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                  <text>Individual, family, and community histories are increasingly being documented and preserved on the Internet through a wide array of social media, software products, and services. Stories, images, and video are being uploaded, organized, and accessed on the Web.  &#13;
&#13;
This collection aims to highlight methods and materials having to do with personal archiving, and its relationship to the field of digital archiving.</text>
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                <text>This resource from the Library of Congress, a well-trusted and respected organization, is a valuable one to share. The message of this article is to those who archive, and, as the article states, everyone does eventually have to deal with archiving information at some point. Ashenfelder provides an easy to understand and relatable discussion on archiving and how to go about understanding it. He discusses concepts such as clumps, work time, and work space, providing somewhat of a plan for those being introduced to the archiving process. Ashenfelder also provides information on different types of media and how archiving changes for each of these mediums. The quest to simplify and emphasize the use of digital archives is what will progress the field of digital archiving into the future, and through the content of the article it is clear that Ashenfelder and the Library of Congress encourages such evolution of technology. &#13;
I think this resource is both well-worded and well-researched. Ashenfelder provides external discussion on archiving through the interviews and discussions with experts such as Kells and McAleer which strengthens the reader’s understanding of archiving. With less technical and more relative information, this is a very good resource for those starting out with archiving, either in their personal lives or their studies on the subject. </text>
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                <text>Meagan Roge</text>
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                <text>Ashenfelder, Mike. “Your Personal Archiving Project: Where Do You Start?” The Signal, (2016). Accessed April 8, 2020. https://blogs.loc.gov/thesignal/2016/05/how-to-begin-a-personal-archiving-project/.</text>
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                <text>In this paper, they review the traditional control methods, like RCS and SCCS, and how they fall short as they discuss alternative solutions. They also discuss a reference-based versioning scheme that are efficient in storing, retrieving, and exchanging, and is also effective at supporting simple queries. They also talk about the possibility of a database using XML because of its description language and query languages. </text>
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                <text>Chien, Shu Yao, Vassilis J. Tsotras and Carlo Zaniolo. "XML Document Versioning." &lt;em&gt;ACM SIGMOD Record &lt;/em&gt;30.3 (2001): 46 - 53. Web.</text>
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                <text>This second edition of Jay David Bolter's classic text expands on the objectives of the original volume, illustrating the relationship of print to new media and examining how hypertext and other forms of electronic writing refashion or "remediate" the forms and genres of print. Reflecting the dynamic changes in electronic technology since the first edition, this revision incorporates the Web and other current standards of electronic writing. As a text for students in composition, new technologies, information studies and related areas, this volume provides a unique examination of the computer as a technology for reading and writing.</text>
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                <text>Bolter, J. David. &lt;em&gt;Writing Space: Computers, Hypertext, and the Remediation of Print&lt;/em&gt;. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.</text>
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                  <text>Items in this collection pertain to the ways one can use digital archives to teach digital humanities or related subjects. Specific pedagogies associated with the creation, management, preservation of archive content are also collected here.</text>
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                <text>This book serves as an anthology for the small, but growing body of research in archival practice in the field of rhetoric and composition. The anthology is divided into four broad categories: “general information for using archives,” which serves as an introduction to the challenges, and possibilities of entering into a digital research environment; “accessing the archives” suggests appropriate research methodologies that composition and rhetoric should employ in emergent spaces; “working with/through archival material” which has a series of essays that aim to help researchers understand, and contextualize digital research, and ideas for extending the research they conduct in archives beyond digital spaces; and “creating archives as research process” in which three essays serve as examples of how to approach the creation and management of a digital archive in rhetoric and composition.&#13;
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&#13;
