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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>	&#13;
Virtual Preservation of Contemporary Architectural Heritage in Developing Countries in Absence of Protection: Digital Reconstruction, Recording, and Archiving before Complete Disappearance</text>
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                <text>This journal covers the topic of Malaysia, and how it is an area in the world where digital preservation is not that strong, which makes any historical heritage that can be found is at risk of being lost. As such, the journal covers cases where they go to Malaysia and gain digital version of information regarding historical buildings in Malaysia, such as the A&amp;W PJ contemporary restaurant and the structure of another building's design. There are a lot of historical elements within the Malaysian area that showcase a lot of the culture of the people, as well as giving a better idea of how the people lived, showcased in the architectural structures of the buildings that may not be seen used elsewhere. As such, it is seen as a wise decision to digitally document this information so that it may be found again in the future, preventing any of it from being lost or destroyed overtime. Methods of preserving these kinds of data required for the researches to go to these locations in person, taking close looks at the layout of the buildings, taking pictures of the ways that they were structured and built, then coming back to create 3D models of the buildings as  away to preserve their image.</text>
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                <text>Esmaeili, Human. Woods, Peter Charles. Thwaites, Harold</text>
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                <text>Gonzalez, Sean</text>
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                <text>Esmaeili, Human, et al.. "Virtual Preservation of Contemporary Architectural Heritage in Developing Countries in Absence of Protection: Digital Reconstruction, Recording, and Archiving before Complete Disappearance."  11th International Conference on Signal-Image Technology &amp; Internet-Based Systems, 2015&#13;
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
&#13;
This collection aims to highlight materials that pertain to the process of  preserving elements of the World Wide Web using of web crawlers for automated capture of content.</text>
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                <text> An Efficient Approach based on Polygon Approximation to Query Spatial Data  on Digital Archiving System</text>
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                <text>This research paper shows mathematical formulas that show the potential of a method known as "polygon approximation" that will allow for the digital query of digital archival systems to be improved upon to better their use. This methods improvements on the digital archiving system depends on what the focus is, because there will be drawbacks: if the polygon approximation improves the spatial query, then the precision of searches may be decreased. If the search precision is improved upon, then there wouldn't be as much spatial query. Through the use of diagrams and formulas, the source shows the reasons why the polygonal shape can help improve the way that we use digital archives, aiding in the search for methods to allow archives to be permanent and secure. How this method works all relies on the amount of sides that the polygon has in the formula, to where the more sides that the polygon has then the more efficient the spatial query would be, whereas the less sides that the polygon has results in the efficiency in the search precision. The decision made to best put this method to use would be to change the shape of the polygon according to the usage of the users, reflecting what would benefit them more in the moment.</text>
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                <text>Gonzalez, Sean</text>
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                <text>Su, Wei-Tsung, et al."An efficient approach based on polygon approximation to query spatial data on digital archiving system"  IEEE International Conference on Applied System Innovation, 2017</text>
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>This book explores different methods of digital preservation that are used by archivists across various institutions through a digital humanities lens.  It addresses not only the benefits of new technology, such as AI, but also how the negative aspects impact storing and accessing archival materials.</text>
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                <text> ISBN: 3-8394-5584-7&#13;
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                <text>Jaillant, Lise, ed. 2022. Archives, Access and Artificial Intelligence: Working with Born-Digital and Digitized Archival Collections. N.p.: transcript Verlag.&#13;
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text> Ethics in Archives: How Special Collections Protects Your Privacy</text>
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                <text>This online journal is informing towards understanding ethics in archives. The journal goes into the importance and process that archivists go through to respecting data in already existing collections. Privacy plays a grand part in ethics especially since it is the focus of maintaining collections private information. Without this sort of etiquette in archives there would be accessed data that would not be protected which allows for threats to cross over and cause problems. Yet the journal goes into demonstrating that each institution has different interpretations of ethics in their collections. Jessica Serrao presents this information through this known process in special collections through her own experience. The process is a constant reminder of what it takes to maintain and protect security data in collections. It is explained thoroughly by explaining the importance of each document that is viewed as containing valuable information. It is important for documents to go through this process so they can be removed or kept in the collections. The journal also summarizes The Richardson Papers Case where a professor’s files contained valuable students’ private information that were at risk of exposure.&#13;
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                <text>Jessica L. Serrao</text>
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                <text>Janet Jaimes</text>
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                <text>Serrao, Jessica L. “Ethics in Archives: How Special Collections Protects Your Privacy.” NC State University Libraries. North Carolina State University Libraries, July 27, 2017. https://www.lib.ncsu.edu/news/special-collections/ethics-in-archives:-how-special-collections-protects-your-privacy.&#13;
