes into the Teamwork, Reference Resources, Databases, Author Resources Site and Digital Editions, Visualization Projects, Mapping and Network Visualization, Big data and Machine Learning and Immersive Experience and Virtual Reality. &#13;
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                <text>A good overview regarding the practical aspects of collecting oral histories. The authors state that anyone with the time, resources, and interest can take part in the recording of oral history. There are no age barriers or educational barriers when conducting interviews and the advancement in technology has made digital recorders and camcorders affordable and accessible. Community historians tend to engage in topics that they can relate to and have some bearing on their own lives and background. The authors also explore the challenges dealing with family history as well as the sensitivity needed when interviewing a subject for the first time. The authors' mission is to enable more people to practice history. </text>
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                <text>DeBlasio, Donna Marie. Catching Stories: &lt;em&gt;A Practical Guide to Oral History&lt;/em&gt;. Athens, OH: Swallow, 2009. Print.</text>
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                <text>http://digitalhumanities.org:3030/companion/view?docId=blackwell/9781405103213/9781405103213.xml&amp;chunk.id=ss1-5-2&amp;toc.depth=1&amp;toc.id=ss1-5-2&amp;brand=9781405103213_brand</text>
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                <text>Deegan, Marilyn and Simon Tanner. &lt;em&gt;Conversion of Primary Sources&lt;/em&gt;. London: Facet Pub., 2006. Print.</text>
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