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                <text>Library of Congress. “Why Digital Preservation is important for Everyone.” (April 2010). Video recording. Accessed June 15, 2012. &lt;a href="http://www.youtube.com/watch?v=qEmmeFFafUs"&gt;http://www.youtube.com/watch?v=qEmmeFFafUs.&lt;/a&gt;</text>
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                  <text>This collection represents the delicate balance digital archivists seek when designing an archive that preserves and provides access, while also ensuring all parties' right to privacy and intellectual property. Also known as risk management, archives must anticipate potential infringements of intellectual property and privacy rights, and guard the public's right to free and open access. Items in the collection address risk management issues and underscore the necessity for keeping current in legal and ethical archival practices.</text>
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                <text>Parry, Odette, and Natasha S. Mauthner. "Whose Data Are They Anyway? Practical, Legal and Ethical Issues in Archiving Qualitative Research Data." Sociology 38, no. 1 (2004): 139-52. Accessed April 13, 2020. www.jstor.org/stable/42856598.</text>
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                <text>This journal explains how social scientists are becoming encouraged to locate, access, and analyze data from data archives worldwide. It talks about how the vast majority of data archives which service the research community deal exclusively with the storage and provision of quantitative data. It explains how facilities exist for the deposit and reuse of qualitative data. In the journal, it brings up a point of how archiving is generally understood as relatively unproblematic by the quantitative research community. There is much concern stems from the assumption that qualitative data are similar to and may, therefore, be treated in the same way as quantitative data. A discussion is made about the arching of qualitative data raises a distinct set of issues surrounding confidentiality, respondent and researcher anonymity, and respondent consent. There is examination of the practical, legal and ethical issues which may affect the archiving of qualitative research data, which in doing so it reflects on the viability of using qualitative data for theoretical and substantive secondary analysis. There is an importance of drawing on the experience of other disciplines.&#13;
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                  <text>In 2003, the Library of Congress and the national libraries of Australia, Canada, Denmark, Finland, France, England and other countries formed the International Internet Preservation Consortium, and have spearheaded an international effort to preserve Internet content for future generations.&#13;
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                <text>Brügger, Niels. “When the Present Web Is Later the Past: Web Historiography, Digital History, and Internet Studies.” &lt;em&gt;Historical Social Research&lt;/em&gt; 37, no. 4 (2012): 102–17. Accessed April 22, 2016. &lt;a title="http://www.jstor.org/stable/41756477" href="http://www.jstor.org/stable/41756477" target="_blank"&gt;http://www.jstor.org/stable/41756477&lt;/a&gt;.</text>
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                  <text>Preservation in the archive involves the process of historical representation and connotes security, safety, and assurance that the collections will remain intact and uncorrupted for future generations to enjoy. Digital collections pose unique preservation challenges and require an assessment of risks, both material and intellectual, as part of the planning and  management policies. These entries illuminate standard archival preservation practices and present future trends.</text>
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                <text>In her presentation to the 2009 Media in Transition 6 Conference, Alison Byerly appeals to scholars of all disciplines to take an interest in web archiving and preserve the born digital byproducts of their daily online transactions. Byerly persuasively recounts reasons for valuing ephemera—accidental and unfiltered byproducts of daily life and work— and observes ephemera's unique status in the archive. She describes the accessioning and description of ephemera collections as a combination of professionalism and individual whimsy. These unofficial, curious remnants of the past provide rich historical context, even if they arrive without detailed documentation. In contrast to digital ephemera (such as popups and spam email) with their perceived lack of value and ease of disposal, print ephemera afford the fixity of time and distanced perspective that promote intellectual discovery. She avers that potential social and historical significance of electronic ephemera requires our recognition of its value and encourages individual as well as institutional acts of digital preservation. By enlisting all Internet users to preserve digital content they deem meaningful, Byerly believes the individual tastes and cultural oddities of this era may avoid becoming forgotten in the wake of impersonal, algorithmic-based search engines favoring a limited representation of digital content.</text>
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                <text>Byerly, Alison. "What Not To Save: The Future of Ephemera." Paper presented at the MIT 6 Conference. Boston, MA, April 2009.http://web.mit.edu/comm-forum/mit6/papers/Elish.pdf</text>
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