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text> How to Secure Copyright: The Law of Literary Property</text>
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                <text>The author of this book goes over some of the history of copyright and some of the current existing laws. He explains that under the current laws of the U.S., securing a copyright doesn't require publication, registration, or any other action in the U.S. Copyright Office. Instead, copyright protection is secured automatically upon the creation of a work. Copyright protection is available to original works of authorship, such as musical works, sound recordings, photographs, literary works, movies, television, and software. The owner of a copyright has certain exclusive rights, such as selling the work, performing the work publicly, reproducing the work, and creating derivative works. The copyright owner can also transfer ownership of the work, whether by complete transfer or by granting a license. He explains information about how to secure a copyright and the advantages of registration with the Copyright Office. He also gives advice on the legal aspect of how to do this properly and offers where to get help in doing this.</text>
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                <text>Wincor, Richard. How to Secure Copyright: The Law of Literary Property. Oceana Publications &#13;
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                  <text>Digital archiving is gaining increased attention by both the general public and the scholarly community. The proliferation of digital content through networked channels raises cultural awareness of the ephemeral as well as ubiquitous nature of digitization. This collection highlights critical arguments regarding the digital humanities and digital archiving. The featured studies provide a broad cultural context and essential questions for archive creation and scholarly digital humanities research.</text>
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                <text>Gail Hodge asserts that the rapid dissemination of digital “objects” occurred with “little regard for the long-term preservation of digital information.” Given the nature of the digital world, her analysis is as relevant in 2015 as it was in 2000. In an environment where file deletion, corruption, or accessibility is a constant concern, Hodge provides a step-by-step process that outlines some best practices to avoid some of the pitfalls digital practitioners face. She argues that rapid technological advances require users to incorporate appropriate standards during the creative process. Without a systematic approach, preservation becomes problematic. &#13;
&#13;
To address that issue, this study surveyed a variety of institutions including libraries, research institutions, and database publishers to gather information on what best practices had helped them confront these challenges. Hodge breaks the process down into six categories: creation, acquisition, metadata, storage, preservation, and access. In each aspect of the digital life-cycle, she gives practical advice on things such as determining what and what not to archive, copyright issues, hardware and software concerns, and migration issues. In regard to preservation, Hodge asserts that one of the most important aspects is to maintain the “look and feel” of the archive, despite what technological changes occur. </text>
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&#13;
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                <text>Hodge, Gail M. “Best Practices for Digital Archiving: An Information Life Cycle Approach.” D-Lib Magazine 6, no. 1 (January 2000). doi:10.1045/january2000-hodge.&#13;
&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Best Practices for Digital Archiving: An Information Life Cycle Approach."</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Hodge, Gail M.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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      <description>An item published by an online journal or magazine.</description>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>The topic of the resource</description>
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                <text>Uimonen discusses the Nordic Museum in Stockholm’s #MeToo collection and the public submissions to the collection. It also “analyses the museum’s rationale for collecting what is considered to be difficult cultural heritage.” Unlike most archives, it does not contain images. The article proposes a new visuality in digital archiving: “hashtag visuality.” The article claims it is visual representation of social media. The author argues that the amount this visuality for the hashtag occurs in Sweden is a statement regarding sexism and violence in a country that is believed to be feminist. The author states hashtag visuality has made an impact on how this topic is discussed and acted upon and that it has become a movement.&#13;
I think this journal’s discussion of hashtags impact on archiving and movements is important to consider for archiving purposes. It not only directly mentions archiving, but also how these hashtags start movements that need archiving work to be done. I liked how it considered a new form of visuality and how that impacts community archiving. I believe this article is different than other data in the archive and considers how social media is shaping human experience and movements. I think this is unique because older archiving would never consider how hashtags can influence the field.&#13;
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            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>Informa UK Limited</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2019-07-17&#13;
</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Alexis Cosio</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
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                <text>Uimonen, Paula. "# MeToo in Sweden: Museum Collections, Digital Archiving and Hashtag Visuality." Ethnos (2019): 1-18.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>What is an Archive?</text>
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              <description>An account of the resource</description>
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                  <text>Archives are collections of primary sources, cataloged and grouped for the purpose of preserving and making accessible the records of society’s cultural and historic heritage. Laura Millar, noted archivist and author of Archives principles and practices, defines the mission of archives “to acquire, preserve and make available the documentary memory of society…”(Millar 2010). These entries will focus on the explanation and description of an archive and why they are important to society. What does it mean to be an archive and what is the value of an archive?</text>
