Video testimonies of Holocaust survivor stories are, in themselves, an archival medium. The conventions of shooting and distributing video convey an immediacy and an absence of cinematic artifice that reveal rather than obscure the unconscious and…
Close readings of literary texts afford the student opportunities for isolating and analyzing elements of text, thereby revealing cultural and stylistic influences of author, printer, and society. Digitization of print facilitates close reading by…
Kit Hughes and Heather Heckman solicited several film and media archivists to describe critical challenges facing both media scholars and preservationists of analog and digital media. Each essay in this journal addresses the technical necessity for…
Pamela Innes, linguistic anthropologist at the University of Wyoming, presents a solution for protecting the privacy and cultural heritage of indigenous people while balancing the need for public access to archival materials. She proposes that…
In this article, Venezia discusses the influence of the archive on the comics of Alan Moore and proposes using the archive as a “model and method” for “reading the history” presented in similar types of graphic narratives. Ephemeral objects of…
Author and archivist, Trevor Owens, discusses a wide range of issues relating to digital archives and preservation. In this blog, he describes crowdsourcing and offers a rationale for soliciting "citizen archivists" to contribute content to large…
Metadata is considered one of the most important assets of digital archives and is becoming increasingly familiar to the public at large. User-contributed metadata in the form of tagging, bookmarks, and even historic documentation for online museum…
The study of digital humanities is in transition as it adapts its origins in computation and textual analysis to the media-specific analysis and cultural conventions of emerging digital technologies. In this text, Matthew Gold gathers the varying…
Haskins examines the effects of the Internet on the memory work of archives and the informal, vernacular style of the broad public. Examples of the vernacular style of memory work include the spontaneous display of mementos at memorials or sites of…
Although the article is written for a British audience and the copyright laws and legislation regarding author/creator’s “moral rights” are different from the U.S. similar challenges from special interest groups and handling orphan works beset…