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                <text>In this article Dale Flecker, the Associate Director for Planning and Systems at Harvard University Library advocates greater involvement by the nation’s scholarly community in the process of preservation and archiving of material. Flecker warns that “the temptation to ‘let the other guy do it’ will be great” and that the field of archiving is “vulnerable to the free-rider syndrome.” He also points out that while larger national institutions such as the Library of Congress are making significant progress in the field, they will not be able to do it on their own, and in order for proper standards to be met it is up to scholarly institutions to “monitor, encourage, and when possible, participate in this innovative program.” Issues such as institutional funding will greatly affect how our digital archives are maintained and constructed. Flecker urges the higher education community to take initiatives that include model archives to demonstrate feasibility and also to demonstrate to government and educational policy makers the importance of supporting digital archiving projects. &#13;
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                <text>This article juxtaposes the database and the archive, creating the idea of database as its own genre. Folsom, one of the editors of The Whitman Archive, begins discusses how photography for Walt Whitman was a form of database and how the archive is now akin to what Deleuze and Guattari like to a rhizome. Folsom clarifies that an archive will always hold more information than a database but that information in a database is more flexible and moveable. Using information on the creation of The Whitman Archive and decisions made provides an idea of the scope of a large archival digital humanities project. Understanding that you can take documents that could not previously be seen side by side due to physical locale can now be viewed together creates an understanding of the details one must plan for while deciding on the direction of an digital archive project.</text>
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                <text>Folsom, Ed. 2007. "Database as Genre: The Epic Transformation of Archives." PMLA, 2007. 1571. JSTOR Journals, EBSCOhost (accessed November 30, 2015).</text>
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                <text>The Rice University digital scholarship archive is an institutional repository for faculty research, theses and dissertations, and various digitized collections owned by the university. The institution’s archive runs on DSpace and open source software, and only accepts materials from those affiliated with Rice University. Content must be scholarly, educational, or related to university’s mission, and not all digitized content is accessible to users outside the university community. However, there are several collections that enable public access to their archived objects and metadata. The archived collections are searchable by titles, date, authors, subjects, and type. Each collection includes links to the most recent submissions and usage statistics.</text>
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                <text>Through &lt;em&gt;In Visible Archives, &lt;/em&gt;Margaret Galvan examines five collections of records created in the 1980s that are centered around a number of feminist and cultural issues. &lt;span&gt;She focuses on visual records produced by women, such as comics, photographs, paintings, drawings, collages, and multi-media pieces. Galvan examines the influence these records have had on women's culture as well as how the surrounding culture influenced those visual records. Some of the cultural issues she focuses on are the feminist sex wars, the HIV/AIDS crisis, the women in print movement, and countercultural grassroots periodical networks. &lt;em&gt;In Visible Archives &lt;/em&gt;highlights creations where women examine and interact with their own identities and bodies. With this book, Galvan seeks to make these visual archives visible and highlight their importance to history, which has previously been overlooked. Artists studied include Hannah Alderfer, Beth Jaker, Marybeth Nelson, Roberta Gregory, Lee Marrs, Alison Bechdel, Gloria Anzaldúa, and Nan Goldin.&lt;/span&gt;</text>
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                <text>https://www.jstor.org/stable/10.5749/jj.1204241</text>
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                <text> University of Minnesota Press</text>
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                <text>Bianca Dagostino</text>
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                <text>Galvan, Margaret. &lt;em&gt;In Visible Archives: Queer and Feminist Visual Culture in the 1980s&lt;/em&gt;. University of Minnesota Press, 2023. http://www.jstor.org/stable/10.5749/jj.1204241.</text>
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                  <text>What is an Archive?</text>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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                <text>New Media: The Key Concepts. </text>
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                <text>This book addresses six key concepts that are pivotal for understanding the influence of new media on contemporary culture. The specific chapter on Archive lays the groundwork for understanding digital archiving. It reiterates the work of Derrida and Foucault, providing context, while also touching on new technology uses in the digital age. Gane and Beer conclude “archives are depositories for the storage of written documents. This chapter provides foundational history on digital archiving while touching on critical theorists creating a bridge between literary studies and technology. As an introductory chapter on the archive, it provides a scope of understanding for new scholars interested in learning about creating an archive.</text>
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Beer, David</text>
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                <text>Elena Rogalle</text>
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                <text>Gane, Nicholas and David Beer. New Media: The Key Concepts. London: Berg, 2012.</text>
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        <name>archive practices</name>
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        <name>digital repositories</name>
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        <name>history</name>
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        <name>new media</name>
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            <element elementId="50">
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                  <text>Planning, Building, and Curation</text>
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              <name>Description</name>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Archives in Appalachia: A Directory</text>
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                <text>&lt;em&gt;Archives in Appalachia: A Directory&lt;/em&gt; is a book accessible through the University of Central Florida library’s Primo search. The book is composed of entries cataloging and describing the 181 repositories available throughout 195 counties. These counties are confined to the South-Central Appalachia region. Appalachia is a historically and culturally rich area and contains a great deal of information to be archived and preserved. This directory is a step in the process of organizing and preserving the political, social, cultural, and economic history of Appalachia. In the table of contents, there is also a section on “Coming Attractions,” which lists agencies that did not collect material but aim to do so in the future. The directory also provides indexes that are sorted by subject matter and material type; this was done so to help researchers narrow down information on time. As established earlier, this directory covers a wide range of valuable information in many fields of work. This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.</text>
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                <text>Garrison, Ellen</text>
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                <text>Appalachian State University </text>
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                <text>  Garrison, Ellen. Archives in Appalachia : A Directory. Appalachian State University, 1985.</text>
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                <text>https://www.jstor.org/stable/j.ctt1xp3mqp</text>
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            <description>A legal document giving official permission to do something with the resource.</description>
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                <text>This book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).</text>
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