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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>Everyone Around You Has a Story the World Needs To Hear</text>
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                <text>This TEDtalk outlines Dave Isay, the founder of StoryCorps, argument for the construction of a digital archive that aims to capture the voices, and stories of all of humanity. He argues that by the interview itself becoming the central focus of the work of StoryCorps, instead of focusing on a figure in history, the StoryCorps project aimed to create transformational experiences for participants while collecting and archiving the stories and conversations of others in the Library of Congress. StoryCorps has grown to include well over 100,000 participants, constituting the largest collection of human voices every created.  In response to receiving the TED prize he was asked to come up with a brief wish for humanity: “that you will help us take everything we’ve learned through StoryCorps and bring it to the world, so that anyone, anywhere can easily record a meaningful interview with another human being which will then be archived for history. </text>
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                <text>Isay, Dave. “Everyone Around You Has a Story the World Needs To Hear.” Presentation at TED 2015, Vancouver, Canada, March 16-20, 2015. Web. </text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>Indiana University and the University of Michigan.</text>
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                <text>Polk, Victoria</text>
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                <text>2001-2015 The Trustees of Indiana University</text>
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                <text>&lt;em&gt;EVIA Digital Archive: Ethnographic Video for Instruction &amp;amp; Analysis&lt;/em&gt;, last modified 2013, http://www. eviada.org.</text>
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                  <text>Planning, Building, and Curation</text>
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                  <text>Archives may represent any number or size collection and institution. These different types of archives may include governmental, non-selective collecting, thematic or activist, with corresponding missions and purposes unique to each institution. The items of this collection engage the processes of archive planning, building, and curation, and also represent notable digital archives whose collections reflect their respective institution's history and community.</text>
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                <text>Lacher-Feldman provides practical advice for archivists on creating entertaining and engaging exhibits using special collections materials. She discusses all steps of the process, from planning and budgeting to the creation of legible materials that still manage to create a mood. Lacher-Feldmen further instructs readers how to reach out on social media to create a digital presence, and how to evaluate an exhibit and select potential items. She stresses that good exhibits create the opportunity for spontaneous learning. Finally, she illuminates how to best archive a physical exhibit after it is taken down.</text>
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                <text>Lacher-Feldman, Jessica L.</text>
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                <text>Society of American Archivists</text>
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                <text>ISBN-10: 1-931666-64-4 </text>
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                <text>Lacher-Feldman, Jessica L. &lt;em&gt;Exhibits in Archives and Special Collections Libraries. &lt;/em&gt;Chicago: Society of American Archivists, 2013. Print.</text>
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                <text>Sara Raffel</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>Exploring Past Images in a Digital Age: Reinventing the Archive </text>
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                <text>Digital Humanities </text>
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                <text>Technology is developing rapidly, and with it, our methods of digital preservation. In the book, &lt;em&gt;Exploring Past Image in a Digital Age: Reinventing the Archive&lt;/em&gt;, the question of film and its preservation is brought to the reader’s mind. Film archives cover a wide range of cultural and historical information; they are a valuable asset in research. However, digitization has begun to guide them towards obsolences. Archival digitization must not forget or disregard these resources, which is what the book tackles. Creator Nezih Erdogan implores readers to clear their minds of standard digital archive practices and open themselves up to new strategies to preserve the film archives. The book puts issues with digital archiving under the microscope and picks them apart, but also, provides possible solutions to the problems being discussed. The world is developing at an incredible rate, and our technology must be able to keep up without doing harm or neglecting the past. This book provides the answers and new, radical methods to archivists and researchers concerned with digital humanities and history.</text>
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                <text>Erdogan, Nezih; Kayaalp, Ebru</text>
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                <text>https://www.jstor.org/stable/jj.5076337</text>
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                <text>Amsterdam University Press</text>
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                <text>Peyton Worsham </text>
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                <text>Wittmann, Rachel, Anna Neatrour, Rebekah Cummings, and Jeremy Myntti. “From Digital Library to Open Datasets: Embracing a ‘Collections as Data’ Framework.” Information Technology &amp; Libraries 38, no. 4 (December 2019): 49–61. doi:10.6017/ITAL.V38I4.11101.</text>
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                <text>The climate crisis has altered many facets of life and has not neglected digital archiving. In her book, &lt;em&gt;From Handwriting to Footprinting&lt;/em&gt; &lt;em&gt;Text and Heritage in the Age of Climate Crisis&lt;/em&gt;, Anne Baillot calls attention to the digital practices of preservation that have been contributing to global warming. Baillot asks the reader if our digital archiving practices are sustainable, and if not, are they worth watching the world crumble? Many methods are harmful to the environment, but are necessary, in accessing important information. Baillot examines these methods and their Western heritage, calling to the stand historical archive practices and their wastefulness. Not only does Baillot argue against these practices, but she also proposes new ones through her research. Our heritage is important and must be preserved, but not at the cost of the planet. “&lt;em&gt;From Handwriting to Footprinting&lt;/em&gt; illuminates the impact that digitization has had on the dissemination and preservation of textual heritage and reflects on what its future may hold.” Baillot believes that digital archiving is not evil but needs to be reevaluated and developed more mindfully. This book will be beneficial to those in the archival field, but also to those working on linguistics coming from the philological perspective.</text>
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                <text>The class, titled “Introduction to Literary Study,” helps students build the foundational skills commonly used for the study of literature, including close reading, textual analysis, attention to genre and form, and attention to material and historical contexts. These are all skills that experts working in the digital humanities use to produce projects like digital scholarly editions, tools for large-scale analysis, and visual representations of texts and intertextual relationships. However, my students (largely sophomores), needed to work on honing those skills rather than applying them to a large-scale project or series of complex texts. With that in mind, I designed a digital humanities unit made up of a series of small assignments oriented towards experimenting with digitization and text analysis in a fairly low-stakes environment. &#13;
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