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                <text>Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of its thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner.</text>
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                <text>Digital photography has recently become one of society's important means of recording. For this reason it has also become a potential archival record of great significance. However, as of yet, few born-digital (defined in opposition to "made digital" or "digitized" photographs, which are created by scanning analogue sources), photographs have been acquired by archives. Furthermore, few seem likely to be acquired in the immediate future. While there has been considerable attention given in archival literature to conventional photography and archives, as well as to textual electronic records and archives, little has been written about digital photography. This thesis addresses this archival challenge and aims to encourage a more active and informed archival response to digital photography</text>
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                <text>Rae Simonson, Karen. &lt;em&gt;&lt;em&gt;Becoming Digital: The Challenges of Archiving Digital Photographs.&lt;/em&gt;&lt;/em&gt; Manitoba: University of Manitoba Press, 2006. Print. &lt;em&gt;&lt;em&gt; &lt;/em&gt;&lt;/em&gt;
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