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    <elementSetContainer>
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            <description>A name given to the resource</description>
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                <text>500 Amazing Online Archives and Digital Collections You've Never Heard Of: US Edition</text>
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            <description>The topic of the resource</description>
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                <text>This source emphasizes the paradigm shift in genealogical research. According to this book, the landscape of genealogical research has undergone a profound transformation with people having access to millions of records available from the comfort of home. Despite this advancement, the intricate maze of online resources presents a formidable challenge for numerous researchers endeavoring to unravel the intricacies of their family history. Within the pages of &lt;em&gt;500 Amazing Online Archives and Digital Collections You've Never Heard Of – US Edition&lt;/em&gt;, readers are introduced to an expansive array of lesser-known repositories teeming with invaluable insights into ancestral lives. Each meticulously curated listing within the book serves as a gateway to a treasure trove of untold stories, essential for comprehensive genealogical exploration. By immersing themselves in these meticulously preserved archives, researchers stand to gain fresh perspectives and unearth previously undiscovered narratives, thereby bridging gaps within their family trees and fostering a deeper understanding of their ancestors’ lived experiences.</text>
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            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
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                <text>MacEntee, Thomas. &lt;em&gt;500 Amazing Online Archives and Digital Collections You’ve Never Heard Of: US Edition&lt;/em&gt;. Independently published, 2023.</text>
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    <tagContainer>
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                <text>A few too many? Some considerations on the digitisation of historical photographic archives </text>
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                <text>Baylis counters the idea that there are too many digitized historic photographs for public use by stating that there is too little information contextualizing these photographs. Using the Larcom Albums of 19th century Irish prison photographs housed in the New York Public Library’s photographic archive, Baylis reconstructs the original context of the photographs from each album, pointing out the differences in content, photographic style, technique, and description. She also recounts the history of the collection and the shift in meaning and context from when original owner, Larcom first organized and classified the prisoner photographs into an album to when albums transferred to a writer and eventually to the New York Public Library. Each album, while featuring prisoners from the same Irish prison within a similar time period, was unique in its categorization of criminal as opposed to political prisoners. However, because this information was recorded in a manuscript located elsewhere, the superficial visual similarities obscured the significant differences between the two albums. Since digitization of these photographs, they continue to be recreated in meaningful contexts far different from their origins. Genealogists interested in Irish ancestry are the predominant users of this collection, assembling individual photographs and records as an “assemblage” devoid of any “temporal anchoring.” Baylis notes that one of the results of digitization is the tendency to rely on photographs for surface meaning and visual reference, rather than recognize them as trace elements of a past, containing their own rich history and layers of meaning.  </text>
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                <text>Baylis, Gail</text>
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                <text>Polk, Victoria </text>
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                <text>Baylis, Gail. "A few too many? Some considerations on the digitisation of historical photographic archives." Paper presented at the MIT 6 Conference. Boston, MA,April 24-26 2009. &lt;a href="http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf"&gt;http://web.mit.edu/comm-forum/mit6/papers/Baylis.pdf&lt;/a&gt;</text>
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                  <text>Public interest in accessing and archiving digital audio and visual collections is finding support and expression in digital archives, digital libraries,digital museums and digital cultural heritage institutions. Large digital archives and institutions commonly provide instruction and community support for digitizing audio and visual content. In addition to these practical issues, this collection addresses the digital migration and representation of audiovisual and photographic artifacts.</text>
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                <text>A Free Digital Library</text>
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                <text>In a lecture at e.g. 2007 librarian Brewster Kahle introduced his radical idea to create a free, open access digital library with the aim of “bring[ing] all of the works of knowledge to as many people as want to read it.” He uses the Amazon.com website as a model for how he would like to organize, and provide access to the multimedia library he proposes. Kahle notes that digitization is the greatest challenge, arguing that a 10 cent per scanned page cost is miniscule compared to the demand and need for information to be digitized. Brewster continues by explaining how they have begun to seek out, and store audio and video by reaching out to artists, and individuals who are interested in storing and sharing their work for free. He discusses two of his projects “The Internet Archive,” and the “Wayback Machine” which respectively archive the web, and store previous images of websites at various points in time.</text>
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                <text>Kahle, Brewster. “A Free Digital Library.” Presentation at EG 2007, TED. Web.</text>
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